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Chin, S. H. L., and J. Berger, "Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology", Journal of New Music Research, vol. 39, issue 1, 05/2010.

Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.

Chafe, C., Bowed String Synthesis and Its Control From a Physical Model, , no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.

Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.

Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.

Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

Bauman, M. L., D. P. Berners, C. Chafe, P. Cook, D. A. Jaffe, T. Kunze, F. Lopez-Lezcano, G. P. Scavone, J. O. Smith III, T. Stilson, et al., "CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.

Chafe, C., A. Igoudin, D. A. Jaffe, M. Karjalainen, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, N. Porcaro, W. Putnam, et al., "CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.

Berger, J., C. Chafe, A. Igoudin, D. A. Jaffe, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, P. Scandalis, G. P. Scavone, et al., "CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.

Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.

Wang, G., P. R. Cook, and S. Salazar, "ChucK: A Strongly-timed Computer Music Language", Computer Music Journal, vol. 39, issue 4, 12/2015. Abstract

Wang, G., R. Fiebrink, and P. Cook, "Combining Analysis and Synthesis in the ChucK Programming Language", International Computer Music Conference, Copenhagen, 2007. Abstract

Smallwood, S., D. Trueman, P. Cook, and G. Wang, "Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008. Abstract

Chowning, J., J. M. Grey, L. Rush, and J. A. Moorer, Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.

Chaigne, A., Coupled Structural-Acoustic Systems. Application to Stringed Instruments, , no. STAN-M-119: Stanford University, Department of Music, 2004.

Chomyszyn, J., Distance of Sound in Reverberant Fields, , vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.

Fiebrink, R., G. Wang, and P. R. Cook, "Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control", A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017. Abstract

Cassidy, R. J., and J. O. Smith III, "Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT", Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.

Carter, N., A Generalized Approach to Automatic Recognition of Music Scores, , no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.

Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.

Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.

Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.

Cohen, E. A., The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.

Chowning, J., J. M. Grey, J. A. Moorer, and L. Rush, Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.

Chowning, J., and B. Mont-Reynaud, Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.

Chowning, J., L. Rush, B. Mont-Reynaud, C. Chafe, W. A. Schloss, and J. O. Smith III, Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.

Kapur, A., G. Wang, P. P. Davidson, and P. Cook, "Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.

Cáceres, J. - P., and C. Chafe, "JackTrip/SoundWIRE Meets Server Farm", Proceedings of 6th Sound and Music Computing Conference, Porto, Portugal, pp. 95–98, 2009.

Cáceres, J. - P., and C. Chafe, "JackTrip/SoundWIRE Meets Server Farm", Computer Music Journal, vol. 34, no. 3, 2010.

Wang, G., D. Trueman, S. Smallwood, and P. Cook, "The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008. Abstract

Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.

Bosi, M., "MPEG Audio Compression Basics", The MPEG Representation of Digital Media: Springer, 2012.

Chowning, J., Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.

Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract

Cook, P., "Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.

Wang, G., and P. R. Cook, "On-the-fly Programming: Using Code as an Expressive Musical Instrument", A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017. Abstract

Cassidy, R. J., and J. O. Smith III, "An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals", Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.

Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.

Cáceres, J. - P., and A. B. Renaud, "Playing the Network: the Use of Time Delays as Musical Devices", International Computer Music Conference, pp. 244-250, 2008.

Chafe, C., Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.

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