Next: Publications Up: CCRMA OVERVIEW Previous: Recordings

Publications

The following is an extensive list of publications by people from CCRMA. A printed list of CCRMA publications from 1970-1995 is available from CCRMA as Stanford University Department of Music Technical Report STAN-M-103.

Stanford University Department of Music Technical Reports are available from CCRMA. Many STANMs have been scanned, and are available online at http://ccrma.stanford.edu/STANM/.

Publications with notated prices are available in hardcopy form from CCRMA.

Abe, M. and Smith III, J. O. (2004).: Design criteria for simple sinusoidal parameter estimation based on quadratic interpolation of FFT magnitude peaks.
Audio Engineering Society Convention, San Francisco, Preprint 6256.
Abel, J. S. and Smith, J. O. (1991).: Restoring a clipped signal.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Toronto, New York. IEEE Press.
($3.00).
Bauman, M. L. (1995).: The International Digital Electroacoustic Music Archive.
In ICMC (1995).
(Also contained in STAN-M-91).
Bauman, M. L., Diener, G. R., and Mathews, M. V. (1991).: The International Digital Electroacoustic Music Archive.
In ICMC (1991).
Ben-Tal, O., Berger, J., and Daniels, M. (2001a).: De natura sonoris: Sonification of complex data.
In Mathematics and Simulation with Biological, Economical and Musioacoustical Applications; Mathematics and Computers in Science and Engineering, p. 330. WSEAS Press.
Edited by Attellis, Kluv and Mastorakis.
Ben-Tal, O., Berger, J., and Daniels, M. (2001b).: Sonification in science and art.
In Proceedings of the 2001 ESCOM Conference, Liege, Belgium.
Bensa, J., Bilbao, S., Kronlan-Martinet, R., and Smith III, J. O. (2002).: From the physics of piano strings to digital waveguides.
In ICMC (2002).
Bensa, J., Bilbao, S., Kronland-Martinet, R., and Smith, J. (2004).: Computational modeling of stiff piano strings using digital waveguides and finite differences.
EURASIP Journal on Applied Signal Processing, 4.
(special issue on string modeling), in review.
Bensa, J., Bilbao, S., Kronland-Martinet, R., and Smith III, J. O. (2003a).: The simulation of piano string vibration: from physical models to finite difference schemes and digital waveguides.
Journal of the Acoustical Society of America, 114(2):1095-1107.
Bensa, J., Kronland-Martinet, R., Bilbao, S., and Smith, J. (2003b).: A power-normalized non-linear lossy piano hammer.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), available online at http://www.speech.kth.se/smac03/, pp. 365-368, Stockholm. Royal Swedish Academy of Music.
Berger, J. (1996).: Modeling the degree of realized expectation in functional tonal music: A study of perceptual and cognitive modeling using neural networks.
In ICMC (1996).
Berger, J. (1998).: Connected to what?
JOURNAL of the College Music Society.
Plenary ADDRESS, 1997.
Berger, J. (1999a).: The ghost of johannes brahms.
In Proceedings of the TED IX (CD-ROM disk 1), Monterey, CA.
Berger, J. (1999b).: Modeling composition, performance and listening.
In Music at the Crossroads: Technology and Composition Pedagogy, Rubin Academy of Music, Jerusalem.
Plenary ADDRESS. Proceedings published in Art in Time, Vol. 4, Issue 1, pg. 53, 1999.
Berger, J. (2001a).: Musical Expectations.
Cambridge, MA: MIT Press.
Berger, J. (2001b).: Who cares if it listens?
In Virtual Music: Computer Synthesis of Musical Style. Cambridge, MA: MIT Press.
Edited by D. Cope.
Berger, J., Coifman, R., and Goldberg, M. (1995).: Denoising a recording of caruso using local trigonometric bases with lp entropy as cost function.
In Proceedings of the Central Section Meeting of the American Mathematical Society, Chicago, Illinois. American Mathematical Society.
Presentation in special session Extensions and applications of harmonic analysis: Spaces of homogeneous type and wavelet analysis.
Berger, J., Coifman, R., and Goldberg, M. (1996).: Using adaptive basis selection to separate noise from music.
In Proceedings of the 16th Workshop on Pure Mathematics: Nonlinear Partial Differential Equations and their Applications, pp. 133-143, Chuncheon, S. Korea. Pure Math. Research Assoc. and the Korean Academic Council.
Berger, J., Coifman, R. R., and Goldberg, M. J. (1994).: Removing noise from music using local trigonometric bases and wavelet packets.
Journal of the Audio Engineering Society, 42(10):808-818.
($3.00).
Berger, J. and Cook, P. R. (1999).: Sonification report: Status of the field and research agenda.
Tech. rep., CCRMA.
Prepared for the National Science Foundation by members of the International Community for Auditory Display (ed. G. Kramer et al.).
Berger, J., Dannenberg, Morales, and Morales (2002).: SICIB: An Interactive Music Composition System Through Body Movements.
Computer Music Journal.
Berger, J. and Gang, D. (1997).: A neural network model of metric perception and cognition in the audition of functional tonal music.
In ICMC (1997), p. 158.
(Also contained in STAN-M-101).
Berger, J. and Gang, D. (1998).: A computational model of meter cognition during the audition of functional tonal music: Modeling a-priori bias in meter cognition.
In ICMC (1998), p. 253.
Berger, J. and Gang, D. (1999).: A unified neurosymbolic model of the mutual influence of memory, context and prediction of time ordered sequential events during the audition of tonal music.
Tech. rep., Am. Assoc. of Artificial Intelligence Technical Report SS-99-05.
Berger, J. and Gang, D. (2000).: A real time model of the formulation and realization of musical expectations.
Music Perception.
Submitted for publication.
Berger, J. and Nichols, C. (1994).: Brahms at the piano: An analysis of data from the brahms cylinder.
Leonardo Music Journal, 4.
Berners, D. (1999).: Acoustics and Signal Processing Techniques for Physical Modeling of Brass Instruments.
Ph.D. thesis, Dept. of Electrical Engineering, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-105 ($14.00).
Berners, D. P. and Smith, J. O. (1994).: On the use of Schroeder's equation in the analytic determination of horn reflectance.
In ICMC (1994), pp. 419-422.
(Also contained in STAN-M-89).
Berners, D. P. and Smith, J. O. (1995).: Super-spherical wave simulation in flaring horns.
In ICMC (1995), pp. 112-113.
(Also contained in STAN-M-91).
Bilbao, S. (2001).: Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation.
Ph.D. thesis, Department of Electrical Engineering, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-108 ($28.00).
Bilbao, S. and Smith, J. (2003).: Stability bounds and the reduction of directional dispersion in explicit finite difference schemes for plates.
IEEE Transactions on Speech and Audio Processing.
accepted for publication.
Bilbao, S., Smith, J., Bensa, J., and Kronland-Martinet, R. (2002).: A power-normalized wave digital piano hammer.
Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6.
Boie, R. and Mathews, M. V. (1989).: The radio drum as a synthesizer controller.
In ICMC (1989).
Borish, J. (1983a).: An auditorium simulator for home use.
Preprint of the Audio Engineering Society 74th Convention, 1983 October 8-12, New York. ($3.00).
Borish, J. (1983b).: A digital delay line.
The Audio Amateur, 1/83:7-12.
Parts I and II. ($3.00).
Borish, J. (1984a).: Electronic Simulation of Auditorium Acoustics.
Ph.D. thesis, Elec. Eng. Dept., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-18 ($13.00).
Borish, J. (1984b).: Extension of the image model to arbitrary polyhedra.
Journal of the Acoustical Society of America, 75(6):1827-1836.
($3.00).
Borish, J. and Angel, J. B. (1983).: An efficient algorithm for measuring the impulse response using pseudo-random noise.
Journal of the Audio Engineering Society, 31(7):478-488.
($3.00).
Bosi, M. (1990).: A real-time system for spatial distribution of sound.
Tech. Rep. STAN-M-66, Stanford University Department of Music.
($4.00).
Bosi, M. and Goldberg, R. (2002).: Introduction to Digital Audio Coding and Standards.
Kluwer Academic Publishers.
ISBN 1-4020-7357-7.
order online at http://www.wkap.nl/prod/b/1-4020-7357-7.
Burns, C. (2001).: Realizing lucier and stockhausen: Case studies in electroacoustic performance practice.
In ICMC (2001).
Burns, C. (2002a).: Realizing lucier and stockhausen: Case studies in electroacoustic performance practice.
Journal of New Music Research, 31(1):59-68.
Burns, C. (2002b).: Tracing compositional process: Software synthesis code as documentary evidence.
In ICMC (2002), pp. 568-571.
Burns, C. (2003).: Emergent behavior from idiosyncratic feedback networks.
In ICMC (2003).
Burns, C., editor (2004).: CCRMA Overview, April 2004, Stanford University Department of Music Technical Report STAN-M-112b.
($6.00).
Burns, C. and Burtner, M. (2004).: Recursive audio systems: Acoustic feedback in composition.
Leonardo Electronic Almanac, 12(2).
Burns, C., Serafin, S., and Burtner, M. (2003).: Musical applications of multichannel generalized waveguides.
In SMAC (2003b).
Burtner, M. and Serafin, S. (2000).: Extended performance techniques for a virtual instrument.
In DAFX (2000).
Carter, N. P. (1993).: A generalized approach to automatic recognition of music scores.
Tech. Rep. STAN-M-87, Stanford University Department of Music.
($7.00).
Cassidy, R., Berger, J., and Lee, K. (2004a).: Auditory display of hyperspectral colon tissue images using vocal synthesis models.
In Proceedings of International Conference on Auditory Display, Sydney, Australia.
Cassidy, R. J. (2004).: Dynamic range compression of audio signals consistent with recent time-varying loudness models.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Montreal, pp. iv-213-iv216, New York. IEEE Press.
Cassidy, R. J., Berger, J., Lee, K., Maggioni, M., and Coifman, R. R. (2004b).: Auditory display of hyperspectral colon tissue images using vocal synthesis models.
In Proceedings of the 2004 International Conference on Auditory Display. International Community for Auditory Display (ICAD).
Chaf, C., Gurevich, M., Leslie, G., and Tyan, S. (2004).: Effect of time delay on ensemble accuracy.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2004), Taipei, Taiwan.
Chafe, C. (1985).: Bowed string synthesis and its control from a physical model.
Tech. Rep. STAN-M-32, Stanford University Department of Music.
(Replaced by STAN-M-48).
Chafe, C. (1989).: Simulating performance on a bowed instrument.
In J. Pierce and M. V. Mathews, editors, Current Directions in Computer Music. MIT Press.
Also available as Stanford University Department of Music Technical Report STAN-M-48, May 1988 ($4.00).
Chafe, C. (1990a).: Pulsed noise and microtransients in physical models of musical instruments.
Tech. Rep. STAN-M-65, Stanford University Department of Music.
($3.00).
Chafe, C. (1990b).: Pulsed noise in self-sustained oscillations of musical instruments.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, New York. IEEE Press.
Also available as Stanford University Department of Music Technical Report STAN-M-61, January 1990 ($3.00).
Chafe, C. (1991).: Dream machine 1990.
Computer Music Journal, 15(4):62-64.
Chafe, C. (1993).: Tactile audio feedback.
In ICMC (1993).
(Also contained in STAN-M-81).
Chafe, C. (1995a).: Adding vortex noise to wind instrument physical models.
In ICMC (1995), pp. 57-60.
(Also contained in STAN-M-91).
Chafe, C. (1995b).: Adding vortex noise to wind instrument physical models.
In Proceedings of the 1995 International Meeting on Physical Modeling. Institute for Psychoacoustic and Music Research, University of Thessaloniki, Greece.
Chafe, C. (1997).: Statistical pattern recognition for prediction of solo piano performance.
In ICMC (1997).
(Also contained in STAN-M-101).
Chafe, C. (1999).: Interplay(er) machines.
Contemporary Music Review, 18(3):87-95.
Chafe, C. (2000).: Round table.
Electronic book, edited by Wanderley, M. and Battier, M.
Chafe, C. (2002).: Oxygen flute, a computer music instrument that grows.
In Proceedings of the 2002 Keihanna Multimedia Festival, Kyoto, Japan.
Chafe, C. (2003).: Distributed internet reverberation for audio collaboration.
In Proceedings of the 24th Audio Engineering Society, Banff, Canada.
Chafe, C. (2004).: Physical model synthesis in music composition.
Proc., International Congress on Acoustics, Kyoto.
Chafe, C. (2005).: Oxygen flute, a computer music instrument that grows.
Journal of New Music Research, 34.
to appear.
Chafe, C. and Jaffe, D. (1986).: Source separation and note identification in polyphonic music.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, New York. IEEE Press.
