Next: Publications
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The following is an extensive list
of publications by people from CCRMA. A printed list of CCRMA
publications from 1970-1995 is available from CCRMA as Stanford
University Department of Music Technical Report STAN-M-103.
Stanford University Department of Music Technical Reports are
available from
CCRMA. Many STANMs have
been scanned, and are available online at
http://ccrma.stanford.edu/STANM/.
Publications with notated prices are available in hardcopy form from
CCRMA.
-
Abe, M. and Smith III, J. O. (2004).
- Design criteria for simple sinusoidal parameter estimation based on
quadratic interpolation of FFT magnitude peaks.
Audio Engineering Society Convention, San Francisco, Preprint
6256.
-
Abel, J. S. and Smith, J. O. (1991).
- Restoring a clipped signal.
In Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, Toronto, New York. IEEE Press.
($3.00).
-
Bauman, M. L. (1995).
- The International Digital Electroacoustic Music Archive.
In ICMC (1995).
(Also contained in STAN-M-91).
-
Bauman, M. L., Diener, G. R., and Mathews, M. V. (1991).
- The International Digital Electroacoustic Music Archive.
In ICMC (1991).
-
Ben-Tal, O., Berger, J., and Daniels, M. (2001a).
- De natura sonoris: Sonification of complex data.
In Mathematics and Simulation with Biological, Economical and
Musioacoustical Applications; Mathematics and Computers in Science and
Engineering, p. 330. WSEAS Press.
Edited by Attellis, Kluv and Mastorakis.
-
Ben-Tal, O., Berger, J., and Daniels, M. (2001b).
- Sonification in science and art.
In Proceedings of the 2001 ESCOM Conference, Liege, Belgium.
-
Bensa, J., Bilbao, S., Kronlan-Martinet, R., and Smith III, J. O. (2002).
- From the physics of piano strings to digital waveguides.
In ICMC (2002).
-
Bensa, J., Bilbao, S., Kronland-Martinet, R., and Smith, J. (2004).
- Computational modeling of stiff piano strings using digital
waveguides and finite differences.
EURASIP Journal on Applied Signal Processing, 4.
(special issue on string modeling), in review.
-
Bensa, J., Bilbao, S., Kronland-Martinet, R., and Smith III, J. O.
(2003a).
- The simulation of piano string vibration: from physical models to
finite difference schemes and digital waveguides.
Journal of the Acoustical Society of America, 114(2):1095-1107.
-
Bensa, J., Kronland-Martinet, R., Bilbao, S., and Smith, J. (2003b).
- A power-normalized non-linear lossy piano hammer.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03),
available online at
http://www.speech.kth.se/smac03/, pp. 365-368, Stockholm. Royal Swedish Academy of Music.
-
Berger, J. (1996).
- Modeling the degree of realized expectation in functional tonal
music: A study of perceptual and cognitive modeling using neural networks.
In ICMC (1996).
-
Berger, J. (1998).
- Connected to what?
JOURNAL of the College Music Society.
Plenary ADDRESS, 1997.
-
Berger, J. (1999a).
- The ghost of johannes brahms.
In Proceedings of the TED IX (CD-ROM disk 1), Monterey, CA.
-
Berger, J. (1999b).
- Modeling composition, performance and listening.
In Music at the Crossroads: Technology and Composition
Pedagogy, Rubin Academy of Music, Jerusalem.
Plenary ADDRESS. Proceedings published in Art in Time, Vol.
4, Issue 1, pg. 53, 1999.
-
Berger, J. (2001a).
- Musical Expectations.
Cambridge, MA: MIT Press.
-
Berger, J. (2001b).
- Who cares if it listens?
In Virtual Music: Computer Synthesis of Musical Style.
Cambridge, MA: MIT Press.
Edited by D. Cope.
-
Berger, J., Coifman, R., and Goldberg, M. (1995).
- Denoising a recording of caruso using local trigonometric bases with
lp entropy as cost function.
In Proceedings of the Central Section Meeting of the American
Mathematical Society, Chicago, Illinois. American Mathematical Society.
Presentation in special session Extensions and applications
of harmonic analysis: Spaces of homogeneous type and wavelet analysis.
-
Berger, J., Coifman, R., and Goldberg, M. (1996).
- Using adaptive basis selection to separate noise from music.
In Proceedings of the 16th Workshop on Pure Mathematics:
Nonlinear Partial Differential Equations and their Applications, pp.
133-143, Chuncheon, S. Korea. Pure Math. Research Assoc. and the Korean
Academic Council.
-
Berger, J., Coifman, R. R., and Goldberg, M. J. (1994).
- Removing noise from music using local trigonometric bases and wavelet
packets.
Journal of the Audio Engineering Society, 42(10):808-818.
($3.00).
-
Berger, J. and Cook, P. R. (1999).
- Sonification report: Status of the field and research agenda.
Tech. rep., CCRMA.
Prepared for the National Science Foundation by members of the
International Community for Auditory Display (ed. G. Kramer et al.).
-
Berger, J., Dannenberg, Morales, and Morales (2002).
- SICIB: An Interactive Music Composition System Through Body
Movements.
Computer Music Journal.
-
Berger, J. and Gang, D. (1997).
- A neural network model of metric perception and cognition in the
audition of functional tonal music.
In ICMC (1997), p. 158.
(Also contained in STAN-M-101).
-
Berger, J. and Gang, D. (1998).
- A computational model of meter cognition during the audition of
functional tonal music: Modeling a-priori bias in meter cognition.
In ICMC (1998), p. 253.
-
Berger, J. and Gang, D. (1999).
- A unified neurosymbolic model of the mutual influence of memory,
context and prediction of time ordered sequential events during the audition
of tonal music.
Tech. rep., Am. Assoc. of Artificial Intelligence Technical Report
SS-99-05.
-
Berger, J. and Gang, D. (2000).
- A real time model of the formulation and realization of musical
expectations.
Music Perception.
Submitted for publication.
-
Berger, J. and Nichols, C. (1994).
- Brahms at the piano: An analysis of data from the brahms cylinder.
Leonardo Music Journal, 4.
-
Berners, D. (1999).
- Acoustics and Signal Processing Techniques for Physical
Modeling of Brass Instruments.
Ph.D. thesis, Dept. of Electrical Engineering, Stanford University.
Available as Stanford University Department of Music Technical Report
STAN-M-105 ($14.00).
-
Berners, D. P. and Smith, J. O. (1994).
- On the use of Schroeder's equation in the analytic determination of
horn reflectance.
In ICMC (1994), pp. 419-422.
