https://ccrma.stanford.edu/mediawiki/api.php?action=feedcontributions&user=Lmelvin&feedformat=atomCCRMA Wiki - User contributions [en]2024-03-29T13:42:29ZUser contributionsMediaWiki 1.24.1https://ccrma.stanford.edu/mediawiki/index.php?title=Student_project_videos_page&diff=11100Student project videos page2010-11-17T18:51:45Z<p>Lmelvin: </p>
<hr />
<div>Here are links to Student lab and project videos:<br />
<br />
Student name | Project name | link<br />
<br />
[Contribute your video links here!]<br />
<br />
Jiffer Harriman/Michael Repper/Lockey Casey/Linden Melvin | [insert name here] | [[http://qik.com/video/19159492 Preview]]</div>Lmelvinhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9893220c-spring-20102010-04-29T17:49:59Z<p>Lmelvin: </p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
[[Image:Rehearse220c_02.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Lmelvinhttps://ccrma.stanford.edu/mediawiki/index.php?title=128-spring-2010&diff=9842128-spring-20102010-04-19T23:41:07Z<p>Lmelvin: /* Week 4 (4/21) */</p>
<hr />
<div>== Concert Schedule ==<br />
<br />
* (4/29) Slorktastic Chamber Music<br />
* (TBD) End of Quarter Final Spring Concert<br />
<br />
== Assignments ==<br />
<br />
All homeworks will be checked in to svn on Tuesday evenings. Details TBD.<br />
<br />
* '''Assignment #1'''<br/> write a piece using ChucK and 6-channel hemi speaker(s)<br />
* '''Assignment #2'''<br/> chamber piece for Slorktastic Concert<br />
* '''Assignment #3'''<br/> ensemble piece for final Spring Concert<br />
<br />
== Slork Setup Sign-ins [everyone tears down] ==<br />
Everyone signs up for at least two setup slots. Setup starts at 6:30 PM<br />
<br />
rob hamilton == weak 1 <br />
<br />
==== Week 2 (4/7) ====<br />
* Jieun<br />
* Easter Bunny<br />
* Max Mathews<br />
* Godzilla<br />
* rob hamilton<br />
==== Week 3 (4/14)====<br />
* Charlie<br />
* Daniel S<br />
* Remington Microscreen<br />
* Stephen hess<br />
* rob hamilton<br />
==== Week 4 (4/21)====<br />
* Akken (l =>k)<br />
* Lukan<br />
* Ben <br />
* rob hamilton<br />
<br />
==== Week 5 (4/28)====<br />
* Eric<br />
* AAron<br />
* Akken<br />
* Issaaak<br />
* rob hamilton<br />
==== Week 6 (5/5)====<br />
* Jay<br />
* Uri<br />
* Nik<br />
* jianghKarlow<br />
* rob hamilton<br />
==== Week 7 (5/12)====<br />
* Adam0.1<br />
* Ben<br />
* Geortge<br />
* Lukan<br />
* rob hamilton<br />
==== Week 8 (5/19)====<br />
* AAron<br />
* Erik<br />
* Isak<br />
* Linden<br />
* rob hamilton<br />
==== Week 9 (5/26)====<br />
* Uri<br />
* Nick<br />
* Daniel<br />
* Micro<br />
* rob hamilton<br />
==== Week 10 (6/2)====<br />
* Adam0.2<br />
* Michael B = awesome.<br />
*JackKarlos<br />
*Hess (like the truck)<br />
<br />
== GEAR ==<br />
<br />
[[Image:SpeakerSetup.jpg]]<br />
<br />
The (hypothetical) numbering system for the current SLOrk speaker arrays!</div>Lmelvinhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9748220c-spring-20102010-04-13T17:14:10Z<p>Lmelvin: </p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Lmelvinhttps://ccrma.stanford.edu/mediawiki/index.php?title=220b-winter-2010&diff=9610220b-winter-20102010-03-14T08:07:10Z<p>Lmelvin: </p>
<hr />
<div>= 220b: Compositional Algorithms (Wiki) =<br />
<br />
== Final Project Presentations ==<br />