Also available as Stanford University Department of Music Technical Report STAN-M-34 ($3.00).
Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., and Smith, J. (1985a).: Techniques for note identification in polyphonic music.
In ICMC (1985).
Also available as Stanford University Department of Music Technical Report STAN-M-29, April 1986 ($3.00).
Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., and Smith, J. O. (1985b).: Techniques for note identification in polyphonic music.
In Proceedings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada. Computer Music Association.
Chafe, C. and Leistikow, R. (2001).: Levels of temporal resolution in sonification of network performance.
In Proceedings of the 2001 International Conference On Auditory Display, Helsinki, Finland.
Chafe, C., Mont-Reynaud, B., and Rush, L. (1982).: Toward an intelligent editor of digital audio: Recognition of musical constructs.
Computer Music Journal, 6(1):30-41.
($3.00).
Chafe, C. and O'Modhrain, S. (1996).: Musical muscle memory and the haptic display of performance nuance.
In ICMC (1996).
(Also contained in STAN-M-99).
Chafe, C., Shalunov, C., and Teitelbaum, B. (2000a).: QoS enabled audio teleportation.
IEEE / ACM Super Computing 2000, research exhibit (Most Captivating Application: Net Challenge Prize). Contributions from the entire SoundWIRE team.
Chafe, C., Smith, J., and Wood, P. (1986).: Current work at CCRMA: An overview.
In ICMC (1986).
Chafe, C., Wilson, S., Leistikow, R., Chisholm, D., and Scavone, G. (2000b).: A simplified approach to high quality music and sound over IP.
In DAFX (2000).
Chafe, C., Wilson, S., and Walling, D. (2002).: Physical model synthesis with application to internet acoustics.
In Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Orlando, Florida.
Chomyszyn, J. (1994).: Loudness of musical sounds in a reverberant environment.
In ICMC (1994).
(Also contained in STAN-M-89).
Chomyszyn, J. (1995).: Distance of Sound in Reverberant Fields.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-94 ($12.00).
Chowning, J. M. (1970).: The simulation of moving sound sources.
Preprint of the Audio Engineering Society 38th Convention, 1970 May 4-7, New York. ($3.00).
Chowning, J. M. (1972).: The Stanford computer music project.
Chowning, J. M. (1973).: The synthesis of complex audio spectra by means of frequency modulation.
Journal of the Audio Engineering Society, 21(7):526-534.
Reprinted in Curtis Roads and John Strawn, eds. Foundations of Computer Music, Cambridge, MA: MIT Press, 1985 ($3.00).
Chowning, J. M. (1980).: Computer synthesis of the singing voice.
In J. Sundberg, editor, Sound Generation in Winds, Strings, Computers, pp. 4-13. Stockholm, Sweden: Royal Swedish Academy of Music.
($3.00).
Chowning, J. M. (1985).: John Chowning on composition.
In C. Roads, editor, Composers and the Computer. Los Altos, California: William Kaufmann, Inc.
Chowning, J. M. (1990).: Music from machines: Perceptual fusion and auditory perspective - for Ligeti.
Tech. Rep. STAN-M-64, Stanford University Department of Music.
($4.00).
Chowning, J. M. and Bristow, D. (1986).: FM theory and applications.
Chowning, J. M., Chafe, C., Gordon, J. W., and Wood, P. (1982a).: Studio report: The Stanford Center for Computer Research in Music and Acoustics.
In ICMC (1982).
($3.00).
Chowning, J. M., Grey, J. M., Moorer, J. A., and Rush, L. (1982b).: Instrumental timbre and related acoustical phenomena in the perception of music, Final Report.
Tech. Rep. STAN-M-11, Stanford University Department of Music.
($4.00).
Chowning, J. M., Grey, J. M., Rush, L., and Moorer, J. A. (1974).: Computer simulation of music instrument tones in reverberant environments.
Tech. Rep. STAN-M-1, Stanford University Department of Music.
($6.50).
Chowning, J. M., Grey, J. M., Rush, L., Moorer, J. A., and Smith, L. (1978).: Simulation of music instrument tones in reverberant environments, Final Report.
Tech. Rep. STAN-M-8, Stanford University Department of Music.
($3.00).
Chowning, J. M. and Mont-Reynaud, B. (1986).: Intelligent analysis of composite acoustic signals, Final Report.
Tech. Rep. STAN-M-36, Stanford University Department of Music.
($4.00).
Chowning, J. M., Rush, L., Mont-Reynaud, B., Chafe, C., Schloss, A., and Smith, J. (1984).: Intelligent systems for the analysis of digitized acoustic signals, Final Report.
Tech. Rep. STAN-M-15, Stanford University Department of Music.
($6.00).
Chowning, J. M. and Sheeline, C. (1982).: Auditory distance perception under natural sounding conditions, Final Report.
Tech. Rep. STAN-M-12, Stanford University Department of Music.
($5.00).
Cook, P. R. (1987).: Numerical solution of boundary value problems in music acoustics.
In IEEE 1986 Student Papers.
($4.00).
Cook, P. R. (1988a).: Implementation of single reed instruments with arbitrary bore shapes using digital waveguide filters.
Tech. Rep. STAN-M-50, Stanford University Department of Music.
($5.00).
Cook, P. R. (1988b).: Reverberation cancellation in musical signals using adaptive filters.
Tech. Rep. STAN-M-51, Stanford University Department of Music.
Originally published June 1987, ($5.00).
Cook, P. R. (1989).: Synthesis of the singing voice using a physically parameterized model of the human vocal tract.
In ICMC (1989).
Also available as Stanford University Department of Music Technical Report STAN-M-57 ($3.00).
Cook, P. R. (1990a).: Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing.
Ph.D. thesis, Dept. of Elec. Eng., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-68 ($16.00).
Cook, P. R. (1990b).: SPASM: A real-time vocal tract physical model editor, controller, and singer: The companion software synthesis system.
In Proceedings of the Colloquium on Physical Modeling, Grenoble, France. ACROE.
Cook, P. R. (1991a).: LECTOR: An ecclesiastical latin control language for the spasm/singer instrument.
In ICMC (1991).
Also available as Stanford University Department of Music Technical Report STAN-M-76 ($3.00).
Cook, P. R. (1991b).: Noise and aperiodicity in the glottal source: A study of singer voices.
In Twelfth International Congress of Phonetic Sciences, Aix-en-Provence, France.
Also available as Stanford University Department of Music Technical Report STAN-M-75 ($3.00).
Cook, P. R. (1991c).: Non-linear periodic prediction for on-line identification of oscillator characteristics of woodwind instruments.
In ICMC (1991).
(Also contained in STAN-M-73).
Cook, P. R. (1991d).: TBone: An interactive waveguide brass instrument synthesis workbench for the next machine.
In ICMC (1991), pp. 297-299.
(Also contained in STAN-M-73).
Cook, P. R. (1992).: A meta-wind-instrument physical model, and a meta-controller for real time performance control.
In ICMC (1992), pp. 273-276.
(Also contained in STAN-M-80).
Cook, P. R. (1995a).: A hierarchical system for controlling synthesis by physical modeling.
In ICMC (1995), pp. 108-109.
(Also contained in STAN-M-91).
Cook, P. R. (1995b).: Integration of physical modeling for synthesis and animation.
In ICMC (1995), pp. 525-528.
(Also contained in STAN-M-91).
Cook, P. R. (1995c).: An investigation of singer pitch deviation as a function of pitch and dynamics.
In Thirteenth International Congress of Phonetic Sciences, pp. 1:202-205. KTH, Stockholm, Sweden.
Cook, P. R. (1995d).: Speech and singing synthesis using physical models, some history and future directions.
In Greek Symposium on Physical Models and Applications in Psychoacoustics, Thessaloniki, Greece. Aristotle University of Thessaloniki.
Cook, P. R. (1996).: Singing voice synthesis: History, current work, and future directions.
Computer Music Journal, 20(3).
Cook, P. R., editor (1999).: Music, Cognition and Computerized Sound: An Introduction to Psychoacoustics.
Cambridge, MA: MIT Press.
Cook, P. R., Kamarotos, D., Diamantopoulos, T., and Philippis, G. (1993a).: IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument.
In ICMC (1993).
(Also contained in STAN-M-81).
Cook, P. R. and Morrill, D. (1989).: Hardware, software, and compositional tools for a real time improvised solo trumpet work.
In ICMC (1989).
Also available as Stanford University Department of Music Technical Report STAN-M-56 ($3.00).
Cook, P. R., Morrill, D., and Smith, J. O. (1993b).: A MIDI control and performance system for brass instruments.
In ICMC (1993).
(Also contained in STAN-M-81).
Cook, P. R. and Scavone, G. P. (1999a).: Synthesis ToolKit in C++, Version 2.02.
In SIGGRAPH 1999, Course Notes #23, Virtual Worlds/Real Sounds. Association for Computing Machinery.
Cook, P. R. and Scavone, G. P. (1999b).: The Synthesis ToolKit (STK).
In ICMC (1999), pp. 164-166.
Cook, P. R. and Scavone, G. P. (2003).: The Synthesis ToolKit (STK) in C++.
In Audio Anecdotes: A Cookbook of Audio Algorithms and Techniques. Natick, MA: A.K. Peters.
Edited by Ken Greenbaum.
DAFX (2000).: Proceedings of the 2000 International Conference On Digital Audio Effects, Verona, Italy. European Cooperation in the field of Scientific and Technical Research.
DAFX (2004).: Proceedings of the Conference On Digital Audio Effects (DAFx-04), Naples, Italy. European Cooperation in the field of Scientific and Technical Research.
de la Cuadra, P. and Fabre, B. (2004).: Analysis of jet instability in flute-like instruments by means of image processing: effect of the excitation amplitude.
ISMA, International Symposium on Musical Acoustics.
de la Cuadra, P. and Fabre, B. (2005).: Analysis of flute control parameters: A comparison between a novice and an experienced flautist.
Submitted to Forumacousticum Budapest 2005.
de la Cuadra, P., Fabre, B., Abel, J., and Smith, J. O. (2005).: A physical model and experimental testbed for real-time simulation of flute-like instruments.
Presented at 149th Meeting of the Acoustical Society of America. Paper submitted to WASPAA, Workshop on Applications of Signal Processing to Audio and Acoustics 2005.
de la Cuadra, P., Fabre, B., Henrich, N., and Robin, T. (2004).: Analysis of jet instability in flute-like instruments by means of image processing : effect of the channel geometry on the jet instability.
ICA, 18th International Congress on Acoustics.
de la Cuadra, P., Master, A., and Sapp, C. (2001a).: Efficient pitch detection techniques for interactive music.
In ICMC (2001), pp. 403-406.
de la Cuadra, P., Smyth, T., Chafe, C., and Baoqiang, H. (2001b).: Waveguide simulation of neolithic chinese flutes.
Proceedings of ISMA, International Symposium on Musical Acoustics, Perugia, Italy.
de la Cuadra, P., Vergez, C., and Caussé, R. (2002).: Use of physical-model synthesis for developing experimental techniques in ethnomusicology- the case of the ouldeme flute.
In ICMC (2002).
de la Cuadra, P., T. S., Chafe, C., and Baoqiang, H. (2001c).: Waveguide simulation of neolithic chinese flutes.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001), Perugia, Italy.
Deshpande, H., Singh, R., and Nam, U. (2001).: Classification of music signals in the visual domain.
In Proceedings of the 2001 International Conference On Digital Audio Effects, Limerick, Ireland.
Deutsch, D. and Pierce, J. (1992).: The climate of auditory imagery and music.
In D. Reisberg, editor, Auditory Imagery. New Jersey: Lawrence Erlbaum Associates.
Diener, G. (1988a).: Designing digital instruments with hierarchical waveguide networks.
Tech. Rep. STAN-M-49, Stanford University Department of Music.
($4.00).
Diener, G. (1988b).: TTREES: An active data structure for computer music.
Tech. Rep. STAN-M-53, Stanford University Department of Music.
($4.00).
Diener, G. (1989a).: Nutation: Structural organization versus graphical generality in a common music notation program.
In ICMC (1989).
Also available as Stanford University Department of Music Technical Report STAN-M-59, September 1989 ($3.00).
Diener, G. (1989b).: TTREES: A tool for the compositional environment.
Computer Music Journal, 13(2):77-85.
($4.00).
Diener, G. (1990).: Modeling Music Notation: A Three-Dimensional Approach.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-69 ($13.00).
Dyer, L. (1991).: An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control.
Ph.D. thesis, California Institute of Technology.
Available as Stanford University Department of Music Technical Report STAN-M-78 ($16.00).
Foster, S., Schloss, W. A., and Rockmore, A. J. (1982).: Toward an intelligent editor of digital audio: Signal processing methods.