(Also contained in STAN-M-89).
-
Berners, D. P. and Smith, J. O. (1995).
- Super-spherical wave simulation in flaring horns.
In ICMC (1995), pp. 112-113.
(Also contained in STAN-M-91).
-
Bilbao, S. (2001).
- Wave and Scattering Methods for the Numerical Integration of
Partial Differential Equation.
Ph.D. thesis, Department of Electrical Engineering, Stanford
University.
Available as Stanford University Department of Music Technical Report
STAN-M-108 ($28.00).
-
Bilbao, S. and Smith, J. (2003).
- Stability bounds and the reduction of directional dispersion in
explicit finite difference schemes for plates.
IEEE Transactions on Speech and Audio Processing.
accepted for publication.
-
Bilbao, S., Smith, J., Bensa, J., and Kronland-Martinet, R. (2002).
- A power-normalized wave digital piano hammer.
Journal of the Acoustical Society of America, Program of the 144th
Meeting, Cancun, Mexico, Dec. 2-6.
-
Boie, R. and Mathews, M. V. (1989).
- The radio drum as a synthesizer controller.
In ICMC (1989).
-
Borish, J. (1983a).
- An auditorium simulator for home use.
Preprint of the Audio Engineering Society 74th Convention, 1983
October 8-12, New York. ($3.00).
-
Borish, J. (1983b).
- A digital delay line.
The Audio Amateur, 1/83:7-12.
Parts I and II. ($3.00).
-
Borish, J. (1984a).
- Electronic Simulation of Auditorium Acoustics.
Ph.D. thesis, Elec. Eng. Dept., Stanford University.
Available as Stanford University Department of Music Technical Report
STAN-M-18 ($13.00).
-
Borish, J. (1984b).
- Extension of the image model to arbitrary polyhedra.
Journal of the Acoustical Society of America, 75(6):1827-1836.
($3.00).
-
Borish, J. and Angel, J. B. (1983).
- An efficient algorithm for measuring the impulse response using
pseudo-random noise.
Journal of the Audio Engineering Society, 31(7):478-488.
($3.00).
-
Bosi, M. (1990).
- A real-time system for spatial distribution of sound.
Tech. Rep. STAN-M-66, Stanford University Department of Music.
($4.00).
-
Bosi, M. and Goldberg, R. (2002).
- Introduction to Digital Audio Coding and Standards.
Kluwer Academic Publishers.
ISBN 1-4020-7357-7.
order online at
http://www.wkap.nl/prod/b/1-4020-7357-7.
-
Burns, C. (2001).
- Realizing lucier and stockhausen: Case studies in electroacoustic
performance practice.
In ICMC (2001).
-
Burns, C. (2002a).
- Realizing lucier and stockhausen: Case studies in electroacoustic
performance practice.
Journal of New Music Research, 31(1):59-68.
-
Burns, C. (2002b).
- Tracing compositional process: Software synthesis code as documentary
evidence.
In ICMC (2002), pp. 568-571.
-
Burns, C. (2003).
- Emergent behavior from idiosyncratic feedback networks.
In ICMC (2003).
-
Burns, C., editor (2004).
- CCRMA Overview, April 2004, Stanford University Department
of Music Technical Report STAN-M-112b.
($6.00).
-
Burns, C. and Burtner, M. (2004).
- Recursive audio systems: Acoustic feedback in composition.
Leonardo Electronic Almanac, 12(2).
-
Burns, C., Serafin, S., and Burtner, M. (2003).
- Musical applications of multichannel generalized waveguides.
In SMAC (2003b).
-
Burtner, M. and Serafin, S. (2000).
- Extended performance techniques for a virtual instrument.
In DAFX (2000).
-
Carter, N. P. (1993).
- A generalized approach to automatic recognition of music scores.
Tech. Rep. STAN-M-87, Stanford University Department of Music.
($7.00).
-
Cassidy, R., Berger, J., and Lee, K. (2004a).
- Auditory display of hyperspectral colon tissue images using vocal
synthesis models.
In Proceedings of International Conference on Auditory Display,
Sydney, Australia.
-
Cassidy, R. J. (2004).
- Dynamic range compression of audio signals consistent with recent
time-varying loudness models.
In Proceedings of the International Conference on Acoustics,
Speech, and Signal Processing, Montreal, pp. iv-213-iv216, New York.
IEEE Press.
-
Cassidy, R. J., Berger, J., Lee, K., Maggioni, M., and Coifman, R. R.
(2004b).
- Auditory display of hyperspectral colon tissue images using vocal
synthesis models.
In Proceedings of the 2004 International Conference on Auditory
Display. International Community for Auditory Display (ICAD).
-
Chaf, C., Gurevich, M., Leslie, G., and Tyan, S. (2004).
- Effect of time delay on ensemble accuracy.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2004),
Taipei, Taiwan.
-
Chafe, C. (1985).
- Bowed string synthesis and its control from a physical model.
Tech. Rep. STAN-M-32, Stanford University Department of Music.
(Replaced by STAN-M-48).
-
Chafe, C. (1989).
- Simulating performance on a bowed instrument.
In J. Pierce and M. V. Mathews, editors, Current Directions in
Computer Music. MIT Press.
Also available as Stanford University Department of Music Technical
Report STAN-M-48, May 1988 ($4.00).
-
Chafe, C. (1990a).
- Pulsed noise and microtransients in physical models of musical
instruments.
Tech. Rep. STAN-M-65, Stanford University Department of Music.
($3.00).
-
Chafe, C. (1990b).
- Pulsed noise in self-sustained oscillations of musical instruments.
In Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, Albuquerque, New York. IEEE Press.
Also available as Stanford University Department of Music Technical
Report STAN-M-61, January 1990 ($3.00).
-
Chafe, C. (1991).
- Dream machine 1990.
Computer Music Journal, 15(4):62-64.
-
Chafe, C. (1993).
- Tactile audio feedback.
In ICMC (1993).
(Also contained in STAN-M-81).
-
Chafe, C. (1995a).
- Adding vortex noise to wind instrument physical models.
In ICMC (1995), pp. 57-60.
(Also contained in STAN-M-91).
-
Chafe, C. (1995b).
- Adding vortex noise to wind instrument physical models.
In Proceedings of the 1995 International Meeting on Physical
Modeling. Institute for Psychoacoustic and Music Research, University of
Thessaloniki, Greece.
-
Chafe, C. (1997).
- Statistical pattern recognition for prediction of solo piano
performance.
In ICMC (1997).
(Also contained in STAN-M-101).
-
Chafe, C. (1999).