The 220b Final presentations will take a concert format on Thursday evening, March 18 at 7:00 PM in the CCRMA stage.<br />
<br />
Rehearsals will be held all day Wednesday and Thursday in 30 min. slots for each group or individual presenting. <br />
<br />
Additionally, at 5:00 PM on Thursday, a tech run-through will be held to set the final changes for each piece.<br />
<br />
Each group is required to sign up for a 30 min rehearsal slot as well as come to the Tech run-through to make sure all final settings are correct. If you cannot make the final Tech run through due to a final exam conflict, make sure you contact Ge and Rob before Thursday.<br />
<br />
Please sign up for a slot below:<br />
<br />
== Scheduled Final Project Dress Rehearsal Times ==<br />
* Wednesday + Thursday, March 17/18, 2009 { 12:00 - 5:00 }<br />
* Sound check will take place in <b>30 MINUTE</b> CHUNKS.<br />
* Please have your equipment in the room [[by that time]].<br />
* Please give us that the following information:<br />
<br />
* <b>N:</b> Your name<br />
* <b>D:</b> Description of the performance.<br />
* <b>E:</b> What equipment will you use? If you need us to provide it put it in <b>bold</b><br />
* <b>C:</b> Channels?<br />
<br />
Wednesday 3/17:<br />
<br />
<b>12:00-----------------------------------</b> <br />
* N: Xiang Zhang <br />
* D: Paper Generated Sound Music. Live should with MIDI kb controled SndBuf. <br />
* E: Midi Keyboad and Dynamic Microphone. Better could be provided one dynamic microphone and one DI box<br />
* C: Two channel output, one channel input (to my computer, so it's fine)<br />
<br />
<b>12:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<br />
<b>1:00-----------------------------------</b><br />
* N: Ben Roth<br />
* D: The computer and I will improvise a song together by playing a game similar to Simon.<br />
* E: My laptop and <b>your projector</b><br />
* C: A million<br />
<br />
<br />
<b>1:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<br />
<b>2:00-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>2:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>3:00-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>3:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>4:00-----------------------------------</b><br />
* N: Linden Melvin<br />
* D: I will be using pre-recorded sounds to make a soundscape for the audience to enjoy. I will be using a Trigger Finger and on-the-fly programming in ChucK. <br />
* E: I already have the Trigger Finger and my computer so I think I am good to go.<br />
* C: Stereo<br />
<br />
<b>4:30-----------------------------------</b><br />
* N: <br />
* D: <br />
* E: <br />
* C: <br />
<br />
Thursday 3/18:<br />
<br />
<b>12:00-----------------------------------</b><br />
* N: Jacob Wittenberg<br />
* D: Man v. Machine: Jazz Piano (interpretive) with a MIDI keyboard that controls bass lines and drumbeats and other sounds. Additionally, chucK code randomly shoots out bleeps and bloops. Basically, the point is to take something relatively tonal and set it slightly offphase (you may notice slight non-syncing noises with the bass and beats, etc.). This is intentional, as it's supposed to illustrate the imperfections and differences between human and machine noises.<br />
* E: my laptop, a midi-USB controller keyboard, and a '''Grand Piano'''<br />