Computer Music Journal, 6(1):42-51.
($3.00).
Friedlander, B. and Smith, J. O. (1984).: Analysis and performance evaluation of an adaptive notch filter.
IEEE Transactions on Information Theory, 30(2):283-295.
($3.00).
Fujishima, T. (1999).: Realtime chord recognition of musical sound: a system using common lisp music.
In ICMC (1999), pp. 464-467.
Gang, D. and Berger, J. (1998).: A computational model of meter cognition during the audition of functional tonal music: Modeling a-priori bias in meter cognition.
In ICMC (1998).
Gang, D. and Berger, J. (1999).: A unified neurosymbolic model of the mutual influence of memory, context and prediction of time ordered sequential events during the audition of tonal music.
In Hybrid Systems and AI: Modeling, Analysis and Control of Discrete + Continuous Systems, Stanford University, CA. AAAI 1999 Spring Symposium.
Garcia, G. and Pampin, J. C. (1999).: Data compression of sinusoidal modeling parameters based on psychoacoustic masking.
In ICMC (1999), pp. 40-43.
Garnett, G. E. (1987).: Modeling piano sound using waveguide digital filtering techniques.
In ICMC (1987).
($3.00).
Gillespie, B. (1992a).: Dynamical modeling of the grand piano action.
In ICMC (1992).
(Also contained in STAN-M-80).
Gillespie, B. (1992b).: The touchback keyboard.
In ICMC (1992).
(Also contained in STAN-M-80).
Gillespie, B. (1994).: Virtual piano action: Design and implementation.
In ICMC (1994).
(Also contained in STAN-M-89).
Gillespie, B. (1996).: Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action.
Ph.D. thesis, Dept. of Mech. Eng. Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-92 ($12.00).
Gillespie, B. and O'Modhrain, S. (1995).: The moose: A haptic user interface for blind persons with application to the digital sound studio.
Tech. Rep. STAN-M-95, Stanford University Department of Music.
($5.00).
Gordon, J. W. (1984).: Perception of Attack Transients in Musical Tones.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-17 ($9.00).
Gordon, J. W. (1985).: System architecture for computer music.
Computing Surveys, 17(2):192-233.
($4.00).
Gordon, J. W. (1987a).: The perceptual attack time of musical tones.
Journal of the Acoustical Society of America, 82(1):88-105.
($3.00).
Gordon, J. W. (1987b).: The role of psychoacoustics in computer music.
Tech. Rep. STAN-M-38, Stanford University Department of Music.
($4.00).
Gordon, J. W. and Grey, J. M. (1978).: Perception of spectral modifications on orchestral instrument tones.
Computer Music Journal, 2(1):24-31.
($3.00).
Gordon, J. W. and Smith, J. O. (1985).: A sine generation algorithm for VLSI applications.
In ICMC (1985).
($3.00).
Gordon, J. W. and Strawn, J. (1985).: An introduction to the phase vocoder.
In J. Strawn, editor, Digital Audio Signal Processing: An Anthology. Los Altos, CA: William Kaufmann.
Also available as Stanford University Department of Music Technical Report STAN-M-55, February 1987 ($6.00).
Grey, J. M. (1975).: An Exploration of Musical Timbre.
Ph.D. thesis, Dept. of Psychology, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-2 ($10.00).
Grey, J. M. (1977a).: Experiments in the perception of instrumental timbre.
In Bulletin of the Council for Research in Music Education.
Invited Paper.
Grey, J. M. (1977b).: Multidimensional perceptual scaling of musical timbres.
Journal of the Acoustical Society of America, 61(5):1270-1277.
($3.00).
Grey, J. M. (1978).: Timbre discrimination in musical patterns.
Journal of the Acoustical Society of America, 64(2):467-472.
($3.00).
Grey, J. M. and Gordon, J. W. (1978).: Perceptual effects of spectral modifications on musical timbres.
Journal of the Acoustical Society of America, 63(5):1493-1500.
($3.00).
Grey, J. M. and Moorer, J. A. (1977).: Perceptual evaluation of synthetic musical instrument tones.
Journal of the Acoustical Society of America, 62(2):454-462.
($3.00).
Gurevich, M. and von Muehlen, S. (2001a).: The accordiatron: A gestural interface for interactive music.
In Proceedings of the 2001 International Computer Music Conference, Havana, Cuba. International Computer Music Association.
Gurevich, M. and von Muehlen, S. (2001b).: The accordiatron: A midi controller for interactive music.
In Proceedings of the Conference on Human Factors in Computing Systems (CHI 2001), Seattle.
Hatanaka, M. (2003).: Ergonomic design of a portable musical instrument.
In Proceedings of the 2003 New Interfaces for Musical Expression (NIME-03), Montreal, Canada.
Hewlett, W. B. (1995-96).: A derivative database format for high-speed searches.
Computing in Musicology, pp. 131-142.
Hewlett, W. B. and Selfridge-Field, E., editors (1998).: Musical Similiarity: Concepts, Procedures, and Applications (Computing in Musicology 11).
Cambridge, MA: MIT Press.
For contents see http://www.ccarh.org/publications/books/cm/vol/11/.
Hintzman, D. L., Caulton, D. A., and Levitin, D. J. (1998).: Retrieval dynamics in recognition and list discrimination: Further evidence of separate processes of familiarity and recall.
Memory and Cognition, 26(3):449-462.
Hirschman, S. (1991).: Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments.
Engineering thesis, Elec. Eng. Dept., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-72 ($12.00).
Hirschman, S., Cook, P. R., and Smith, J. O. (1991).: Digital waveguide modeling and simulation of reed woodwind instruments: An interactive development environment on the next computer.
In ICMC (1991).
(Also contained in STAN-M-73).
Holland, S. (1994).: Learning about harmony with harmony space: an overview.
Tech. Rep. STAN-M-88, Stanford University Department of Music.
($4.00).
Huang, P., Serafin, S., and Smith, J. O. (2000a).: Modeling high-frequency modes of complex resonators using a waveguide mesh.
In DAFX (2000).
Huang, P., Serafin, S., and Smith, J. O. (2000b).: A waveguide mesh model of high-frequency violin body resonances.
In ICMC (2000a).
Huang, P. and Smith, J. O. (2004).: Loudness-based display and analysis applied to artificial reverberation.
In Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Computer Music Association.
Huopeniemi, J. and Smith, III, J. O. (1999).: Spectral and time-domain processing and the choice of modeling error criteria for binaural digital filters.
In AES 16th International Conference on Spatial Sound Reproduction, Rovaniemi, Finland, pp. 301-312.
ICMC (1982).: Proceedings of the 1982 International Computer Music Conference, Venice, Italy. International Computer Music Association.
ICMC (1983).: Proceedings of the 1983 International Computer Music Conference, Eastman School of Music, Rochester, NY. International Computer Music Association.
ICMC (1984).: Proceedings of the 1984 International Computer Music Conference, Paris. International Computer Music Association.
ICMC (1985).: Proceedings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada. International Computer Music Association.
ICMC (1986).: Proceedings of the 1986 International Computer Music Conference, The Hague, Netherlands. International Computer Music Association.
ICMC (1987).: Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana, Illinois. International Computer Music Association.
ICMC (1989).: Proceedings of the 1989 International Computer Music Conference, Columbus, Ohio. International Computer Music Association.
ICMC (1990).: Proceedings of the 1990 International Computer Music Conference, Glasgow, England. International Computer Music Association.
ICMC (1991).: Proceedings of the 1991 International Computer Music Conference, Montreal, Canada. International Computer Music Association.
ICMC (1992).: Proceedings of the 1992 International Computer Music Conference, San Jose, CA. International Computer Music Association.
ICMC (1993).: Proceedings of the 1993 International Computer Music Conference, Tokyo, Japan. International Computer Music Association.
ICMC (1994).: Proceedings of the 1994 International Computer Music Conference, Århus, Denmark. International Computer Music Association.
ICMC (1995).: Proceedings of the 1995 International Computer Music Conference, Banff, Canada. International Computer Music Association.
ICMC (1996).: Proceedings of the 1996 International Computer Music Conference, Hong Kong. International Computer Music Association.
ICMC (1997).: Proceedings of the 1997 International Computer Music Conference, Thessaloniki, Greece. International Computer Music Association.
ICMC (1998).: Proceedings of the 1998 International Computer Music Conference, Michigan, USA. International Computer Music Association.
ICMC (1999).: Proceedings of the 1999 International Computer Music Conference, Beijing, China. International Computer Music Association.
ICMC (2000a).: Proceedings of the 2000 International Computer Music Conference, Berlin, Germany. International Computer Music Association.
ICMC (2000b).: Proceedings of the 2000 International Computer Music Conference, Berlin, Germany. International Computer Music Association.
ICMC (2001).: Proceedings of the 2001 International Computer Music Conference, Havana, Cuba, Havana, Cuba. International Computer Music Association.
ICMC (2002).: Proceedings of the 2002 International Computer Music Conference, Sweden. International Computer Music Association.
ICMC (2003).: Proceedings of the 2003 International Computer Music Conference, Singapore, Singapore. International Computer Music Association.
ICMC (2004).: Proceedings of the 2004 International Computer Music Conference, Miami, Florida, Miami, Florida. International Computer Music Association.
ICMC (2005).: Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, Barcelona. International Computer Music Association.
Igoudin, A. and Smith, J. O., editors (1996).: CCRMA Report, May 1996, Stanford University Department of Music Technical Report STAN-M-98.
($6.00).
Igoudin, A. L. (1997a).: Impact of MIDI on Electroacoustic Art Music.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-102 ($14.00).
Igoudin, A. L. (1997b).: Impact of MIDI on electroacoustic art music.
In ICMC (1997).
(Also contained in STAN-M-101).
Jaffe, D. A. (1983a).: Ensemble timing in computer music.
In ICMC (1983).
Also available as Stanford University Department of Music Technical Report STAN-M-23 ($3.00).
Jaffe, D. A. (1983b).: A synthesizer debugger.
In ICMC (1983), pp. 110-112.
Jaffe, D. A. (1987).: Spectrum analysis tutorial - Parts I and II.
Computer Music Journal, 11(2 and 3):9-24.
Also available as Stanford University Department of Music Technical Report STAN-M-33, Revised 1987 ($6.00).
Jaffe, D. A. (1989).: An overview of the NeXT Music Kit.
In ICMC (1989), pp. 135-138.
Jaffe, D. A. (1990).: Efficient dynamic resource management on multiple DSPs, as implemented in the NeXT Music Kit.
In ICMC (1990), pp. 188-190.
Jaffe, D. A. (1991).: Musical and extra-musical applications of the NeXT Music Kit.
In ICMC (1991), pp. 521-524.
Jaffe, D. A. (1993).: The computer-extended ensemble.
LULU, Revista de teorias y tecnicas musicales, 1(2).
Jaffe, D. A. (1995).: Ten criteria for evaluating synthesis and processing techniques.
Computer Music Journal, 19(1):76-87.
Jaffe, D. A. and Boynton, L. (1989).: An overview of the sound and music kits for the NeXT computer.
Computer Music Journal, 14(2):48-55.
($3.00).
Jaffe, D. A. and Schloss, W. A. (1992).: The making of wildlife.
In ICMC (1992).
Jaffe, D. A. and Schloss, W. A. (1994a).: The computer-extended ensemble.
Computer Music Journal, 18(2):78-86.
Jaffe, D. A. and Schloss, W. A. (1994b).: A virtual piano concerto - coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier grand piano in ``The Seven Wonders of the Ancient World''.
In ICMC (1994).
(Also contained in STAN-M-89).
Jaffe, D. A. and Smith, J. O. (1983).: Extensions of the Karplus-Strong plucked string algorithm.
Computer Music Journal, 7(2):56-69.
($3.00).
Jaffe, D. A. and Smith, J. O. (1993).: Real time sound processing and synthesis on multiple DSPs using the Music Kit and the Ariel QuintProcessor.
In ICMC (1993).
Jaffe, D. A. and Smith, J. O. (1995).: Performance expression in commuted waveguide synthesis of bowed strings.
In ICMC (1995), pp. 343-346.
(Also contained in STAN-M-91).
Jaffe, D. A., Smith, J. O., and Porcaro, N. (1994).: The Music Kit on a PC.
In Proceedings of the First Brazilian Symp.osium on Computer Music, XIV Congress of the Brazilian Society of Computation, Caxambu, pp. 63-69, Canela, Brazil. Informática UFRGS.
Karplus, K. and Strong, A. (1983).: Digital synthesis of plucked-string and drum timbres.
Computer Music Journal, 7(2):43-55.
($3.00).
Keisler, D. (1986).: Software for real-time microtonal control.
In ICMC (1986).
($3.00).