- Interplay(er) machines.
Contemporary Music Review, 18(3):87-95.
-
Chafe, C. (2000).
- Round table.
Electronic book, edited by Wanderley, M. and Battier, M.
-
Chafe, C. (2002).
- Oxygen flute, a computer music instrument that grows.
In Proceedings of the 2002 Keihanna Multimedia Festival, Kyoto,
Japan.
-
Chafe, C. (2003).
- Distributed internet reverberation for audio collaboration.
In Proceedings of the 24th Audio Engineering Society, Banff,
Canada.
-
Chafe, C. (2004).
- Physical model synthesis in music composition.
Proc., International Congress on Acoustics, Kyoto.
-
Chafe, C. (2005).
- Oxygen flute, a computer music instrument that grows.
Journal of New Music Research, 34.
to appear.
-
Chafe, C. and Jaffe, D. (1986).
- Source separation and note identification in polyphonic music.
In Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, Tokyo, New York. IEEE Press.
Also available as Stanford University Department of Music Technical
Report STAN-M-34 ($3.00).
-
Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., and Smith, J.
(1985a).
- Techniques for note identification in polyphonic music.
In ICMC (1985).
Also available as Stanford University Department of Music Technical
Report STAN-M-29, April 1986 ($3.00).
-
Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., and Smith, J. O.
(1985b).
- Techniques for note identification in polyphonic music.
In Proceedings of the 1985 International Computer Music Conference, Burnaby, B.C.,
Canada. Computer Music Association.
-
Chafe, C. and Leistikow, R. (2001).
- Levels of temporal resolution in sonification of network performance.
In Proceedings of the 2001 International Conference On Auditory Display, Helsinki,
Finland.
-
Chafe, C., Mont-Reynaud, B., and Rush, L. (1982).
- Toward an intelligent editor of digital audio: Recognition of musical
constructs.
Computer Music Journal, 6(1):30-41.
($3.00).
-
Chafe, C. and O'Modhrain, S. (1996).
- Musical muscle memory and the haptic display of performance nuance.
In ICMC (1996).
(Also contained in STAN-M-99).
-
Chafe, C., Shalunov, C., and Teitelbaum, B. (2000a).
- QoS enabled audio teleportation.
IEEE / ACM Super Computing 2000, research exhibit (Most Captivating
Application: Net Challenge Prize). Contributions from the entire SoundWIRE
team.
-
Chafe, C., Smith, J., and Wood, P. (1986).
- Current work at CCRMA: An overview.
In ICMC (1986).
-
Chafe, C., Wilson, S., Leistikow, R., Chisholm, D., and Scavone, G.
(2000b).
- A simplified approach to high quality music and sound over IP.
In DAFX (2000).
-
Chafe, C., Wilson, S., and Walling, D. (2002).
- Physical model synthesis with application to internet acoustics.
In Proceedings of the International Conference On Acoustics, Speech, and Signal
Processing, Orlando, Florida.
-
Chomyszyn, J. (1994).
- Loudness of musical sounds in a reverberant environment.
In ICMC (1994).
(Also contained in STAN-M-89).
-
Chomyszyn, J. (1995).
- Distance of Sound in Reverberant Fields.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-94 ($12.00).
-
Chowning, J. M. (1970).
- The simulation of moving sound sources.
Preprint of the Audio Engineering Society 38th Convention, 1970 May
4-7, New York. ($3.00).
-
Chowning, J. M. (1972).
- The Stanford computer music project.
-
Chowning, J. M. (1973).
- The synthesis of complex audio spectra by means of frequency
modulation.
Journal of the Audio Engineering Society, 21(7):526-534.
Reprinted in Curtis Roads and John Strawn, eds. Foundations
of Computer Music, Cambridge, MA: MIT Press, 1985 ($3.00).
-
Chowning, J. M. (1980).
- Computer synthesis of the singing voice.
In J. Sundberg, editor, Sound Generation in Winds, Strings,
Computers, pp. 4-13. Stockholm, Sweden: Royal Swedish Academy of Music.
($3.00).
-
Chowning, J. M. (1985).
- John Chowning on composition.
In C. Roads, editor, Composers and the Computer. Los Altos,
California: William Kaufmann, Inc.
-
Chowning, J. M. (1990).
- Music from machines: Perceptual fusion and auditory perspective - for
Ligeti.
Tech. Rep. STAN-M-64, Stanford University Department of Music.
($4.00).
-
Chowning, J. M. and Bristow, D. (1986).
- FM theory and applications.
-
Chowning, J. M., Chafe, C., Gordon, J. W., and Wood, P. (1982a).
- Studio report: The Stanford Center for Computer Research in Music
and Acoustics.
In ICMC (1982).
($3.00).
-
Chowning, J. M., Grey, J. M., Moorer, J. A., and Rush, L. (1982b).
- Instrumental timbre and related acoustical phenomena in the
perception of music, Final Report.
Tech. Rep. STAN-M-11, Stanford University Department of Music.
($4.00).
-
Chowning, J. M., Grey, J. M., Rush, L., and Moorer, J. A. (1974).
- Computer simulation of music instrument tones in reverberant
environments.
Tech. Rep. STAN-M-1, Stanford University Department of Music.
($6.50).
-
Chowning, J. M., Grey, J. M., Rush, L., Moorer, J. A., and Smith, L. (1978).
- Simulation of music instrument tones in reverberant environments,
Final Report.
Tech. Rep. STAN-M-8, Stanford University Department of Music.
($3.00).
-
Chowning, J. M. and Mont-Reynaud, B. (1986).
- Intelligent analysis of composite acoustic signals, Final Report.
Tech. Rep. STAN-M-36, Stanford University Department of Music.
($4.00).
-
Chowning, J. M., Rush, L., Mont-Reynaud, B., Chafe, C., Schloss, A., and Smith,
J. (1984).
- Intelligent systems for the analysis of digitized acoustic signals,
Final Report.
Tech. Rep. STAN-M-15, Stanford University Department of Music.
($6.00).
-
Chowning, J. M. and Sheeline, C. (1982).
- Auditory distance perception under natural sounding conditions,
Final Report.
Tech. Rep. STAN-M-12, Stanford University Department of Music.
($5.00).
-
Cook, P. R. (1987).
- Numerical solution of boundary value problems in music acoustics.
In IEEE 1986 Student Papers.
($4.00).
-
Cook, P. R. (1988a).
- Implementation of single reed instruments with arbitrary bore shapes
using digital waveguide filters.
Tech. Rep. STAN-M-50, Stanford University Department of Music.
($5.00).
