Difference between revisions of "User:Lemonaut"

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(Music 220C - Spring 2022)
(Week 4)
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Hydra session with my DJ friends and some of my all-time favorite memories at stanford. Doing the hydra "modular video synthesizer" as an accompaniment to my friends' DJ'ing was wonderful. This went AMAZINGLY. Chris Chafe just mentioned we might be able to do a set for the Music 220C final presentation, which could be open to the public. That means, at the very end, doing an hour long dj set rave!! This would depend on their schedules once we get a date for that but I've been having so much fun being the visual interpreter of their music/visual DJ/co-performer that I am grateful for any opportunity for us to create.
 
Hydra session with my DJ friends and some of my all-time favorite memories at stanford. Doing the hydra "modular video synthesizer" as an accompaniment to my friends' DJ'ing was wonderful. This went AMAZINGLY. Chris Chafe just mentioned we might be able to do a set for the Music 220C final presentation, which could be open to the public. That means, at the very end, doing an hour long dj set rave!! This would depend on their schedules once we get a date for that but I've been having so much fun being the visual interpreter of their music/visual DJ/co-performer that I am grateful for any opportunity for us to create.
  
Getting more into the [https://www.youtube.com/watch?v=W2-_BZK9baU algorave movement] (see the description for a link to a higher quality Soundcloud version). I'm starting to wonder if I will end up making any music with the synths! I think I will need some more direct guidance/mentorship while messing around with my synths if i want to find the *kind of music* i want to make. It may end up more algorithmic or atmospheric, or even just sound like a fun modular session. I may do this and then do a co-performance on top of my music w Hydra. I will need to level up my synth skills a lot to be able to quickly navigate the specific kinds of soundscapes that i want. That said, there doesnt seem to be pressure for me to make synth music--my expectations now for this class is that I will create a set of 5-20 Hydra MIDI-controlled visualizations that I know very very well and am fluent in using to perform alongside some music. Any of my own synth music creations, i think, will be extra.
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Getting more into the [https://www.youtube.com/watch?v=W2-_BZK9baU algorave movement]; I'm planning to have this person perform at my audiovisual rave event. And tbh this class has merged into helping me prepare for putting on this event, which I'm immensely grateful for. I'm spending a lot of my time preparing the visual Hydra performance for the event. I'm starting to wonder if I will end up making any music with the synths! I think I will need some more direct guidance/mentorship while messing around with my synths if i want to find the *kind of music* i want to make. It may end up more algorithmic or atmospheric, or even just sound like a fun modular session. I may do this and then do a co-performance on top of my music w Hydra. I will need to level up my synth skills a lot to be able to quickly navigate the specific kinds of soundscapes that i want. That said, there doesnt seem to be pressure for me to make synth music--my expectations now for this class is that I will create a set of 5-20 Hydra MIDI-controlled visualizations that I know very very well and am fluent in using to perform alongside some music. This will give me a stress-free environment to focus on the thing that I really truly care about and frankly am stressed about getting right. Once I have spent a lot of time on it and feel comfortable with it, I am sure I will naturally gravitate back toward working with the semi-modular synths and making something with them. The music will come when it comes.
  
 
== Week 3 ==
 
== Week 3 ==

Revision as of 12:20, 19 April 2022

Music 220C - Spring 2022

See my synth sessions here. Video here

See my hydra sessions here.

Week 4

4/19/22

Lots to talk about: I got 4 more synths from my classmate, including 3 more Moogs! I've been quite busy with job interviews so I haven't had as much time as I would've liked to actually set these synths up and start figuring them out. I'm super excited--this is everything I've ever dreamed of having access to. (though this puts pressure to make the most of what little time I have! I am grateful for the challenge.) I did a couple more Moog session with the Grandmother, particularly one where I went thru the different suggested patches to learn more about the ways these synths are commonly used. Hydra session with my DJ friends and some of my all-time favorite memories at stanford. Doing the hydra "modular video synthesizer" as an accompaniment to my friends' DJ'ing was wonderful. This went AMAZINGLY. Chris Chafe just mentioned we might be able to do a set for the Music 220C final presentation, which could be open to the public. That means, at the very end, doing an hour long dj set rave!! This would depend on their schedules once we get a date for that but I've been having so much fun being the visual interpreter of their music/visual DJ/co-performer that I am grateful for any opportunity for us to create.

Getting more into the algorave movement; I'm planning to have this person perform at my audiovisual rave event. And tbh this class has merged into helping me prepare for putting on this event, which I'm immensely grateful for. I'm spending a lot of my time preparing the visual Hydra performance for the event. I'm starting to wonder if I will end up making any music with the synths! I think I will need some more direct guidance/mentorship while messing around with my synths if i want to find the *kind of music* i want to make. It may end up more algorithmic or atmospheric, or even just sound like a fun modular session. I may do this and then do a co-performance on top of my music w Hydra. I will need to level up my synth skills a lot to be able to quickly navigate the specific kinds of soundscapes that i want. That said, there doesnt seem to be pressure for me to make synth music--my expectations now for this class is that I will create a set of 5-20 Hydra MIDI-controlled visualizations that I know very very well and am fluent in using to perform alongside some music. This will give me a stress-free environment to focus on the thing that I really truly care about and frankly am stressed about getting right. Once I have spent a lot of time on it and feel comfortable with it, I am sure I will naturally gravitate back toward working with the semi-modular synths and making something with them. The music will come when it comes.