Keisler, D. (1987).: History and principles of microtonal keyboards.
Computer Music Journal, 11(1):18-28.
($5.00).
Keisler, D. (1988).: History and principles of microtonal keyboard design.
Tech. Rep. STAN-M-45, Stanford University Department of Music.
($5.00).
Keisler, D. (1991).: Psychoacoustic Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-70 ($16.00).
Kim, Y., Franco, H., and Neumeyer, L. (1997).: Automatic pronunciation scoring of specific phone segments for language instruction.
In Proceedings of EUROSPEECH '97.
Kim, Y. and Smith, J. O. (1999).: A speech feature based on Bark frequency warping - the Nonuniform Linear Prediction cepstrum.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY.
Knapp, R. and Lusted, H. (1988).: A real-time digital signal processing system for bioelectric control of music.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, vol. 5, pp. 2556-2558. IEEE Press.
($3.00).
Knapp, R. and Lusted, H. (1990).: Bioelectric controller for computer music applications.
Computer Music Journal, 14(1):42-47.
($3.00).
Kunze, T. and Taube, H. (1996).: SEE - a structured event editor: Visualizing compositional data in Common Music.
In ICMC (1996).
(Also contained in STAN-M-99).
Lakatos, S. (1991a).: Recognition of complex auditory-spatial patterns.
Tech. Rep. STAN-M-71, Stanford University Department of Music.
($3.00).
Lakatos, S. (1991b).: Temporal constraints on apparent motion in auditory space.
Tech. Rep. STAN-M-74, Stanford University Department of Music.
($3.00).
Lakatos, S., Cook, P. R., and Scavone, G. (2000).: Selective attention to the parameters of a physically informed sonic model.
JOURNAL of the Acoustical Society of America, 107(5):L31-L36.
LeBrun, M. (1977a).: A derivation of the spectrum of FM with a complex modulating wave.
Computer Music Journal, 1(4):51-52.
Reprinted in Curtis Roads and John Strawn, editors. Foundations of Computer Music. Cambridge, MA: MIT Press, 1985 ($3.00).
LeBrun, M. (1977b).: Notes on microcomputer music.
Computer Music Journal, 1(2):30-35.
($3.00).
LeBrun, M. (1979).: Digital waveshaping synthesis.
Journal of the Audio Engineering Society, 27(4):250-266.
($3.00).
Lee, K. and Kim, M. (2005).: Estimating the amplitude of the cubic difference tone using a third-order adaptive volterra filter.
In Proceedings of International Conference on Digital Audio Effects, Madrid, Spain.
Lee, K., Sell, G., and Berger, J. (2005).: Sonification using digital waveguide and 2- and 3-dimensional digital waveguide mesh.
In Proceedings of International Conference on Auditory Display, Limerick, Ireland.
Lee, K. and Smith, J. O. (2004).: Implementation of a highly diffusing 2-D digital waveguide mesh with a quadratic residue diffuser.
In Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Computer Music Association.
Leistikow, R. and Scavone, G., editors (2000).: CCRMA Overview, April 2000, Stanford University Department of Music Technical Report STAN-M-106.
($6.00).
Levine, S. (1996a).: Critically sampled third octave filter banks.
In ICMC (1996).
(Also contained in STAN-M-99).
Levine, S. (1996b).: Effects processing on audio subband data.
In ICMC (1996).
(Also contained in STAN-M-99).
Levine, S. N. and Smith, J. O. (1998).: A sines+transients+noise audio representation for data compression and time/pitch-scale modifications.
Audio Engineering Society Convention Preprints, Session on Analysis and Sythesis of Sound, preprint 4781.
available online at http://ccrma.stanford.edu/~scottl/papers/papers3.html.
Levine, S. N. and Smith, J. O. (1999).: A switched parametric & transform audio coder.
In Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Phoenix, New York. IEEE Press.
available online at http://ccrma.stanford.edu/~scottl/papers.html.
Levine, S. N. and Smith, III, J. O. (1999).: Improvements to the switched parametric and transform audio coder.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Levine, S. N., Verma, T. S., and Smith, J. O. (1998).: Multiresolution sinusoidal modeling for wideband audio with modifications.
In Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Seattle, Washington, New York. IEEE Press.
available online at http://ccrma.stanford.edu/~scottl/papers/papers3.html.
Levitin, D. J. (1992).: Absolute memory for musical pitch: More than the melody lingers on.
Tech. Rep. STAN-M-79, Stanford University Department of Music.
($5.00).
Levitin, D. J. (1999a).: Absolute pitch: Self-reference and human memory.
International JOURNAL of Computing Anticipatory Systems.
Levitin, D. J. (1999b).: Experimental design in psychoacoustic research.
In Cook (1999).
Levitin, D. J. (1999c).: Memory for musical attributes.
In Cook (1999).
Levitin, D. J. (1999d).: Review of D. Deutsch, `The Psychology of Music'.
Music Perception.
Levitin, D. J. (1999e).: Review of R. Jourdain, `Music, The Brain, and Ecstasy'.
Musicae Scientiae.
Levitin, D. J. (1999f).: Tone deafness: Failures of musical anticipation and self-reference.
International JOURNAL of Computing Anticipatory Systems.
Levitin, D. J. and Bellugi, U. (1998).: Musical abilities in individuals with Williams' Syndrome.
Music Perception, 15(4):357-389.
Levitin, D. J. and Cook, P. R. (1995).: Absolute memory for musical tempo.
In Audio Engineering Society Convention. Audio Engineering Society.
Levitin, D. J. and Russell, G. S. (1999).: Rao's spacing test.
In S. Kotz, C. B. Read, and D. L. Banks, editors, Encyclopedia of Statistical Sciences. New York: Wiley.
Liu, Y. and Smith, J. O. (2002).: Perceptually similar orthogonal sounds and applications to multichannel acoustic echo canceling.
In 22nd International Conference of the Audio Engineering Society, Espoo, Finland.
Available online at http://www.stanford.edu/~jacobliu/papers/.
Liu, Y.-W. and Smith, J. O. (2003).: Watermarking parametric representations for synthetic audio.
In Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Hong Kong.
Liu, Y.-W. and Smith, J. O. (2004a).: Audio watermarking based on sinusoidal analysis and synthesis.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2004), Taipei, Taiwan.
Liu, Y.-W. and Smith, J. O. (2004b).: Watermarking sinusoidal audio representations by quantization index modulation in multiple frequencies.
In Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Montreal.
Lo, D. Y.-O. (1986).: Techniques for timbral interpolation.
In ICMC (1986).
($3.00).
Lo, D. Y.-O. (1987).: Towards a Theory of Timbre.
Ph.D. thesis, Dept. of Hearing and Speech, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-42 ($18.00).
Lopez-Lezcano, F. (1994).: A dynamic spatial sound movement kit.
In ICMC (1994).
(Also contained in STAN-M-89).
Lopez-Lezcano, F. (1995).: PadMaster: an improvisation environment for real time performance.
In ICMC (1995).
(Also contained in STAN-M-91).
Lopez-Lezcano, F. (1996).: PadMaster: banging on algorithms with alternative controllers.
In ICMC (1996).
(Also contained in STAN-M-99).
Lopez-Lezcano, F. and Pampin, J. C. (1999).: Common lisp music update report.
In ICMC (1999), pp. 399-402.
Loy, G. D. (1981).: Notes on the implementation of MUSBOX: a compiler for the systems concepts digital synthesizer.
Computer Music Journal, 5(1):34-50.
($3.00).
Lu, H. and Smith, J. O. (2000).: Glottal source modeling for singing voice.
In ICMC (2000a), pp. 90-97.
Available online at http://ccrma-www.stanford.edu/ vickylu/research/glottalSource/glottal.htm.
Lu, H.-L., , and Smith, J. (2001).: Estimating glottal aspiration noise via wavelet thresholding and best basis thresholding.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Lu, H.-L. (2002).: Toward a High-Quality Singing Synthesizer with Vocal Texture Control.
Ph.D. thesis, Department of Electrical Engineering, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-111 ($25.00).
Lu, H.-L. and Smith, J. O. (1999).: Joint estimation of vocal tract filter and glottal source waveform via convex optimization.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, pp. 79-82, New York. IEEE Press.
Available online at http://ccrma-www.stanford.edu/ vickylu/research/VTestimation/estimation.htm.
Lusted, H. and Knapp, R. (1988).: Biomuse: Musical performance generated by human bioelectric signals.
Journal of the Acoustical Society of America, 84, supplement 1:179.
($3.00).
Lusted, H. and Knapp, R. (1989).: Music produced by human bioelectric signals.
Presented at the AAAS 155th National Meeting, San Francisco, p. 139.
($3.00).
Lusted, H. and Knapp, R. (1990).: Musical performance by the handicapped generated from bioelectric signals.
Journal of the Acoustical Society of America, 87, supplement 1:41.
($3.00).
Luu, P., Kelley, J. M., and Levitin, D. J. (1999).: Brain evolution and the process of consciousness.
In P. G. Grossenbacher, editor, Finding consciousness in the brain: A neurocognitive approach. Philadelphia: John Benjamins.
In Press.
Marks, J. and Polito, J. (1986).: Modeling piano tones.
In ICMC (1986).
($3.00).
Master, A. and Lee, K. (2005).: Explicit onset modeling using time reassignment.
In Proceedings in International Conference on Acoustics, Speech, and Signal Processing, Philadelphia.
Master, A. S. (2002).: Nonstationary sinusoidal modeling.
In Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Orlando, Florida.
Master, A. S. (2003).: Sound Source Separation of N Sources from Stereo Signals via Fitting to N Models Each Lacking One Source.
Ee 391 report, Stanford University.
Master, A. S. (2004).: Bayesian two source modeling for separation of n sources from stereo signals.
In IEEE International Conference on Acoustics, Speech, and Signal Processing, Montreal, Quebec, Canada.
Master, A. S. (2005a).: Demixing stereo music signals via perceptual bayesian modeling.
(Submitted to) IEEE Transactions on Speech and Audio Processing.
Master, A. S. (2005b).: Supervised subband stereo music source separation via windowing.
In (Submitted to) IEEE ASSP Workshop on the Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, USA.
Master, A. S. and Liu, Y. (2003a).: Nonstationary sinusoidal modeling with efficient estimation of linear frequency chirp parameters.
In IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Hong Kong.
Master, A. S. and Liu, Y. (2003b).: Robust chirp parameter estimation for hann windowed signals.
In IEEE International Conference on Multimedia and Exposition (ICME), Baltimore, MD, USA.
Mathews, M. and Kohut, J. (1973).: Electronic simulation of violin resonances.
Journal of the Acoustical Society of America, 53(6):1620-1626.
Mathews, M. and Smith, J. O. (2003).: Methods for synthesizing very high Q parametrically well behaved two pole filters.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), available online at http://www.speech.kth.se/smac03/, Stockholm. Royal Swedish Academy of Music.
available online, with sound examples, at http://ccrma.stanford.edu/~jos/smac03maxjos/.
Mathews, M. V. (1988).: Pickups for the vibrations of violin and guitar strings using piezoelectric bimorphic bender elements.
Tech. Rep. STAN-M-54, Stanford University Department of Music.
($3.00).
Mathews, M. V. (1991).: The radio baton and conductor program, or: Pitch, the most important and least expressive part of music.
Computer Music Journal, 15(4):37-46.
Mathews, M. V. and Barr, D. (1988).: The conductor program and mechanical baton.
Tech. Rep. STAN-M-47, Stanford University Department of Music.
($3.00).
Mathews, M. V. and Pierce, J. R. (1987a).: The acquisition of musical percepts with a new scale.
Tech. Rep. STAN-M-40, Stanford University Department of Music.
($3.00).
Mathews, M. V. and Pierce, J. R. (1987b).: The computer as a musical instrument.
Scientific American, 256(2):90-97.
Also available as Stanford University Department of Music Technical Report STAN-M-37 ($3.00).
McAdams, S. (1984).: Spectral Fusion, Spectral Parsing and the Formation of Auditory Images.
Ph.D. thesis, Dept. of Hearing and Speech, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-22 ($23.00).
McAdams, S. and Bregman, A. (1979).: Hearing musical streams.
Computer Music Journal, 3(4):26-43.
Reprinted in Curtis Roads and John Strawn, eds. Foundations of Computer Music, Cambridge, MA: MIT Press, 1985 ($3.00).
McNabb, M. (1981).: Dreamsong: The composition.
Computer Music Journal, 5(4):36-53.
($3.00).
McNabb, M. (1986).: Computer music: Some aesthetic considerations.
In S. Emmerson, editor, The Language of Electroacoustic Music. New York: Harwood Academic Publishers.
Mellinger, D. K. (1991).: Event Formation and Separation in Musical Sound.
Ph.D. thesis, Dept. of Computer Science, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-77 ($23.00).