-
Cook, P. R. (1988b).
- Reverberation cancellation in musical signals using adaptive filters.
Tech. Rep. STAN-M-51, Stanford University Department of Music.
Originally published June 1987, ($5.00).
-
Cook, P. R. (1989).
- Synthesis of the singing voice using a physically parameterized model
of the human vocal tract.
In ICMC (1989).
Also available as Stanford University Department of Music Technical
Report STAN-M-57 ($3.00).
-
Cook, P. R. (1990a).
- Identification of Control Parameters in an Articulatory Vocal
Tract Model, with Applications to the Synthesis of Singing.
Ph.D. thesis, Dept. of Elec. Eng., Stanford University.
Available as Stanford University Department of Music Technical Report
STAN-M-68 ($16.00).
-
Cook, P. R. (1990b).
- SPASM: A real-time vocal tract physical model editor, controller,
and singer: The companion software synthesis system.
In Proceedings of the Colloquium on Physical Modeling, Grenoble, France.
ACROE.
-
Cook, P. R. (1991a).
- LECTOR: An ecclesiastical latin control language for the
spasm/singer instrument.
In ICMC (1991).
Also available as Stanford University Department of Music Technical
Report STAN-M-76 ($3.00).
-
Cook, P. R. (1991b).
- Noise and aperiodicity in the glottal source: A study of singer
voices.
In Twelfth International Congress of Phonetic Sciences,
Aix-en-Provence, France.
Also available as Stanford University Department of Music Technical
Report STAN-M-75 ($3.00).
-
Cook, P. R. (1991c).
- Non-linear periodic prediction for on-line identification of
oscillator characteristics of woodwind instruments.
In ICMC (1991).
(Also contained in STAN-M-73).
-
Cook, P. R. (1991d).
- TBone: An interactive waveguide brass instrument synthesis
workbench for the next machine.
In ICMC (1991), pp. 297-299.
(Also contained in STAN-M-73).
-
Cook, P. R. (1992).
- A meta-wind-instrument physical model, and a meta-controller for real
time performance control.
In ICMC (1992), pp. 273-276.
(Also contained in STAN-M-80).
-
Cook, P. R. (1995a).
- A hierarchical system for controlling synthesis by physical modeling.
In ICMC (1995), pp. 108-109.
(Also contained in STAN-M-91).
-
Cook, P. R. (1995b).
- Integration of physical modeling for synthesis and animation.
In ICMC (1995), pp. 525-528.
(Also contained in STAN-M-91).
-
Cook, P. R. (1995c).
- An investigation of singer pitch deviation as a function of pitch and
dynamics.
In Thirteenth International Congress of Phonetic Sciences, pp.
1:202-205. KTH, Stockholm, Sweden.
-
Cook, P. R. (1995d).
- Speech and singing synthesis using physical models, some history and
future directions.
In Greek Symposium on Physical Models and Applications in
Psychoacoustics, Thessaloniki, Greece. Aristotle University of Thessaloniki.
-
Cook, P. R. (1996).
- Singing voice synthesis: History, current work, and future
directions.
Computer Music Journal, 20(3).
-
Cook, P. R., editor (1999).
- Music, Cognition and Computerized Sound: An Introduction to
Psychoacoustics.
Cambridge, MA: MIT Press.
-
Cook, P. R., Kamarotos, D., Diamantopoulos, T., and Philippis, G.
(1993a).
- IGDIS (Instrument for Greek DIction and Singing): A Modern Greek
Text to Speech/Singing Program for the SPASM/Singer Instrument.
In ICMC (1993).
(Also contained in STAN-M-81).
-
Cook, P. R. and Morrill, D. (1989).
- Hardware, software, and compositional tools for a real time
improvised solo trumpet work.
In ICMC (1989).
Also available as Stanford University Department of Music Technical
Report STAN-M-56 ($3.00).
-
Cook, P. R., Morrill, D., and Smith, J. O. (1993b).
- A MIDI control and performance system for brass instruments.
In ICMC (1993).
(Also contained in STAN-M-81).
-
Cook, P. R. and Scavone, G. P. (1999a).
- Synthesis ToolKit in C++, Version 2.02.
In SIGGRAPH 1999, Course Notes #23, Virtual Worlds/Real
Sounds. Association for Computing Machinery.
-
Cook, P. R. and Scavone, G. P. (1999b).
- The Synthesis ToolKit (STK).
In ICMC (1999), pp. 164-166.
-
Cook, P. R. and Scavone, G. P. (2003).
- The Synthesis ToolKit (STK) in C++.
In Audio Anecdotes: A Cookbook of Audio Algorithms and
Techniques. Natick, MA: A.K. Peters.
Edited by Ken Greenbaum.
-
DAFX (2000).
- Proceedings of the 2000 International Conference On Digital Audio Effects, Verona,
Italy. European Cooperation in the field of Scientific and Technical
Research.
-
DAFX (2004).
- Proceedings of the Conference On Digital Audio Effects (DAFx-04), Naples,
Italy. European Cooperation in the field of Scientific and Technical
Research.
-
de la Cuadra, P. and Fabre, B. (2004).
- Analysis of jet instability in flute-like instruments by means of
image processing: effect of the excitation amplitude.
ISMA, International Symposium on Musical Acoustics.
-
de la Cuadra, P. and Fabre, B. (2005).
- Analysis of flute control parameters: A comparison between a novice
and an experienced flautist.
Submitted to Forumacousticum Budapest 2005.
-
de la Cuadra, P., Fabre, B., Abel, J., and Smith, J. O. (2005).
- A physical model and experimental testbed for real-time simulation of
flute-like instruments.
Presented at 149th Meeting of the Acoustical Society of
America. Paper submitted to WASPAA, Workshop on Applications of Signal
Processing to Audio and Acoustics 2005.
-
de la Cuadra, P., Fabre, B., Henrich, N., and Robin, T. (2004).
- Analysis of jet instability in flute-like instruments by means of
image processing : effect of the channel geometry on the jet instability.
ICA, 18th International Congress on Acoustics.
-
de la Cuadra, P., Master, A., and Sapp, C. (2001a).
- Efficient pitch detection techniques for interactive music.
In ICMC (2001), pp. 403-406.
-
de la Cuadra, P., Smyth, T., Chafe, C., and Baoqiang, H. (2001b).
- Waveguide simulation of neolithic chinese flutes.
Proceedings of ISMA, International Symposium on Musical
Acoustics, Perugia, Italy.
-
de la Cuadra, P., Vergez, C., and Caussé, R. (2002).