Week 3

4/12/22

I've just discovered that Hydra can be controlled with MIDI input; this changes everything. I just figured out how to use it and it looks + feels absolutely incredible. This modular synthesis-inspired quarter would not be complete had I not discovered that I could tweak knobs on this javascript-controlled modular video synth. Video coming soon,.

4/11/22

Did another live synth session, this one came out the best so far. I've scattered my attention learning about the Grandmother between the user manual and various youtube videos, I should just stick to one to maximize my progress. Wouldnt hurt to learn via the user manual. So this week I'm going to go thru the user manual for the Grandmother and master it best I can.

More messing around with Hydra! Since hydra was inspired by modular synthesis, I dont *think* it would be irrelevant for me to invest time in learning it, so i can come away with a performance at the end of the quarter. Ive been learning more about feedback in Hydra. I think I'm going to spend this week learning the Hydra basics (getting settled to be able to speak with my voice in the software) and maybe next week start on audioreactivity.

I've become inspired by the algorave movment which I've just discovered thru the community around Hydra. Seems so cool! I hope to get more involved in the algorave community, and maybe eventually perform at algoraves.

While mostly unrelated, I should also mention I'm proud to have excavated some lossless music files and imported them into my Oculus Quest 2, and begun practicing DJ'ing in Tribe XR. DJ'ing to me seems a very important modality to instrumentalize your music listening, finding your voice through what you appreciate, curating an environment of vibes. It's the other end of the axis of expression from music production like I'm doing this quarter, but it recontextualizes the work I'm doing here by helping me imagine the contexts in which all music might serve a function.

Goals for this quarter entirely revised, loosened to allow for the creative process to spring up uninhibited:

1. Make Some Kind of Music with Modular (no preference for Moog over VCV Rack)

2. Add accompanying visuals to the project with Hydra (the music should be informed by the visuals, and vice-versa)

Week 2

4/10/22

I listened to some while(1<2) by deadmau5, and was surprised by how "modular"-sounding of an album it is. I didnt realize there was so much experimental effort to make modulation & sound design a core part of the music, from amplitude to filter, to ADSR. One thing I noticed that I want to remember to do later is to make anti-kicks (just duck the sound where the kicks should be)--I found it to be very organic + creative. I've been messing around with some patches on the Moog Grandmother, still very much baby steps. I have a couple recordings from today and yesterday I may put up.

I've also been thinking a lot about audiovisual softwares like [TouchDesigner] and Hydra. I will have to learn one of these for an audiovisual event I'll be putting on later this quarter so it would be cool if I could combine them with this project, too. Hydra is amazing for being a dead-simple live coding interface inspired by modular synthesis, and touchdesigner is amazing for being a monstrously powerful flow chart of video effects. TouchDesigner is able to have direct audio reactivity by integrating directly with ableton/vcv rack, while Hydra is able to analyze more indirectly by taking in your audio input. I'll probably invest my time in Hydra because it seems to allow the most efficient learning curve for the course of a 10-week project. So, all that's to say, this will probably end up being an audiovisual composition.

4/9/22

Messed around with the Moog grandmother a bit more and got REALLY inspired by this video. I want to spend a lot more time on the Moog Grandmother and figure out if I can get a synth odyssey that sounds kinda like him. Maybe semi-modular synths are my new jam? I can picture myself making some cool tunes with them. Something to think about.

4/5/22

This week I've been setting up the Moog Grandmother borrowed from a classmate and going through common patches with that. I will have to borrow an audio interface so that I can record this physical semi-modular synth into my computer. I am entirely open to the idea of combining the sounds of a physical synth with the virtual synths of VCV rack.

For the VCV Rack world, I've been thinking about base patches that might help me accomplish my musical goals.

My personal goals for this quarter:

  • find modular workflows that work for me
 * collect 10+ small vcv rack patches that each help me accomplish a particular goal
 * become proficient in basic sound/rhythm design with Moog semi-modular synths
  • find + utilize interesting sounds
  • make "good" computer music

Project Goals for this quarter:

  • put out 3 tracks using modular & semi-modular synths that I vibe with. Tracks must feature semi or fully modular synths almost exclusively; using a synth to control an Ableton instrument is fair game.

Some creative possibilities for working with VCV Rack:

  • Instrument design (synths, drums...)
  • Note control (can mess with scales/pitches, or even alternate tunings like microtonal)
  • Rhythm generation & modification (there are many modules to explore that work with clocks)
  • Effects chain (reverb, delay, distortion, spatialization...)


I don't know if I will come out of this with listenable music, but this is going to be fun.

Codysgrandmother.jpg

Week 1

This project was inspired by the software VCV rack, which is a free & open-source modular synth emulator that lowers the barrier-to-entry for anyone interested in experimenting with modular synthesis. I am fascinated by the world of possibilities with modular synthesis and would like to learn from the greats while forging my own path with this. I also got funding to purchase VCV Rack 2 Pro, which will allow me to integrate the software directly into Ableton, making recording and composition that much easier.

Modular synthesis was one of the primary reasons I became a computer music student, and I am incredibly excited to use it this quarter. For some reason the ability to play with buttons, knobs, and wires really appeals to the experimental child in me who wants to create chaos and destruction, as well as the harmonic engineer who just wants to build something ephemerally beautiful. I've been messing around with VCV Rack off and on for about 2 years but never had the chance to dive head-first into it. I'm grateful for finally having this opporunity to dedicate my time to exploring modular, and am quite excited to see what I have gained when I come out of the other end of this quarter. VCV Rack website