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"Interactive User-Feedback for Sound Source Separation", International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
"Musical Influence Network Analysis and Rank of Sampled-Based Music", 12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
"ISSE: An Interactive Source Separation Editor", CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates", IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
"User-Guided Variable-Rate Time-Stretching Via Stiffness Control", 15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012.
MoMu: A Mobile Music Toolkit, , Sydney, Australia, 06/2010.
"Impulse Response Measurements in the Presence of Clock Drift", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
"Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
"An Efficient Posterior Regularized Latent Variable Model for Interactive Sound Source Separation", International Conference on Machine Learning, Atlanta, GA, 06/2013.
"Two Turntables and a Mobile Phone", International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011.
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display", International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
"MPEG Audio Compression Basics", The MPEG Representation of Digital Media: Springer, 2012.
A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.
"Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings", Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings", EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion", IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation", Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.
"The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010.
"Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
"A Tangible Virtual String", Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.
"Active Damping of a Vibrating String", Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Feedback Control of Acoustic Musical Instruments", STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
"Some Physical Audio Effects", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs", The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Impulse Response Measurement Toolbox, , 2008.
"Inducing Unusual Dynamics in Acoustic Musical Instruments", Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.