- Use of physical-model synthesis for developing experimental
techniques in ethnomusicology- the case of the ouldeme flute.
In ICMC (2002).
-
de la Cuadra, P., T. S., Chafe, C., and Baoqiang, H. (2001c).
- Waveguide simulation of neolithic chinese flutes.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001),
Perugia, Italy.
-
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geometry and hand-gestures.
In 149th Meeting of the Acoustical Society of America,
Vancouver.
-
Segnini, R. and Ruviaro, B. (2005).
- Music and language intersection in 20th century post-tonal music:
Overlooked opportunities for research in cognitive neuroscience.
In Neuroscience and Music Conference, Leipzig.
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Segnini, R. and Sapp, C. (2005).
- Scoregram: Displaying gross timbre information from a score.
In Computer Music Modeling and Retrieval Conference, Pisa.
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Selfridge-Field, E. (1993).
- Music analysis by computer: Approaches and issues.
In J. Strawn, editor, Music Processing (Computer Music and
Digital Audio Series, 9), pp. 3-24. Madison, Wisconsin and Oxford: A-R
Editions, Inc. and Clarendon Press.
-
Selfridge-Field, E. (1996).
- Computer musicology: Accomplishments and challenges.
Computer Music Journal, 20(4):29-32.
-
Selfridge-Field, E. (1997a).
- Bach in the age of technology.
In B. Enders, editor, Neue Musiktechnologie II: Vorträge
und Berichte vom KlangArt-Kongres, pp. 133-147. Mainz: Schott.
With a CD including live performances of four works simulated by
computer in the style of J.S. Bach.
-
Selfridge-Field, E. (1997b).
- Beyond MIDI: The Handbook of Musical Codes.
Cambridge, MA: MIT Press.
Updates viewable at
http://www.ccarh.org/publications/books/beyondmidi/.
-
Selfridge-Field, E. (1997c).
- Experiments with melody and meter, or the effects of music: The
edison-bingham music research.
The Musical Quarterly, 81(2):291-310.
-
Selfridge-Field, E. (1998).
- Musical Similiarity: Concepts, Procedures, and Applications
(Computing in Musicology 11), chap. Conceptual and Representational Issues
in Melodic Comparison, pp. 3-64.
Cambridge, MA: MIT Press.
-
Selfridge-Field, E. (2000).
- Composition, combinatorics, and simulation: An historical and
philosophical enquiry.
In D. Cope, editor, Virtual Music. Cambridge: The MIT Press.
Forthcoming.
-
Selfridge-Field, E. and Correia, E. J. (1994).
- Musical Information in Musicology and Desktop Publishing.
Menlo Park: CCARH.
CD-ROM from the IEEE Computer Society Press (Albuquerque, NM), 1994.
Also viewable at
http://www.stanford.edu/class/music253/topics/.
-
Selfridge-Field, E. and Correia, E. J., editors (1995).
- Antonio Vivaldi: The Four Seasons and Other Violin Concertos
Op. 8.
New York: Dover Publications, Inc.
Based on the MuseData databases.
-
Selfridge-Field, E. and Correia, E. J., editors (1999).
- Antonio Vivaldi: L'estro armonico, Op. 3.
New York: Dover Publications, Inc.
Based on the MuseData databases.
-
Serafin, S., Burtner, M., Nichols, C., and O'Modhrain, S. (2001a).
- Expressive controllers for bowed string physical models.
In Proceedings of the 2001 International Conference On Digital Audio Effects, Limerick,
Ireland.
-
Serafin, S., Huang, P., and Smith, J. (2001b).
- The banded digital waveguide mesh.
In Workshop on Current Research Directions in Computer Music,
Audiovisual Institute, Pompeu Fabra University.
-
Serafin, S. and Smith, J. O. (2000).
- A multirate, finite-width, bow-string interaction model.
In DAFX (2000).
-
Serafin, S., Smith, III, J. O., and Woodhouse, J. (1999).
- An investigation of the impact of torsion waves and friction
characteristics on the playability of virtual bowed strings.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
-
Serafin, S., Thornburg, H., and Smith III, J. O. (2001c).
- A pattern recognition approach to invert a bowed string physical
model.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001),
Perugia, Italy.
-
Serafin, S., Wilkerson, C., and Smith, J. O. (2002).
- Modeling bowl resonators using circular waveguide networks.
In Proc. Int. Conf. Digital Audio Effects (DAFx-02),
Hamburg, Germany, pp. 117-121.
-
Serra, X. (1986).
- A computer model for bar percussion instruments.
In ICMC (1986).
-
Serra, X. (1988).
- An environment for the analysis, transformation and resynthesis of
music sounds.
Tech. Rep. STAN-M-52, Stanford University Department of Music.
($4.00).
-
Serra, X. (1989).
- A System for Sound Analysis/Transformation/Synthesis Based on a
Deterministic Plus Stochastic Decomposition.
Ph.D. thesis, Department of Music, Stanford University.
Available as Stanford University Department of Music Technical Report
STAN-M-58 ($15.00).
-
Serra, X. and Smith, J. O. (1990).
- Spectral modeling synthesis: A sound analysis/synthesis system based
on a deterministic plus stochastic decomposition.
Computer Music Journal, 14(4):12-24.
-
Serra, X. and Smith, J. O. (1991).
- Sound-sheet examples for a sound analysis/synthesis system based on a
deterministic plus stochastic decomposition.
Computer Music Journal, 15(1):86-87.
-
Serra, X. and Wood, P., editors (1988).
- OVERVIEW, Center for Computer Research in Music and Acoustics
(Recent Work), Stanford University Department of Music Technical Report
STAN-M-44.
(out of print).
-
Sheeline, C. (1982).
- An Investigation of the Effects of Direct and Reverberant
Signal Interactions on Auditory Distance Perception.
Ph.D. thesis, Department of Hearing and Speech, Stanford University.
Available as Stanford University Department of Music Technical Report
STAN-M-13 ($14.00).
-
SMAC (2003a).
- Proceedings of the International Conference On Acoustics, Speech, and Signal Processing,
Montreal, Stockholm. Royal Institute of Technology.
-
SMAC (2003b).
- Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03),
available online at
http://www.speech.kth.se/smac03/, Stockholm. Royal Institute of Technology.
-
Smith, J. O. (1981).
- Digital Signal Processing Committee, IEEE Acoustics, Speech and
Signal Processing Society: Programs for Digital Signal Processing (Book
Review).
Computer Music Journal, 5(2):62-66.
($3.00).
-
Smith, J. O. (1982).
- Synthesis of bowed strings.
In ICMC (1982).
