Difference between revisions of "Students/michaelberger/250B/"

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(Background, <i>the Mach 1 </i>[http://cm-wiki.stanford.edu/wiki/Students/michaelberger/220C/ (from Music 220C, Spring 2008)])
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* Construction
 
* Construction
 
** Tools  
 
** Tools  
* Original Mappings
 
** Sine Test
 
** Granular 1.0 [http://ccrma.stanford.edu/~mpberger/spare/Wiki_Files/220C_Final.mp4 Video]
 
  
 
* POSTER SESSION @ CCRMA OPEN HOUSE 2008!
 
* POSTER SESSION @ CCRMA OPEN HOUSE 2008!
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   an existing acoustic instrument: see figure 1), and, by incorporating physical  
 
   an existing acoustic instrument: see figure 1), and, by incorporating physical  
 
   resistance, create an “easy to learn / difficult to master” interface for the  
 
   resistance, create an “easy to learn / difficult to master” interface for the  
   creation of, and control over realtime electroacoustic performance in both a  
+
   creation of, and control over real-time electroacoustic performance in both a  
 
   solo and ensemble setting.
 
   solo and ensemble setting.
 
       The “GRIP MAESTRO” is a modified hand exerciser called a “Grip Master”  
 
       The “GRIP MAESTRO” is a modified hand exerciser called a “Grip Master”  
   (see figure 2). By measuring the position of the pads on the device (see
+
   (see figure 2). By measuring the position of the pads on the device and carefully  
  figure 3) and carefully mapping them to parameters of music creation (see
+
  mapping them to parameters of music creation, Michael hopes that the “GRIP MAESTRO”  
  figure 4), Michael hopes that the “GRIP MAESTRO” will provide the feel, control,  
+
  will provide the feel, control, and aural feedback necessary to be an effective  
  and aural feedback necessary to be an effective interface between performers and  
+
  interface between performers and their music, and between audiences and their  
  their music, and between audiences and their performers.
+
  performers.
 
       Presently there are two mappings of the control data prepared in the ‘strongly  
 
       Presently there are two mappings of the control data prepared in the ‘strongly  
 
   timed’ programming language, [http://chuck.stanford.edu/ “ChucK”]. Michael is presently in the planning stages  
 
   timed’ programming language, [http://chuck.stanford.edu/ “ChucK”]. Michael is presently in the planning stages  
 
   of a third, but there are a multitude of potential applications and mappings for  
 
   of a third, but there are a multitude of potential applications and mappings for  
   which the “GRIP MAESTRO” is ideal (see figure 5).
+
   which the “GRIP MAESTRO” is ideal.
 +
 
 +
 
 +
** Granular 1.0 [http://ccrma.stanford.edu/~mpberger/spare/Wiki_Files/220C_Final.mp4 Video]
  
 
====<b>The Road to the Mach 2</b>====
 
====<b>The Road to the Mach 2</b>====

Revision as of 22:49, 16 March 2009

MUSIC 250B, Winter 2009, Research Page

This research page has been completed as part of the following assignment:

    Wiki "Community Service" Project
As an end-of-term deliverable for 250b, prepare a helpful and factual Wiki page on the ccrma wiki on a topic relevant to the course. The goal of the wiki page is to create a repository for the facts, links and processes which sustained your work in 250b this term. The target audience for this page is the collection of future CCRMA students interested in HCI and music taking the 250 series of courses. Hopefully, your work will not only inspire their future work but will also act as a valuable resource from which they can get a head-start on similar projects, in a sense, "standing on the shoulders of giants" (yes, this means you are all "giants").

GRIP MAESTRO

  • need, impetus, intention
  • description

Background, the Mach 1 (from Music 220C, Spring 2008)


  • Construction
    • Tools
  • POSTER SESSION @ CCRMA OPEN HOUSE 2008!
     Part of the Michael's ongoing research (supported by the Social Sciences and 
  Humanities Research Council of Canada), the “GRIP MAESTRO” is the composer's 
  latest attempt to incorporate real physical resistance and haptic feedback into 
  an electroacoustic performance interface. The goals of this specific project 
  are to take advantage of a simple physical gesture (not previously utilized by 
  an existing acoustic instrument: see figure 1), and, by incorporating physical 
  resistance, create an “easy to learn / difficult to master” interface for the 
  creation of, and control over real-time electroacoustic performance in both a 
  solo and ensemble setting.
     The “GRIP MAESTRO” is a modified hand exerciser called a “Grip Master” 
  (see figure 2). By measuring the position of the pads on the device and carefully 
  mapping them to parameters of music creation, Michael hopes that the “GRIP MAESTRO” 
  will provide the feel, control, and aural feedback necessary to be an effective 
  interface between performers and their music, and between audiences and their 
  performers.
     Presently there are two mappings of the control data prepared in the ‘strongly 
  timed’ programming language, “ChucK”. Michael is presently in the planning stages 
  of a third, but there are a multitude of potential applications and mappings for 
  which the “GRIP MAESTRO” is ideal.


The Road to the Mach 2

  • revising the Mach 1
    • hardware
    • software
      • arduino
      • mappings


  • expanded intentions
    • the plan
    • new parts
    • new construction (ongoing)
    • new mappings (forthcoming)

LINKS