Mellinger, D. K., Garnett, G. E., and Mont-Reynaud, B. (1989).: Virtual digital signal processing in an object-oriented environment.
Computer Music Journal, 13(2):71-76.
($3.00).
Mellinger, D. K. and Mont-Reynaud, B. (1991).: Sound explorer: A workbench for investigating source separation.
In ICMC (1991), pp. 90-94.
Mont-Reynaud, B. (1985).: Problem-solving strategies in a music transcription system.
In IJCAI Proceedings, Los Angeles, CA, pp. 916-918.
($3.00).
Mont-Reynaud, B. (1987).: Pattern recognition problems in music.
Presented at the AI East Conference in Atlantic City.
Mont-Reynaud, B. and Dannenberg, R. (1987).: Following an improvisation in real time.
In ICMC (1987), pp. 241-248.
($3.00).
Mont-Reynaud, B. and Goldstein, M. (1985).: On finding rhythmic patterns in musical lines.
In ICMC (1985), pp. 391-397.
($3.00).
Mont-Reynaud, B. and Gresset, E. (1990).: PRISM: Pattern recognition in sound and music.
In ICMC (1990), pp. 153-155.
Mont-Reynaud, B. and Mellinger, D. K. (1988).: Source separation by frequency co-modulation.
In Proceedings of the First International Conference on Music Perception and Cognition, Kyoto, Japan.
($3.00).
Moore, F. R. (1977a).: Real Time Interactive Computer Music Synthesis.
Ph.D. thesis, Dept. of Elec. Eng., Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-7 ($11.00).
Moore, F. R. (1977b).: Table lookup noise for sinusoidal digital oscillators.
Computer Music Journal, 1(2):26-29.
Reprinted in Curtis Roads and John Strawn, eds. Foundations of Computer Music, Cambridge, MA: MIT Press, 1985 ($3.00).
Moore, F. R. (1978a).: An introduction to the mathematics of digital signal processing, Part I.
Computer Music Journal, 2(1):38-47.
Reprinted in John Strawn, ed. Digital Signal Processing: An Anthology, Los Altos, CA: William Kaufmann, Inc. 1985 ($3.00).
Moore, F. R. (1978b).: An introduction to the mathematics of digital signal processing, Part II.
Computer Music Journal, 2(2):38-60.
Reprinted in John Strawn, ed. Digital Signal Processing: An Anthology, Los Altos, CA: William Kaufmann, Inc. 1985 ($3.00).
Moorer, J. A. (1972).: Music and computer composition.
Communications of the ACM, 15(2).
($3.00).
Moorer, J. A. (1973).: The heterodyne filter as a tool for analysis of transient waveforms.
Tech. Rep. STAN-CS-73-379, Stanford University Computer Science Department.
($5.00).
Moorer, J. A. (1974).: The optimum comb method of pitch period analysis of continuous digitized speech.
In IEEE Transactions on Acoustics, Speech, Signal Processing, vol. ASSP-22(5), pp. 330-338.
($3.00).
Moorer, J. A. (1975a).: On the loudness of complex, time-variant tones.
Tech. Rep. STAN-M-4, Stanford University Department of Music.
($4.00).
Moorer, J. A. (1975b).: On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer.
Ph.D. thesis, Dept. of Computer Science, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-3 ($11.00).
Moorer, J. A. (1976).: The synthesis of complex audio spectra by means of discrete summation formulae.
Journal of the Audio Engineering Society, 24:717-727.
Also available as Stanford University Department of Music Technical Report STAN-M-5 ($3.00).
Moorer, J. A. (1977a).: On the transcription of musical sound by computer.
Computer Music Journal, 1(4):32-38.
($3.00).
Moorer, J. A. (1977b).: Signal processing aspects of computer music - a survey.
Proceedings of the IEEE, 65(8):1108-1137.
Reprinted in John Strawn, ed. Digital Audio Signal Processing: An Anthology. Los Altos, CA: William Kaufmann, 1985.($3.00).
Moorer, J. A. (1978a).: How does a computer make music?
Computer Music Journal, 2(1):32-37.
($3.00).
Moorer, J. A. (1978b).: The use of the phase vocoder in computer music applications.
Journal of the Audio Engineering Society, 26(1/2):42-45.
($3.00).
Moorer, J. A. (1979a).: About this reverberation business.
Computer Music Journal, 3(2):13-18.
Reprinted in Curtis Roads and John Strawn, eds. Foundations of Computer Music. Cambridge, MA: MIT Press, 1985. ($3.00).
Moorer, J. A. (1979b).: Data reduction techniques for high-quality digitized audio.
Preprint of the Audio Engineering Society 62nd Convention, 1979 March 13-16, Brussels, Belgium. ($3.00).
Moorer, J. A. (1979c).: The digital coding of high-quality musical sound.
Journal of the Audio Engineering Society, 27(9):657-666.
($3.00).
Moorer, J. A. (1979d).: The use of linear prediction of speech in computer music applications.
Journal of the Audio Engineering Society, 27(3):134-140.
($3.00).
Moorer, J. A. (1981).: Synthesizers I have known and loved.
Computer Music Journal, 5(1):4-12.
($3.00).
Moorer, J. A. (1983).: The manifold joys of conformal mapping: Applications to digital filtering in the studio.
Journal of the Audio Engineering Society, 31(11):826-841.
Moorer, J. A., Grey, J. M., and Snell, J. (1977a).: Lexicon of analyzed tones. Part 1: A violin tone.
Computer Music Journal, 1(2):39-45.
($3.00).
Moorer, J. A., Grey, J. M., and Snell, J. (1977b).: Lexicon of analyzed tones. Part 2: Clarinet and oboe tones.
Computer Music Journal, 1(3):12-29.
($3.00).
Moorer, J. A., Grey, J. M., and Snell, J. (1978).: Lexicon of analyzed tones. part 3: The trumpet.
Computer Music Journal, 2(2):23-31.
($3.00).
Moreno, E. I. (1992a).: The existence of unexplored dimensions of pitch: Expanded chromas.
In ICMC (1992).
Moreno, E. I. (1992b).: Expanded Tunings in Contemporary Music: Theoretical Innovations and Practical Applications.
Lewiston, New York: The Edwin Mellen Press.
Moreno, E. I. (1994).: A visual model for embedded chroma spaces.
In ICMC (1994).
(Also contained in STAN-M-89).
Moreno, E. I. (1995).: Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach.
Ph.D. thesis, Dept. of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-93 ($12.00).
Muller, C. (1990).: Measurement of reverberation time in the variable reverberation time room.
Tech. Rep. TR-A-0076, ATR Auditory and Visual Perception Research Laboratories, Kyoto, Japan.
($3.00).
Nam, U. and Berger, J. (2001a).: Addressing the same but different - different but similar problem in automatic music classification.
In Proceedings of theof 2001 InternationalSymposiumin Music Information Retrieval, Bloomington, IN.
Nam, U. and Berger, J. (2001b).: Automatic music style classification: Towards the detection of perceptually similar music.
In Proceedings of theof Japanese Societyof Music Cognition and Perception, Fukuoka, Japan.
Nichols, C. (2000).: The vbow: A haptic musical controller human-computer interface.
In ICMC (2000a).
Nichols, C., editor (2001a).: CCRMA Overview, July 2001, Stanford University Department of Music Technical Report STAN-M-107.
($6.00).
Nichols, C. (2001b).: Haptic feedback and sound synthesis of a virtual violin bow controller.
JOURNAL of the Society for Electro-Acoustic Music in the United States.
In press.
Nichols, C. (2001c).: The vbow: Two versions of a virtual violin bow controller.
In Proceedings of the International Symposium on Musical Acoustics 2001.
In press.
O'Modhrain, M. S. (1997).: Feel the music: Narration in touch and sound.
In ICMC (1997).
(Also contained in STAN-M-101).
O'Modhrain, M. S. and Gillespie, R. B. (1997).: The moose: A haptic user interface for blind persons.
In Proceedings of the Sixth World Wide Web Conference: Access Track.
This paper differs somewhat from STAN-M-95.
O'Modhrain, S. and Chafe, C. (2000a).: Incorporating haptic feedback into interfaces for music applications.
In Proceedings of the 2000 International Symposium on Robotics with Applications, Maui, Hawaii. International Society of Robotics and Automation.
O'Modhrain, S. and Chafe, C. (2000b).: The performer-instrument interaction: A sensory motor perspective.
In ICMC (2000a).
O'Modhrain, S., Serafin, S., Chafe, C., and Smith, J. O. (2000).: Influence of the attack parameters on the playability of a virtual bowed string instrument.
In ICMC (2000a).
Oppenheim, D. V. (1986).: The need for essential improvements in the machine-composer interface used for the composition of electroacoustic computer music.
In ICMC (1986).
Oppenheim, D. V. (1987).: The PGG environment for music composition - a proposal.
In ICMC (1987).
Oppenheim, D. V. (1989).: DMIX: An environment for composition.
In ICMC (1989).
Also available as Stanford University Department of Music Technical Report STAN-M-60 ($3.00) [Replaced by STAN-M-83].
Oppenheim, D. V. (1991).: SHADOW: An object-oriented performance-system for the DMIX environment.
In ICMC (1991).
Oppenheim, D. V. (1992).: Compositional tools for adding expression to music.
In ICMC (1992).
Also available as Stanford University Department of Music Technical Report STAN-M-82, October 1993 ($3.00).
Oppenheim, D. V. (1993a).: DMIX - a multi faceted environment for composing and performing computer music: its philosophy, design, and implementation.
In Fourth Biennial Arts and Technology Symposium.
Also available as Stanford University Department of Music Technical Report STAN-M-83, October 1993 ($3.00) [Supersedes STAN-M-60].
Oppenheim, D. V. (1993b).: Slappability: A new metaphor for human computer interaction.
In Music Education: An Artificial Intelligence Perspective. London: Springer Verlag.
Also available as Stanford University Department of Music Technical Report STAN-M-85, October 1993 ($3.00).
Oppenheim, D. V., Anderson, T., and Kirk, R. (1993).: Perceptually meaningful parameters: An object-oriented technique for their specification and interpretation.
In ICMC (1993).
Pampin, J. C. (1999).: Ats: a lisp environment for spectral modeling.
In ICMC (1999), pp. 44-47.
Parncutt, R. and Levitin, D. J. (1999).: Absolute pitch.
In S. Sadie, editor, New Grove Dictionary of Music and Musicians. New York: St. Martins Press.
In Press.
Pierce, J. R. (1990).: Rate, place, and pitch with tonebursts.
Music Perception, 7(3):205-212.
($3.00).
Pierce, J. R. (1991a).: Periodicity and pitch perception.
Journal of the Acoustical Society of America, 90:1889-1893.
Pierce, J. R. (1991b).: Surprises and music.
Computer Music Journal, 15(4):31.
Pierce, J. R. (1992).: The Science of Musical Sound.
New York: W.H. Freeman.
Pierce, J. R. (1995).: Fletcher's discoveries concerning pitch.
Journal of the Acoustical Society of America, 98(6):3019-3020.
($3.00).
Pierce, J. R. and Duyne, S. A. V. (1997).: A passive non-linear digital filter design which facilitates physics-based sound synthesis of highly nonlinear musical instruments.
Journal of the Acoustical Society of America, 101(2):1120-1126.
($3.00).
Pierce, J. R. and Schubert, E. D. (1987).: High level factors and the musical saliency of auditory phenomena.
Tech. Rep. STAN-M-41, Stanford University Department of Music.
($3.00).
Porcaro, N., Putnam, W., Scandalis, P., Jaffe, D., Smith, J. O., Stilson, T., and Duyne, S. V. (1996a).: SynthBuilder and Frankenstein, tools for the creation of musical physical models.
In G. Kramer, editor, International Conference on Auditory Display, Palo Alto. Santa Fe Institute and Xerox Parc.
Available online at http://www.santafe.edu/ icad/.
Porcaro, N., Scandalis, P., Jaffe, D., and Smith, J. O. (1996b).: Using SynthBuilder for the creation of physical models.
In ICMC (1996).
(Also contained in STAN-M-99).
Porcaro, N., Scandalis, P., Smith, J. O., Jaffe, D. A., and Stilson, T. (1995).: SynthBuilder--a graphical real-time synthesis, processing and performance system.
In ICMC (1995), pp. 61-62.
(Also contained in STAN-M-91).
Putnam, W., Rocchesso, D., and Smith, J. O. (1995).: A numerical investigation of the invertibility of room transfer functions.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Putnam, W. and Smith, J. O. (1997).: Design of fractional delay filters using convex optimization.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Putnam, W. and Stilson, T. (1996).: Frankenstein: A low cost multi-DSP compute engine for Music Kit.