($3.50).
-
Smith, J. O. (1983a).
- Spectral pre-processing for audio digital filter design.
In ICMC (1983).
($3.00).
-
Smith, J. O. (1983b).
- Techniques for Digital Filter Design and System Identification
with Application to the Violin.
Ph.D. thesis, Elec. Eng. Dept., Stanford University.
Also available as Stanford University Department of Music Technical
Report STAN-M-14 ($18.00).
-
Smith, J. O. (1984).
- An allpass approach to digital phasing and flanging.
In ICMC (1984).
Also available as Stanford University Department of Music Technical
Report STAN-M-21 ($3.00).
-
Smith, J. O. (1985a).
- Introduction to digital filter theory.
In J. Strawn, editor, Digital Audio Signal Processing: An
Anthology. Los Altos, California: William Kaufmann, Inc.
Also available as Stanford University Department of Music Technical
Report STAN-M-20, April 1985 ($5.00).
-
Smith, J. O. (1985b).
- A new approach to digital reverberation using closed waveguide
networks.
In ICMC (1985), pp. 47-53.
Also available as Stanford University Department of Music Technical
Report STAN-M-31 ($3.00).
-
Smith, J. O. (1986a).
- Efficient simulation of the reed-bore and bow-string mechanisms.
In ICMC (1986), pp. 275-280.
(Also contained in STAN-M-39).
-
Smith, J. O. (1986b).
- Elimination of limit cycles and overflow oscillations in time-varying
lattice and ladder digital filters.
Tech. Rep. STAN-M-35, Stanford University Department of Music.
Short version published in Proc. IEEE Conf. on Circuits
and Systems, San Jose, May 1986. Full version also available in STAN-M-39.
-
Smith, J. O. (1987a).
- Music applications of digital waveguides.
Tech. Rep. STAN-M-39, Stanford University Department of Music.
(A compendium containing four related papers and presentation
overheads on digital waveguide reverberation, synthesis, and filtering -
$13.00).
-
Smith, J. O. (1987b).
- Waveguide filter tutorial.
In ICMC (1987), pp. 9-16.
($3.00).
-
Smith, J. O. (1989a).
- Computer music on the DSP56001.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
-
Smith, J. O. (1989b).
- Unit-generator implementation on the NeXT DSP Chip.
In Proceedings of the 1989 International Computer Music Conference, Columbus, Ohio,
pp. 303-306. Computer Music Association.
-
Smith, J. O. (1990).
- Efficient yet accurate models for strings and air columns using
sparse lumping of distributed losses and dispersion.
In Proceedings of the Colloquium on Physical Modeling, Grenoble, France.
ACROE.
Essentially superceded by Physical Modeling Using Digital
Waveguides, 1992. Also available as Stanford University Department of Music
Technical Report STAN-M-67, December 1990 ($4.00).
-
Smith, J. O. (1991a).
- Viewpoints on the history of digital synthesis.
In ICMC (1991), pp. 1-10.
(Also contained in STAN-M-73).
-
Smith, J. O. (1991b).
- Waveguide simulation of non-cylindrical acoustic tubes.
In ICMC (1991), pp. 304-307.
(Also contained in STAN-M-73).
-
Smith, J. O. (1992a).
- Bandlimited interpolation - introduction and algorithm.
In Invited paper, Acoustical Society of America Conference, New
Orleans.
(Expanded version of the 1984 paper with Phil Gossett).
-
Smith, J. O. (1992b).
- The Kaiser window and the window method for digital filter design.
Mathematica notebook for Music 420 (EE 265), available online as
ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.
-
Smith, J. O. (1992c).
- Physical modeling using digital waveguides.
Computer Music Journal, 16(4):74-91.
Special issue: Physical Modeling of Musical Instruments, Part I.
-
Smith, J. O. (1992d).
- Rectangular, Hanning, and Hamming window transforms.
Mathematica notebook for Music 420 (EE 265), available online as
ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/GenHamming.ma.Z.
-
Smith, J. O. (1993a).
- Efficient synthesis of stringed musical instruments.
In ICMC (1993), pp. 64-71.
(Also contained in STAN-M-81).
-
Smith, J. O. (1993b).
- Use of commutativity in simplifying acoustic simulations.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
-
Smith, J. O. (1995a).
- Digital waveguide models for sound synthesis based on musical
acoustics.
In Proceedings of the 15th International Conference on Acoustics (ICA-95), Trondheim,
Norway.
-
Smith, J. O. (1995b).
- Discrete-time modeling of acoustic systems.
CCRMA Associates Conference.
Monograph in progress.
-
Smith, J. O. (1995c).
- Music synthesis techniques based on musical acoustics research.
In Proc. Int. Meeting on Physical Modeling in Music, Physical
Modeling of Ancient Instruments, and Applications of Physical Modeling in
Psychoacoustics, Thessaloniki, Greece.
-
Smith, J. O. (1996a).
- Discrete-time modeling of acoustic systems with applications to sound
synthesis of musical instruments.
In Proceedings of the Nordic Acoustical Meeting, Helsinki, pp. 21-32.
(Plenary paper.) Available online at
http://ccrma.stanford.edu/~jos/.
-
Smith, J. O. (1996b).
- Physical modeling synthesis update.
Computer Music Journal, 20(2).
-
Smith, J. O. (1996c).
- Recent results in discrete-time models of musical instruments.
In Proceedings of the Tempo Reale Workshop on Physical Model Synthesis of
Sound, Florence, pp. 1-6.
(Keynote paper).
-
Smith, J. O. (1997a).
- Acoustic modeling using digital waveguides.
In C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, editors,
Musical Signal Processing, pp. 221-263. Netherlands: Swets and
Zietlinger.
Essentially an excerpt from
http://ccrma.stanford.edu/~jos/waveguide/.
-
Smith, J. O. (1997b).
- Nonlinear commuted synthesis of bowed strings.
In ICMC (1997).
(Also contained in STAN-M-101).
-
Smith, J. O. (1997c).
- Principles of digital waveguide models of musical instruments.
In M. Kahrs and K. Brandenburg, editors, Applications of DSP
to Audio & Acoustics. Kluwer Academic PUBLISHERs.
In press.
-
Smith, J. O. (1998).
- Principles of digital waveguide models of musical instruments.
In M. Kahrs and K. Brandenburg, editors, Applications of
Digital Signal Processing to Audio and Acoustics, pp. 417-466.
Boston/Dordrecht/London: Kluwer Academic PUBLISHERs.
ISBN 0-7923-8130-0.
See http://www.wkap.nl/book.htm/0-7923-8130-0.
-
Smith, J. O. (2003a).
- Introduction to Digital Filters.
http://ccrma.stanford.edu/~jos/filters/.
-
Smith, J. O. (2003b).
- Recent developments in musical sound synthesis based on a physical
model.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03),
available online at
http://www.speech.kth.se/smac03/, Stockholm. Royal Swedish Academy of Music.
-
Smith, J. O. (2003c).
- Virtual musical instruments.
In McGraw-Hill 2003 Yearbook of Science and Technology. New
York: McGraw-Hill.
-
Smith, J. O. (2004a).
- On the equivalence of digital waveguide and finite difference time
domain schemes.
URL: http://arxiv.org/abs/physics/0407032/.
-
Smith, J. O. (2004b).
- Virtual acoustic musical instruments: Review and update.
Journal of New Music Research, 33(3):283-304.
(invited paper for the special issue on musical acoustics
applications).
-
Smith, J. O., editor (2005).
- CCRMA Overview, May 2005, Stanford University Department of
Music Technical Report STAN-M-120.
($6.00).
-
Smith, J. O. and Abel, J. S. (1987).
- Closed-form least-squares location estimation from range-difference
measurements.
IEEE Transactions on Acoustics, Speech, Signal Processing,
35(12):1661-1669.
-
Smith, J. O. and Abel, J. S. (1995).
- The bark bilinear transform.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
-
Smith, J. O. and Abel, J. S. (1999).
- The Bark and ERB bilinear transforms.
IEEE Transactions on Speech and Audio Processing.
Matlab code for the main figures are available online at
http://ccrma.stanford.edu/~jos/.
-
Smith, J. O. and Allen, J. B. (1981).
- Variable bandwidth adaptive delta modulation.
Bell System Technical Journal, 60(5):719-737.
($3.00).
-
Smith, J. O. and Angell, J. B. (1982).
- A constant-gain digital resonator tuned by a single coefficient.
Computer Music Journal, 6(4):36-40.
($3.00).
-
Smith, J. O. and Cook, P. R. (1992).
- The second-order digital waveguide oscillator.
In ICMC (1992), pp. 150-153.
(Also contained in STAN-M-80).
-
Smith, J. O. and Friedlander, B. (1985).
- Adaptive interpolated time-delay estimation.
IEEE Transactions on Aerospace and Electronic Systems, 21(2):180-199.
-
Smith, J. O. and Friedlander, B. (1984a).
- Estimation of multipath delay.
In Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, San Diego, pp. 15.9.1-15.9.4, New York. IEEE Press.
-
Smith, J. O. and Friedlander, B. (1984b).
- Extensions of the constant modulus algorithm.
Asilomar-84.
-
Smith, J. O. and Friedlander, B. (1985a).
- Adaptive multipath delay estimation.
IEEE Transactions on Acoustics, Speech, Signal Processing,
33(4):812-822.
-
Smith, J. O. and Friedlander, B. (1985b).
- Global convergence of the constant modulus algorithm.
Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, Tampa, Florida, pp. 30.5.1-30.5.4.
-
Smith, J. O., Gordon, J., Jaffe, D., Mont-Reynaud, B., Schloss, A.,
Schottstaedt, W., and Wieneke, P. (1982).
- Recent research in computer music at CCRMA.
In CmpCon Proc., pp. 35-39. IEEE Computer Soc., San
Francisco, CA.
-
Smith, J. O. and Gossett, P. (1984).
- A flexible sampling-rate conversion method.
In Proceedings of the International Conference on Acoustics, Speech, and Signal
Processing, San Diego, vol. 2, pp. 19.4.1-19.4.2, New York. IEEE Press.
An expanded tutorial based on this paper is available in the
directory ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/, file
BandlimitedInterpolation.eps.Z, as is C code for implementing the technique
in directory ftp://ccrma-ftp.stanford.edu/pub/NeXT/, file resample-n.m.tar.Z,
where n.m denotes the latest version number. Note that the C source code is
included so it is easy to port it to any platform supporting the C language.
-
Smith, J. O., Gutknecht, M., and Trefethen, L. N. (1983).
- The Caratheodory-Fejer (CF) method for recursive digital filter
design.
IEEE Transactions on Acoustics, Speech, Signal Processing,
31(6):1417-1426.
($3.00).
-
Smith, J. O., Jaffe, D. A., and Boynton, L. (1989).
- Music system architecture on the NeXT computer.
Audio Engineering Society Convention.
-
Smith, J. O. and Karjalainen, M. (1996).
- Body modeling techniques for string instrument synthesis.
In ICMC (1996).
(Also contained in STAN-M-99).
-
Smith, J. O. and Rocchesso, D. (1994).
- Connections between feedback delay networks and waveguide networks
for digital reverberation.
In ICMC (1994), pp. 376-377.
(Also contained in STAN-M-89).
-
Smith, J. O. and Rocchesso, D. (1997a).
- Aspects of digital waveguide networks for acoustic modeling
applications.
http://ccrma.stanford.edu/~jos/wgj/.
-
Smith, J. O. and Rocchesso, D. (1997b).
- Aspects of digital waveguide networks for acoustic modeling
applications.
Tech. rep., Centro di Sonologia Computazionale, Dipartimento di
Elettronica e Informatica, Università degli Studi di Padova.
Available online at
http://ccrma.stanford.edu/~jos/wgj/.
-
Smith, J. O. and Scavone, G. P. (1997).
- The one-filter Keefe clarinet tonehole.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
-
Smith, J. O., Serafin, S., Abel, J., and Berners, D. (2002).
- Doppler simulation and the leslie.
In Proc. Int. Conf. Digital Audio Effects (DAFx-02),
Hamburg, Germany, pp. 13-20.
-
Smith, J. O. and Serra, X. (1987).
- PARSHL: A program for the analysis/synthesis of inharmonic sounds
based on a sinusoidal representation.
In ICMC (1987).
Also available as Stanford Music Department Technical Report
STAN-M-43.
-
Smith, J. O. and Van Duyne, S. A. (1995a).
- Commuted piano synthesis.
In ICMC (1995), pp. 319-326.
(Also contained in STAN-M-91).
-
Smith, J. O. and Van Duyne, S. A. (1995b).
- Overview of the commuted piano synthesis technique.
In Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, New York. IEEE Press.
-
Smith, J. O. and Van Duyne, S. A. (1995c).
- Recent results in piano synthesis via physical modeling.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan,
France, pp. 503-509, France. Société Français d'Acoustique.
-
Smith, L. C. (1972).