In ICMC (1996).
(Also contained in STAN-M-99).
Risset, J.-C. and Duyne, S. A. V. (1996).: Real-time performance interaction with a computer-controlled acoustic piano.
Computer Music Journal, 20(1).
Roads, C. and Strawn, J., editors (1985).: Foundations of Computer Music.
Cambridge, MA: MIT Press.
Rocchesso, D. (1995).: The ball within the box: A sound-processing metaphor.
Computer Music Journal, 19(4):47-57.
Rocchesso, D. and Smith, J. O. (1994).: Circulant feedback delay networks for sound synthesis and processing.
In ICMC (1994), pp. 378-381.
(Also contained in STAN-M-89).
Rocchesso, D. and Smith, J. O. (1997).: Circulant and elliptic feedback delay networks for artificial reverberation.
IEEE Transactions on Speech and Audio Processing, 5(1):51-60.
Samson, P. R. (1980).: A general-purpose digital synthesizer.
Journal of the Audio Engineering Society, 28(3):106-113.
($3.00).
Sapp, C. (2001).: Harmonic visualizations of tonal music.
In ICMC (2001), pp. 423-430.
Scavone, G. P. (1995a).: Digital waveguide modeling of air-driven reed generators for the synthesis of brass and woodwind instrument sounds.
In Proceedings of the Second Brazilian Symp.osium on Computer Music, pp. 132-138, Canela, Brazil. Informática UFRGS.
Scavone, G. P. (1995b).: Digital waveguide modeling of the non-linear excitation of single-reed woodwind instruments.
In ICMC (1995), pp. 521-524.
(Also contained in STAN-M-91).
Scavone, G. P. (1996).: Modeling and control of performance expression in digital waveguide models of woodwind instruments.
In ICMC (1996), pp. 224-227.
Scavone, G. P. (1997).: An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design and Performance Issues and Digital Waveguide Modeling Techniques.
Ph.D. thesis, Department of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-100 ($22.00) or from ftp://ccrma-ftp.stanford.edu/pub/Publications/Theses/GaryScavoneThesis/.
Scavone, G. P., editor (1998a).: CCRMA Overview, January 1998, Stanford University Department of Music Technical Report STAN-M-104.
($6.00).
Scavone, G. P., editor (1998b).: CCRMA Publications, 1970 - 1995, Stanford University Department of Music Technical Report STAN-M-103.
($6.00).
Scavone, G. P. (1998c).: The musical acoustics research library.
Catgut Acoustical Society Journal, 3(6 (Series II)):24-26.
Scavone, G. P., editor (1999a).: CCRMA Overview, January 1999, Stanford University Department of Music Technical Report STAN-M-105.
($6.00).
Scavone, G. P. (1999b).: Modeling wind instrument sound radiation using digital waveguides.
In ICMC (1999), pp. 355-358.
Scavone, G. P., editor (2002a).: CCRMA Overview, April 2002, Stanford University Department of Music Technical Report STAN-M-109.
($6.00).
Scavone, G. P. (2002b).: RtAudio: A Cross-Platform C++ Class for Realtime Audio Input/Output.
In ICMC (2002), pp. 196-199.
Scavone, G. P. (2002c).: Time-domain synthesis of conical bore instrument sounds.
In ICMC (2002), pp. 9-15.
Scavone, G. P., editor (2003a).: CCRMA Overview, April 2003, Stanford University Department of Music Technical Report STAN-M-112.
($6.00).
Scavone, G. P. (2003b).: Modeling vocal-tract influence in reed wind instruments.
In Proceedings of the 2003 Stockholm Musical Acoustics Conference.
Scavone, G. P. (2003c).: THE PIPE: Explorations in Breath Control.
In Proceedings of the 2003 New Interfaces for Musical Expression (NIME-03), Montreal, Canada.
Scavone, G. P. and Cook, P. R. (1994).: Combined linear and non-linear prediction in calibrating models of musical instruments to recordings.
In ICMC (1994), pp. 433-434.
(Also contained in STAN-M-89).
Scavone, G. P. and Cook, P. R. (1998).: Real-time computer modeling of woodwind instruments.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-98), Leavenworth, Washington, pp. 197-202. Acoustical Society of America.
Scavone, G. P. and Karjalainen, M. (2002).: Tonehole radiation directivity: A comparison of theory to measurements.
In ICMC (2002), pp. 325-329.
Scavone, G. P. and Lakatos, S. (2001).: Recent developments in woodwind instrument physical modeling.
In Proceedings of the 17th International Congress on Acoustics, Rome, Italy.
Scavone, G. P., Lakatos, S., Cook, P. R., and Harbke, C. (2001).: Perceptual spaces for sound effects obtained with an interactive similarity rating program.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001), Perugia, Italy.
Scavone, G. P., Lakatos, S., and Harbke, C. (2002).: The sonic mapper: An interactive program for obtaining similarity ratings with auditory stimuli.
In Proceedings of the 2002 International Conference on Auditory Display, Kyoto, Japan.
Scavone, G. P. and Mathews, M. V. (1998).: The musical acoustics research library.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-98), Leavenworth, Washington, pp. 359-363. Acoustical Society of America.
Scavone, G. P. and Smith, J. O. (1997a).: Digital waveguide modeling of woodwind toneholes.
In ICMC (1997), pp. 260-263.
Scavone, G. P. and Smith, J. O. (1997b).: Scattering parameters for the Keefe clarinet tonehole model.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, pp. 433-438.
Schloss, A. W. (1985).: On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis.
Ph.D. thesis, Department of Hearing and Speech, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-27 ($10.00).
Schottstaedt, B. (1977).: The simulation of natural instrument tones using frequency modulation with a complex modulating wave.
Computer Music Journal, 1(4):46-50.
Reprinted in Curtis Roads and John Strawn, eds. Foundations of Computer Music, Cambridge, MA: MIT Press, 1985 ($3.00).
Schottstaedt, B. (1983).: Pla: A composer's idea of a language.
Computer Music Journal, 7(1):11-20.
($3.00).
Schottstaedt, B. (1984a).: Automatic species counterpoint.
Tech. Rep. STAN-M-19, Stanford University Department of Music.
($7.00).
Schottstaedt, B. (1984b).: PLA - a tutorial and reference manual.
Tech. Rep. STAN-M-24, Stanford University Department of Music.
($9.00).
Schottstaedt, B. (1994).: CLM: Music V meets Common Lisp.
Computer Music Journal, 18(2):30-37.
Schumacher, R. T. and Chafe, C. (1990).: Characterization of aperiodicity in nearly periodic signals.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, New York. IEEE Press.
Also available as Stanford University Department of Music Technical Report STAN-M-62, December 1989 ($3.00).
Scott N. Levine, T. S. V. and Smith, III, J. O. (1997).: Alias-free multiresolution sinusoidal modeling for polyphonic, wideband audio.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Segnini, R. (2004).: Music score phonetization and speech-based composition.
In International Symposium on Musical Acoustics. International Symposium on Music Acoustics.
Segnini, R. and Berger, J. (2005).: Timbre phonetization as a descriptor for analysis and teaching.
In Conference on Interdisciplinary Musicology, Montreal.
Segnini, R., Cassidy, R., and Liu, Y.-W. (2005).: Guidophone: a handheld virtual music instrument combining vocal tract geometry and hand-gestures.
In 149th Meeting of the Acoustical Society of America, Vancouver.
Segnini, R. and Ruviaro, B. (2005).: Music and language intersection in 20th century post-tonal music: Overlooked opportunities for research in cognitive neuroscience.
In Neuroscience and Music Conference, Leipzig.
Segnini, R. and Sapp, C. (2005).: Scoregram: Displaying gross timbre information from a score.
In Computer Music Modeling and Retrieval Conference, Pisa.
Selfridge-Field, E. (1993).: Music analysis by computer: Approaches and issues.
In J. Strawn, editor, Music Processing (Computer Music and Digital Audio Series, 9), pp. 3-24. Madison, Wisconsin and Oxford: A-R Editions, Inc. and Clarendon Press.
Selfridge-Field, E. (1996).: Computer musicology: Accomplishments and challenges.
Computer Music Journal, 20(4):29-32.
Selfridge-Field, E. (1997a).: Bach in the age of technology.
In B. Enders, editor, Neue Musiktechnologie II: Vorträge und Berichte vom KlangArt-Kongres, pp. 133-147. Mainz: Schott.
With a CD including live performances of four works simulated by computer in the style of J.S. Bach.
Selfridge-Field, E. (1997b).: Beyond MIDI: The Handbook of Musical Codes.
Cambridge, MA: MIT Press.
Updates viewable at http://www.ccarh.org/publications/books/beyondmidi/.
Selfridge-Field, E. (1997c).: Experiments with melody and meter, or the effects of music: The edison-bingham music research.
The Musical Quarterly, 81(2):291-310.
Selfridge-Field, E. (1998).: Musical Similiarity: Concepts, Procedures, and Applications (Computing in Musicology 11), chap. Conceptual and Representational Issues in Melodic Comparison, pp. 3-64.
Cambridge, MA: MIT Press.
Selfridge-Field, E. (2000).: Composition, combinatorics, and simulation: An historical and philosophical enquiry.
In D. Cope, editor, Virtual Music. Cambridge: The MIT Press.
Forthcoming.
Selfridge-Field, E. and Correia, E. J. (1994).: Musical Information in Musicology and Desktop Publishing.
Menlo Park: CCARH.
CD-ROM from the IEEE Computer Society Press (Albuquerque, NM), 1994. Also viewable at http://www.stanford.edu/class/music253/topics/.
Selfridge-Field, E. and Correia, E. J., editors (1995).: Antonio Vivaldi: The Four Seasons and Other Violin Concertos Op. 8.
New York: Dover Publications, Inc.
Based on the MuseData databases.
Selfridge-Field, E. and Correia, E. J., editors (1999).: Antonio Vivaldi: L'estro armonico, Op. 3.
New York: Dover Publications, Inc.
Based on the MuseData databases.
Serafin, S., Burtner, M., Nichols, C., and O'Modhrain, S. (2001a).: Expressive controllers for bowed string physical models.
In Proceedings of the 2001 International Conference On Digital Audio Effects, Limerick, Ireland.
Serafin, S., Huang, P., and Smith, J. (2001b).: The banded digital waveguide mesh.
In Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University.
Serafin, S. and Smith, J. O. (2000).: A multirate, finite-width, bow-string interaction model.
In DAFX (2000).
Serafin, S., Smith, III, J. O., and Woodhouse, J. (1999).: An investigation of the impact of torsion waves and friction characteristics on the playability of virtual bowed strings.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Serafin, S., Thornburg, H., and Smith III, J. O. (2001c).: A pattern recognition approach to invert a bowed string physical model.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001), Perugia, Italy.
Serafin, S., Wilkerson, C., and Smith, J. O. (2002).: Modeling bowl resonators using circular waveguide networks.
In Proc. Int. Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, pp. 117-121.
Serra, X. (1986).: A computer model for bar percussion instruments.
In ICMC (1986).
Serra, X. (1988).: An environment for the analysis, transformation and resynthesis of music sounds.
Tech. Rep. STAN-M-52, Stanford University Department of Music.
($4.00).
Serra, X. (1989).: A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition.
Ph.D. thesis, Department of Music, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-58 ($15.00).
Serra, X. and Smith, J. O. (1990).: Spectral modeling synthesis: A sound analysis/synthesis system based on a deterministic plus stochastic decomposition.
Computer Music Journal, 14(4):12-24.
Serra, X. and Smith, J. O. (1991).: Sound-sheet examples for a sound analysis/synthesis system based on a deterministic plus stochastic decomposition.
Computer Music Journal, 15(1):86-87.
Serra, X. and Wood, P., editors (1988).: OVERVIEW, Center for Computer Research in Music and Acoustics (Recent Work), Stanford University Department of Music Technical Report STAN-M-44.
(out of print).
Sheeline, C. (1982).: An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception.
Ph.D. thesis, Department of Hearing and Speech, Stanford University.
Available as Stanford University Department of Music Technical Report STAN-M-13 ($14.00).
SMAC (2003a).: Proceedings of the International Conference On Acoustics, Speech, and Signal Processing, Montreal, Stockholm. Royal Institute of Technology.
SMAC (2003b).: Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), available online at http://www.speech.kth.se/smac03/, Stockholm. Royal Institute of Technology.
Smith, J. O. (1981).: Digital Signal Processing Committee, IEEE Acoustics, Speech and Signal Processing Society: Programs for Digital Signal Processing (Book Review).
Computer Music Journal, 5(2):62-66.
($3.00).
Smith, J. O. (1982).: Synthesis of bowed strings.
In ICMC (1982).
($3.50).
Smith, J. O. (1983a).: Spectral pre-processing for audio digital filter design.