- Score, a musician's approach to computer music.
Journal of the Audio Engineering Society.
-
Smith, L. C. (1973a).
- Editing and printing music by computer.
J. of Music Theory.
($3.00).
-
Smith, L. C. (1973b).
- Henry Cowell's Rhythmicana.
Yearbook for Inter-American Research.
($3.00).
-
Smith, III, J. O. (1998).
- Virtual musique concréte--algorithmic synthesis of natural sound.
In Inventionen-98
(http://www.kgw.tu-berlin.de/inventionen/), Berlin. DAAD.
-
Smith III, J. O. (2003).
- Mathematics of the Discrete Fourier Transform (DFT).
http://ccrma.stanford.edu/~jos/mdft/.
-
Smith III, J. O. (2004).
- Physical Audio Signal Processing: Digital Waveguide Modeling of
Musical Instruments and Audio Effects.
available on-line at
http://ccrma.stanford.edu/~jos/pasp/.
-
Smyth, T., Abel, J. S., and Smith, J. O. (2003).
- The estimation of birdsong control parameters using maximum
likelihood and minimum action.
In Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03),
available online at
http://www.speech.kth.se/smac03/, Stockholm. Royal Swedish Academy of Music.
-
Smyth, T., Abel, J. S., and Smith, J. O. (2004).
- The feathered clarinet reed.
In Proceedings of the Conference On Digital Audio Effects (DAFx-04), Naples,
Italy.
-
Smyth, T. and Smith, J. O. (2001a).
- Applications of bioacoustics in physical modeling and the creation of
new musical instruments.
In Proceedings of the International Symposium on Musical Acoustics (ISMA-2001),
Perugia, Italy.
-
Smyth, T. and Smith, J. O. (2001b).
- A musical instrument based on a bioacoustic model of a cicada.
In ICMC (2001), pp. 174-177.
-
Smyth, T. and Smith, J. O. (2002a).
- Creating sustained tones with the cicada's rapid sequential buckling
mechanism.
In Proceedings of the 2002 New Interfaces for Musical Expression (NIME-02),
Dublin, Ireland.
-
Smyth, T. and Smith, J. O. (2002b).
- The sounds of the avian syrinx - are they really flute-like?
In Proc. Int. Conf. Digital Audio Effects (DAFx-02),
Hamburg, Germany, pp. 199-202.
-
Smyth, T. and Smith, J. O. (2003).
- The syrinx: Nature's hybrid wind intrument.
In Journal of the Acoustical Society of America, Program of the 144th
Meeting, Cancun, Mexico, Dec. 2-6.
-
STAN-M-101 (1997).
- CCRMA Papers Presented at the 1997 International Computer
Music Conference, Thessaloniki, Greece.
Stanford University Department of Music Technical Report, ($6.00).
-
STAN-M-73 (1991).
- CCRMA Papers on Physical Modeling from the 1991 International
Computer Music Conference, Montreal, Canada.
Stanford University Department of Music Technical Report, ($6.00).
-
STAN-M-80 (1992).
- Physical Modeling and Signal Processing: CCRMA Papers Presented
at the 1992 International Computer Music Conference, San Jose, CA.
Stanford University Department of Music Technical Report, ($6.00).
-
STAN-M-81 (1993).
- CCRMA Papers Presented at the 1993 International Computer Music
Conference, Tokyo, Japan.
Stanford University Department of Music Technical Report, ($5.00).
-
STAN-M-89 (1994).
- CCRMA Papers Presented at the 1994 International Computer Music
Conference, Århus, Denmark.
Stanford University Department of Music Technical Report, ($6.00).
-
STAN-M-91 (1995).
- CCRMA Papers Presented at the 1995 International Computer Music
Conference, Banff, Canada.
Stanford University Department of Music Technical Report, ($6.00).
-
STAN-M-99 (1996).
- CCRMA Papers Presented at the 1996 International Computer
Music Conference, Hong Kong.
Stanford University Department of Music Technical Report, ($7.00).
-
Stilson, T. (1995a).
- Forward-going wave extraction in acoustic tubes.
In ICMC (1995), pp. 517-520.
(Also contained in STAN-M-91).
-
Stilson, T. (1995b).
- General weirdness with the Karplus-Strong string.
In ICMC (1995), pp. 110-111.
(Also contained in STAN-M-91).
-
Stilson, T. and Smith, J. O. (1996a).
- Alias-free digital synthesis of classic analog waveforms.
In ICMC (1996).
Available online at
http://ccrma.stanford.edu/~stilti/. (Also contained in STAN-M-99).
-
Stilson, T. and Smith, J. O. (1996b).
- Analyzing the Moog VCF with considerations for digital
implementation.
In ICMC (1996).
Available online at
http://ccrma.stanford.edu/~stilti/. (Also contained in STAN-M-99).
-
Stilson, T. S. (1997).
- Applying root-locus techniques to the analysis of coupled modes in
piano strings.
In ICMC (1997).
(Also contained in STAN-M-101).
-
Stilson, T. S. and Thornburg, H. (1998).
- Examples of using amplitude control systems in music synthesis.
In ICMC (1998).
-
Strawn, J. (1980).
- Approximation and syntactic analysis of amplitude and frequency
functions for digital sound synthesis.
Computer Music Journal, 4(3):3-24.
($5.00).
-
Strawn, J. (1982).
- Research on timbre and musical contexts at CCRMA.
In ICMC (1982).
($3.00).
-
Strawn, J. (1985a).
- Digital Audio Signal Processing: An Anthology.
Los Altos, CA: William Kaufmann.
-
Strawn, J. (1985b).
- Digital sound recording and synthesis.
In C. Roads and J. Strawn, editors, Computer Music Tutorial.
Cambridge, MA: The MIT Press.
($3.00).
-
Strawn, J. (1985c).
- Editing time-varying spectra.
Audio Engineering Society 78th Convention, 1985 May 3-6, Anaheim, CA.
($3.00).
-
Strawn, J. (1985d).
- Modeling Musical Transitions.
Ph.D. thesis, Department of Music, Stanford University.
Available as CCRMA Technical Report STAN-M-26 ($18.00).
-
Strawn, J. (1985e).
- Orchestral instruments: Analysis of performed transitions.
Preprint of the Audio Engineering Society 78th Convention, 1985 May
3-6, Anaheim, CA. ($3.00).
-
Tanaka, A. (1992).
- Implementing quadraphonic audio on the NeXT.
In ICMC (1992).
(Also contained in STAN-M-80).
-
Taube, H. (1989).
- Common Music: A music composition language in Common Lisp and
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