In ICMC (1983).
($3.00).
Smith, J. O. (1983b).: Techniques for Digital Filter Design and System Identification with Application to the Violin.
Ph.D. thesis, Elec. Eng. Dept., Stanford University.
Also available as Stanford University Department of Music Technical Report STAN-M-14 ($18.00).
Smith, J. O. (1984).: An allpass approach to digital phasing and flanging.
In ICMC (1984).
Also available as Stanford University Department of Music Technical Report STAN-M-21 ($3.00).
Smith, J. O. (1985a).: Introduction to digital filter theory.
In J. Strawn, editor, Digital Audio Signal Processing: An Anthology. Los Altos, California: William Kaufmann, Inc.
Also available as Stanford University Department of Music Technical Report STAN-M-20, April 1985 ($5.00).
Smith, J. O. (1985b).: A new approach to digital reverberation using closed waveguide networks.
In ICMC (1985), pp. 47-53.
Also available as Stanford University Department of Music Technical Report STAN-M-31 ($3.00).
Smith, J. O. (1986a).: Efficient simulation of the reed-bore and bow-string mechanisms.
In ICMC (1986), pp. 275-280.
(Also contained in STAN-M-39).
Smith, J. O. (1986b).: Elimination of limit cycles and overflow oscillations in time-varying lattice and ladder digital filters.
Tech. Rep. STAN-M-35, Stanford University Department of Music.
Short version published in Proc. IEEE Conf. on Circuits and Systems, San Jose, May 1986. Full version also available in STAN-M-39.
Smith, J. O. (1987a).: Music applications of digital waveguides.
Tech. Rep. STAN-M-39, Stanford University Department of Music.
(A compendium containing four related papers and presentation overheads on digital waveguide reverberation, synthesis, and filtering - $13.00).
Smith, J. O. (1987b).: Waveguide filter tutorial.
In ICMC (1987), pp. 9-16.
($3.00).
Smith, J. O. (1989a).: Computer music on the DSP56001.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Smith, J. O. (1989b).: Unit-generator implementation on the NeXT DSP Chip.
In Proceedings of the 1989 International Computer Music Conference, Columbus, Ohio, pp. 303-306. Computer Music Association.
Smith, J. O. (1990).: Efficient yet accurate models for strings and air columns using sparse lumping of distributed losses and dispersion.
In Proceedings of the Colloquium on Physical Modeling, Grenoble, France. ACROE.
Essentially superceded by Physical Modeling Using Digital Waveguides, 1992. Also available as Stanford University Department of Music Technical Report STAN-M-67, December 1990 ($4.00).
Smith, J. O. (1991a).: Viewpoints on the history of digital synthesis.
In ICMC (1991), pp. 1-10.
(Also contained in STAN-M-73).
Smith, J. O. (1991b).: Waveguide simulation of non-cylindrical acoustic tubes.
In ICMC (1991), pp. 304-307.
(Also contained in STAN-M-73).
Smith, J. O. (1992a).: Bandlimited interpolation - introduction and algorithm.
In Invited paper, Acoustical Society of America Conference, New Orleans.
(Expanded version of the 1984 paper with Phil Gossett).
Smith, J. O. (1992b).: The Kaiser window and the window method for digital filter design.
Mathematica notebook for Music 420 (EE 265), available online as ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.
Smith, J. O. (1992c).: Physical modeling using digital waveguides.
Computer Music Journal, 16(4):74-91.
Special issue: Physical Modeling of Musical Instruments, Part I.
Smith, J. O. (1992d).: Rectangular, Hanning, and Hamming window transforms.
Mathematica notebook for Music 420 (EE 265), available online as ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/GenHamming.ma.Z.
Smith, J. O. (1993a).: Efficient synthesis of stringed musical instruments.
In ICMC (1993), pp. 64-71.
(Also contained in STAN-M-81).
Smith, J. O. (1993b).: Use of commutativity in simplifying acoustic simulations.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Smith, J. O. (1995a).: Digital waveguide models for sound synthesis based on musical acoustics.
In Proceedings of the 15th International Conference on Acoustics (ICA-95), Trondheim, Norway.
Smith, J. O. (1995b).: Discrete-time modeling of acoustic systems.
CCRMA Associates Conference.
Monograph in progress.
Smith, J. O. (1995c).: Music synthesis techniques based on musical acoustics research.
In Proc. Int. Meeting on Physical Modeling in Music, Physical Modeling of Ancient Instruments, and Applications of Physical Modeling in Psychoacoustics, Thessaloniki, Greece.
Smith, J. O. (1996a).: Discrete-time modeling of acoustic systems with applications to sound synthesis of musical instruments.
In Proceedings of the Nordic Acoustical Meeting, Helsinki, pp. 21-32.
(Plenary paper.) Available online at http://ccrma.stanford.edu/~jos/.
Smith, J. O. (1996b).: Physical modeling synthesis update.
Computer Music Journal, 20(2).
Smith, J. O. (1996c).: Recent results in discrete-time models of musical instruments.
In Proceedings of the Tempo Reale Workshop on Physical Model Synthesis of Sound, Florence, pp. 1-6.
(Keynote paper).
Smith, J. O. (1997a).: Acoustic modeling using digital waveguides.
In C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, editors, Musical Signal Processing, pp. 221-263. Netherlands: Swets and Zietlinger.
Essentially an excerpt from http://ccrma.stanford.edu/~jos/waveguide/.
Smith, J. O. (1997b).: Nonlinear commuted synthesis of bowed strings.
In ICMC (1997).
(Also contained in STAN-M-101).
Smith, J. O. (1997c).: Principles of digital waveguide models of musical instruments.
In M. Kahrs and K. Brandenburg, editors, Applications of DSP to Audio & Acoustics. Kluwer Academic PUBLISHERs.
In press.
Smith, J. O. (1998).: Principles of digital waveguide models of musical instruments.
In M. Kahrs and K. Brandenburg, editors, Applications of Digital Signal Processing to Audio and Acoustics, pp. 417-466. Boston/Dordrecht/London: Kluwer Academic PUBLISHERs.
ISBN 0-7923-8130-0.
See http://www.wkap.nl/book.htm/0-7923-8130-0.
Smith, J. O. (2003a).: Introduction to Digital Filters.
http://ccrma.stanford.edu/~jos/filters/.
Smith, J. O. (2003b).: Recent developments in musical sound synthesis based on a physical model.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), available online at http://www.speech.kth.se/smac03/, Stockholm. Royal Swedish Academy of Music.
Smith, J. O. (2003c).: Virtual musical instruments.
In McGraw-Hill 2003 Yearbook of Science and Technology. New York: McGraw-Hill.
Smith, J. O. (2004a).: On the equivalence of digital waveguide and finite difference time domain schemes.
URL: http://arxiv.org/abs/physics/0407032/.
Smith, J. O. (2004b).: Virtual acoustic musical instruments: Review and update.
Journal of New Music Research, 33(3):283-304.
(invited paper for the special issue on musical acoustics applications).
Smith, J. O., editor (2005).: CCRMA Overview, May 2005, Stanford University Department of Music Technical Report STAN-M-120.
($6.00).
Smith, J. O. and Abel, J. S. (1987).: Closed-form least-squares location estimation from range-difference measurements.
IEEE Transactions on Acoustics, Speech, Signal Processing, 35(12):1661-1669.
Smith, J. O. and Abel, J. S. (1995).: The bark bilinear transform.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Smith, J. O. and Abel, J. S. (1999).: The Bark and ERB bilinear transforms.
IEEE Transactions on Speech and Audio Processing.
Matlab code for the main figures are available online at http://ccrma.stanford.edu/~jos/.
Smith, J. O. and Allen, J. B. (1981).: Variable bandwidth adaptive delta modulation.
Bell System Technical Journal, 60(5):719-737.
($3.00).
Smith, J. O. and Angell, J. B. (1982).: A constant-gain digital resonator tuned by a single coefficient.
Computer Music Journal, 6(4):36-40.
($3.00).
Smith, J. O. and Cook, P. R. (1992).: The second-order digital waveguide oscillator.
In ICMC (1992), pp. 150-153.
(Also contained in STAN-M-80).
Smith, J. O. and Friedlander, B. (1985).: Adaptive interpolated time-delay estimation.
IEEE Transactions on Aerospace and Electronic Systems, 21(2):180-199.
Smith, J. O. and Friedlander, B. (1984a).: Estimation of multipath delay.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, pp. 15.9.1-15.9.4, New York. IEEE Press.
Smith, J. O. and Friedlander, B. (1984b).: Extensions of the constant modulus algorithm.
Asilomar-84.
Smith, J. O. and Friedlander, B. (1985a).: Adaptive multipath delay estimation.
IEEE Transactions on Acoustics, Speech, Signal Processing, 33(4):812-822.
Smith, J. O. and Friedlander, B. (1985b).: Global convergence of the constant modulus algorithm.
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tampa, Florida, pp. 30.5.1-30.5.4.
Smith, J. O., Gordon, J., Jaffe, D., Mont-Reynaud, B., Schloss, A., Schottstaedt, W., and Wieneke, P. (1982).: Recent research in computer music at CCRMA.
In CmpCon Proc., pp. 35-39. IEEE Computer Soc., San Francisco, CA.
Smith, J. O. and Gossett, P. (1984).: A flexible sampling-rate conversion method.
In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego, vol. 2, pp. 19.4.1-19.4.2, New York. IEEE Press.
An expanded tutorial based on this paper is available in the directory ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/, file BandlimitedInterpolation.eps.Z, as is C code for implementing the technique in directory ftp://ccrma-ftp.stanford.edu/pub/NeXT/, file resample-n.m.tar.Z, where n.m denotes the latest version number. Note that the C source code is included so it is easy to port it to any platform supporting the C language.
Smith, J. O., Gutknecht, M., and Trefethen, L. N. (1983).: The Caratheodory-Fejer (CF) method for recursive digital filter design.
IEEE Transactions on Acoustics, Speech, Signal Processing, 31(6):1417-1426.
($3.00).
Smith, J. O., Jaffe, D. A., and Boynton, L. (1989).: Music system architecture on the NeXT computer.
Audio Engineering Society Convention.
Smith, J. O. and Karjalainen, M. (1996).: Body modeling techniques for string instrument synthesis.
In ICMC (1996).
(Also contained in STAN-M-99).
Smith, J. O. and Rocchesso, D. (1994).: Connections between feedback delay networks and waveguide networks for digital reverberation.
In ICMC (1994), pp. 376-377.
(Also contained in STAN-M-89).
Smith, J. O. and Rocchesso, D. (1997a).: Aspects of digital waveguide networks for acoustic modeling applications.
http://ccrma.stanford.edu/~jos/wgj/.
Smith, J. O. and Rocchesso, D. (1997b).: Aspects of digital waveguide networks for acoustic modeling applications.
Tech. rep., Centro di Sonologia Computazionale, Dipartimento di Elettronica e Informatica, Università degli Studi di Padova.
Available online at http://ccrma.stanford.edu/~jos/wgj/.
Smith, J. O. and Scavone, G. P. (1997).: The one-filter Keefe clarinet tonehole.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Smith, J. O., Serafin, S., Abel, J., and Berners, D. (2002).: Doppler simulation and the leslie.
In Proc. Int. Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, pp. 13-20.
Smith, J. O. and Serra, X. (1987).: PARSHL: A program for the analysis/synthesis of inharmonic sounds based on a sinusoidal representation.
In ICMC (1987).
Also available as Stanford Music Department Technical Report STAN-M-43.
Smith, J. O. and Van Duyne, S. A. (1995a).: Commuted piano synthesis.
In ICMC (1995), pp. 319-326.
(Also contained in STAN-M-91).
Smith, J. O. and Van Duyne, S. A. (1995b).: Overview of the commuted piano synthesis technique.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Smith, J. O. and Van Duyne, S. A. (1995c).: Recent results in piano synthesis via physical modeling.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, pp. 503-509, France. Société Français d'Acoustique.
Smith, L. C. (1972).: Score, a musician's approach to computer music.
Journal of the Audio Engineering Society.
Smith, L. C. (1973a).: Editing and printing music by computer.
J. of Music Theory.
($3.00).
Smith, L. C. (1973b).: Henry Cowell's Rhythmicana.
Yearbook for Inter-American Research.
($3.00).
Smith, III, J. O. (1998).: Virtual musique concréte--algorithmic synthesis of natural sound.
In Inventionen-98 (http://www.kgw.tu-berlin.de/inventionen/), Berlin. DAAD.
Smith III, J. O. (2003).: Mathematics of the Discrete Fourier Transform (DFT).
http://ccrma.stanford.edu/~jos/mdft/.
Smith III, J. O. (2004).: Physical Audio Signal Processing: Digital Waveguide Modeling of Musical Instruments and Audio Effects.
available on-line at http://ccrma.stanford.edu/~jos/pasp/.
Smyth, T., Abel, J. S., and Smith, J. O. (2003).: The estimation of birdsong control parameters using maximum likelihood and minimum action.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), available online at http://www.speech.kth.se/smac03/, Stockholm. Royal Swedish Academy of Music.
Smyth, T., Abel, J. S., and Smith, J. O. (2004).: The feathered clarinet reed.
In Proceedings of the Conference On Digital Audio Effects (DAFx-04), Naples, Italy.
Smyth, T. and Smith, J. O. (2001a).: Applications of bioacoustics in physical modeling and the creation of new musical instruments.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001), Perugia, Italy.
Smyth, T. and Smith, J. O. (2001b).: A musical instrument based on a bioacoustic model of a cicada.
In ICMC (2001), pp. 174-177.
Smyth, T. and Smith, J. O. (2002a).: Creating sustained tones with the cicada's rapid sequential buckling mechanism.
In Proceedings of the 2002 New Interfaces for Musical Expression (NIME-02), Dublin, Ireland.
Smyth, T. and Smith, J. O. (2002b).: The sounds of the avian syrinx - are they really flute-like?
In Proc. Int. Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, pp. 199-202.
Smyth, T. and Smith, J. O. (2003).: The syrinx: Nature's hybrid wind intrument.
In Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6.
STAN-M-101 (1997).: CCRMA Papers Presented at the 1997 International Computer Music Conference, Thessaloniki, Greece.
Stanford University Department of Music Technical Report, ($6.00).
STAN-M-73 (1991).: CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada.
Stanford University Department of Music Technical Report, ($6.00).
STAN-M-80 (1992).: Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA.
Stanford University Department of Music Technical Report, ($6.00).
STAN-M-81 (1993).: CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan.
Stanford University Department of Music Technical Report, ($5.00).
STAN-M-89 (1994).: CCRMA Papers Presented at the 1994 International Computer Music Conference, Århus, Denmark.
Stanford University Department of Music Technical Report, ($6.00).
STAN-M-91 (1995).: CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada.
Stanford University Department of Music Technical Report, ($6.00).
STAN-M-99 (1996).: CCRMA Papers Presented at the 1996 International Computer Music Conference, Hong Kong.
Stanford University Department of Music Technical Report, ($7.00).
Stilson, T. (1995a).: Forward-going wave extraction in acoustic tubes.
In ICMC (1995), pp. 517-520.
(Also contained in STAN-M-91).
Stilson, T. (1995b).: General weirdness with the Karplus-Strong string.
In ICMC (1995), pp. 110-111.
(Also contained in STAN-M-91).
Stilson, T. and Smith, J. O. (1996a).: Alias-free digital synthesis of classic analog waveforms.
In ICMC (1996).
Available online at http://ccrma.stanford.edu/~stilti/. (Also contained in STAN-M-99).
Stilson, T. and Smith, J. O. (1996b).: Analyzing the Moog VCF with considerations for digital implementation.
In ICMC (1996).
Available online at http://ccrma.stanford.edu/~stilti/. (Also contained in STAN-M-99).
Stilson, T. S. (1997).: Applying root-locus techniques to the analysis of coupled modes in piano strings.
In ICMC (1997).
(Also contained in STAN-M-101).
Stilson, T. S. and Thornburg, H. (1998).: Examples of using amplitude control systems in music synthesis.
In ICMC (1998).
Strawn, J. (1980).: Approximation and syntactic analysis of amplitude and frequency functions for digital sound synthesis.
Computer Music Journal, 4(3):3-24.
($5.00).
Strawn, J. (1982).: Research on timbre and musical contexts at CCRMA.
In ICMC (1982).
($3.00).
Strawn, J. (1985a).: Digital Audio Signal Processing: An Anthology.
Los Altos, CA: William Kaufmann.
Strawn, J. (1985b).: Digital sound recording and synthesis.
In C. Roads and J. Strawn, editors, Computer Music Tutorial. Cambridge, MA: The MIT Press.
($3.00).
Strawn, J. (1985c).: Editing time-varying spectra.
Audio Engineering Society 78th Convention, 1985 May 3-6, Anaheim, CA. ($3.00).
Strawn, J. (1985d).: Modeling Musical Transitions.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-26 ($18.00).
Strawn, J. (1985e).: Orchestral instruments: Analysis of performed transitions.
Preprint of the Audio Engineering Society 78th Convention, 1985 May 3-6, Anaheim, CA. ($3.00).
Tanaka, A. (1992).: Implementing quadraphonic audio on the NeXT.
In ICMC (1992).
(Also contained in STAN-M-80).
Taube, H. (1989).: Common Music: A music composition language in Common Lisp and CLOS.
In ICMC (1989).
Also available as Stanford University Department of Music Technical Report STAN-M-63 ($3.00) and in Proc. of EUROPAL 90, Cambridge, England, March 1990.
Taube, H. (1993).: Stella: Persistent score representation and score editing in Common Music.
Computer Music Journal, 17(4).
Taube, H. and Kunze, T. (1995).: Capella: A graphical interface for algorithmic composition.
In ICMC (1995), pp. 377-380.
(Also contained in STAN-M-91).
Taube, H. and Kunze, T. (1997).: An HTTP interface to Common Music.
In ICMC (1997).
(Also contained in STAN-M-101).
Terasawa, H., Segnini, R., and Woo, V. (2003).: Sound kitchen: Designing a chemically controlled musical performance.
In Proceedings of the 2003 New Interfaces for Musical Expression (NIME-03), Montreal, Canada.
Terasawa, H., Slaney, M., and Berger, J. (2005).: Perceptual distance in timbre space.
In Proc. Int. Conf. Auditory Display (ICAD05), Limerick, Ireland.
Thornburg, H. (1999).: Antialiasing for nonlinearities: Acoustic modeling and synthesis applications.
In ICMC (1999).
Thornburg, H. and Gouyon, F. (2000).: A flexible analysis-synthesis method for transients.
In ICMC (2000a).
Traube, C., , and Smith, J. (2001).: Estimating the fingering and the plucking points on a guitar string from a recording.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Traube, C. and Smith, J. (2000).: Estimating the plucking point on a guitar string.
In Proceedings of the 2000 International Conference On Digital Audio Effects, Verona, Italy.
Trautmann, S. D. (1995a).: A physical string model with a twist.
In ICMC (1995).
(Also contained in STAN-M-91).
Trautmann, S. D. (1995b).: Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-96 ($13.00).
Trautmann, S. D. (1995c).: Toward a CLM sound localization instrument employing modified wavefront reconstruction.
In ICMC (1995).
(Also contained in STAN-M-91).
Van Duyne, S. and Smith, J. O. (1993a).: Physical modeling with the 2-D digital waveguide mesh.
In ICMC (1993), pp. 40-47.
(Also contained in STAN-M-81).
Van Duyne, S. A. (1992).: Low piano tones: Modeling nearly harmonic spectra with regions of FM.
In ICMC (1992).
(Also contained in STAN-M-80).
Van Duyne, S. A., Jaffe, D. A., Scandalis, P., and Stilson, T. S. (1997).: A lossless, click-free, pitchbend-able delay line loop interpolation scheme.
In ICMC (1997).
(Also contained in STAN-M-101).
Van Duyne, S. A., Pierce, J. R., and Smith, J. O. (1994).: Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer.
In ICMC (1994), pp. 411-418.
(Also contained in STAN-M-89. Presented at the Conference of the Acoustical Society of America, November, 1994).
Van Duyne, S. A. and Smith, J. O. (1992).: Implementation of a variable pick-up point on a waveguide string model with FM/AM applications.
In ICMC (1992), pp. 154-157.
(Also contained in STAN-M-80).
Van Duyne, S. A. and Smith, J. O. (1993b).: The 2-D digital waveguide mesh.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Van Duyne, S. A. and Smith, J. O. (1994).: A simplified approach to modeling dispersion caused by stiffness in strings and plates.
In ICMC (1994), pp. 407-410.
(Also contained in STAN-M-89).
Van Duyne, S. A. and Smith, J. O. (1995a).: Developments for the commuted piano.
In ICMC (1995), pp. 335-343.
(Also contained in STAN-M-91).
Van Duyne, S. A. and Smith, J. O. (1995b).: The tetrahedral waveguide mesh: Multiply-free computation of wave propagation in free space.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Van Duyne, S. A. and Smith, J. O. (1996).: The 3D tetrahedral digital waveguide mesh with musical applications.
In ICMC (1996).
(Also contained in STAN-M-99).
van Walstijn, M. and Scavone, G. (2000).: The wave digital tonehole model.
In ICMC (2000a), pp. 465-468.
van Walstijn, M. and Smith, J. O. (1998).: Use of truncated infinite impulse response (TIIR) filters in implementing efficient digital waveguide models of flared horns and piecewise conical bores with unstable one-pole filter elements.
In Proc. Int. Symp. Musical Acoustics (ISMA-98), Leavenworth, Washington, pp. 309-314. Acoustical Society of America.
Verma, T. S., Levine, S. N., and Meng, T. H. (1997).: Transient modeling synthesis: a flexible analysis/synthesis tool for transient signals.
In ICMC (1997).
(Also contained in STAN-M-101).
Verplank, B., Gurevich, M., and Mathews, M. (2002).: The plank: Designing a simple haptic controller.
In Proceedings of the 2002 New Interfaces for Musical Expression (NIME-02), Dublin, Ireland.
Verplank, B., Mathews, M., and Shaw, R. (2000).: Scanned synthesis.
In ICMC (2000a).
Available online at http://www.billverplank.com/ScannedSynthesis.PDF.
Verplank, B., Sapp, C., and Mathews, M. (2001).: A course on controllers.
In ICMC (2000b).
Available online at http://www.billverplank.com/ControllersCourse2.PDF.
Walters, J., Wilson, S., and Abel, J. (2004).: Speaker array calibration using inter-speaker range measurements.
In Proceedings of the 25th Audio Engineering Society, San Francisco.
Wang, A. and Smith, III, J. O. (1997a).: On fast FIR filters implemented as tail-canceling IIR filters.
IEEE Transactions on Signal Processing, 45(6):1415-1427.
Wang, A. and Smith, III, J. O. (1997b).: Some properties of tail-canceling IIR filters.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
Wang, A. L.-C. (1994).: Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation.
Ph.D. thesis, Department of Elec. Eng., Stanford University.
Available as CCRMA Technical Report STAN-M-86 ($18.00).
Wang, A. L.-C. and Smith, J. O. (1994).: On fast FIR filters implemented as tail-canceling IIR filters.
Tech. Rep. STAN-M-90, Stanford University Department of Music.
($3.00).
Wilkerson, C., Ng, C., and Serafin, S. (2002).: The mutha rubboard controller.
In Proceedings of the 2002 New Interfaces for Musical Expression (NIME-02), Dublin, Ireland.
Wilson, S., Walters, J., and Abel, J. (2004).: Speaker locations from inter-speaker range measurements: Closed-form estimator and performance relative to the cramer-rao lower bound.
In SMAC (2003a).
Wood, P. (1991).: Recollections with John Robinson Pierce.
Computer Music Journal, 15(4):17-28.
Wood, P., editor (1992).: CCRMA Research Overview, Stanford University Department of Music Technical Report.
(out of print).
Wood, P. and Duyne, S. V., editors (1994).: Overview, September 1994, Stanford University Department of Music Technical Report STAN-M-97.
($6.00).
Wright, M., Berger, J., Burns, C., Chafe, C., Lopez-Lezcano, F., and Smith, J. (2004a).: CCRMA studio report.
In ICMC (2004).
Wright, M., Cassidy, R. J., and Zbyszynski, M. F. (2004b).: Audio and gesture latency measurements on linux and osx.
In Proceedings of the 2004 International Computer Music Conference, Miami, Florida, pp. 423-429.
Yeo, W. S. and Berger, J. (2005a).: Application of image sonification methods to music.
In ICMC (2005).
Yeo, W. S. and Berger, J. (2005b).: A framework for designing image sonification methods.
International Conference on Auditory Display.
Yeo, W. S., Berger, J., and Lee, Z. (2004a).: Sonart: A framework for data sonification, visualization and networked multimedia applications.
In ICMC (2004), pp. 180-184.
Yeo, W. S., Berger, J., and Wilson, R. S. (2004b).: A flexible framework for real-time sonification with sonart.
International Conference on Auditory Display.
Yeo, W. S. and Lee, K. (2005).: Woonogram: A sound visualization mapping scheme.
In ICMC (2005).
Zicarelli, D. (1991).: Communicating with meaningless numbers.
Computer Music Journal, 15(4):74-77.