* C: Just 2. I just need to plug in my computer to the speakers, and I'm good to go. <br />
<br />
<b>12:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<br />
<b>1:00-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<br />
<b>1:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<br />
<b>2:00-----------------------------------</b><br />
* N: Blair Bohannan<br />
* D: Sonified EEG<br />
* E: Laptop<br />
* C: 2<br />
<br />
<b>2:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>3:00-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>3:30-----------------------------------</b><br />
* N:<br />
* D:<br />
* E: <br />
* C: <br />
<br />
<b>4:00-----------------------------------</b><br />
* N: Charlie Forkish + Uri Nieto<br />
* D: Song with Chuck Generated Music controlled by two voice inputs<br />
* E: We have our own audio interface and mics. In theory we just need the mixing table and the speakers<br />
* C: The more speakers the better (and the louder the better). However, we won't use more than two channels in theory.<br />
<br />
<b>4:30-----------------------------------</b><br />
* N: <br />
* D: <br />
* E: <br />
* C: <br />
<br />
<br />
<br />
<br />
<br />
* see [http://ccrma.stanford.edu/courses/220b-winter-2010 course homepage]<br />
* rest is coming in winter 2010!<br />
<br />
== assignments ==<br />
* [[220b-winter-2010/hw0|homework #0: computation (an)aesthetics]]<br />
* [[220b-winter-2010/hw1|homework #1: timbre-scapes]]</div>Lmelvinhttps://ccrma.stanford.edu/mediawiki/index.php?title=220a-fall-2009/FinalProjects&diff=9225220a-fall-2009/FinalProjects2009-11-10T18:49:02Z<p>Lmelvin: </p>
<hr />
<div>[http://ccrma.stanford.edu/wiki/220a-fall-2009 BACK TO WIKI MAIN PAGE]<br />
<br />
==Sign up for Meetings with Michelle and Michael==<br />
<br />
* Tuesday, November 17th: <i> ... in 10 minute chunks (from 9am until 12pm) ... </i><br />
**9:00 ~ Brian Yoo<br />
**9:10 ~Xiang Zhang<br />
**9:20 ~<br />
**9:30 ~ Jacqueline Gordon<br />
**9:40 ~ Adam Sheppard<br />
**9:50 ~<br />
**10:00 ~ Hongchan Choi<br />
**10:10 ~ Linden Melvin<br />
**10:20 ~<br />
**10:30 ~ Loren Yu<br />
**10:40 ~ Matt Bush<br />
**10:50 ~<br />
**11:00 ~ Andrew Plan<br />
**11:10 ~ Michael Repper<br />
**11:20 ~<br />
**11:30 ~ Christopher Fajardo<br />
**11:40 ~ Zach Brand<br />
**11:50 ~ Ben Roth<br />
**12:00 ~ Uri Nieto<br />
**12:10 ~ Jonathan Potter<br />
**12:20 ~ Jason Chen<br />
<br />
<br />
* Thursday, November 19th: <i> ... in 10 minute chunks (from 9am until 12pm) ... </i><br />
**9:00 ~<br />
**9:10 ~<br />
**9:20 ~<br />
**9:30 ~<br />
**9:40 ~<br />
**9:50 ~<br />
**10:00 ~dohi moon<br />
**10:10 ~<br />
**10:20 ~<br />
**10:30 ~ Daniel Hollingshead<br />
**10:40 ~ Brian Lewis<br />
**10:50 ~<br />
**11:00 ~<br />
**11:10 ~<br />
**11:20 ~<br />
**11:30 ~<br />
**11:40 ~<br />
**11:50 ~ Jacob Wittenberg<br />
**12:00 ~ Colin Raffel<br />
**12:10 ~ Tyler Maue<br />
**12:20 ~ Sarah Masimore<br />
<br />
== FINAL PRESENTATIONS SCHEDULE ==<br />
*Tuesday, December 1, 2009:<br />
**10:00 ~ Zach Brand<br />
**10:10 ~<br />
**10:20 ~<br />
**10:30 ~dohi moon<br />
**10:40 ~ Matt Bush<br />
**10:50 ~<br />
**11:00 ~ Andrew Plan<br />
**11:10 ~ Loren Yu<br />
**11:20 ~<br />
**11:30 ~<br />
**11:40 ~<br />
**11:50 ~<br />
<br />
<br />
*Thursday, December 3, 2009:<br />
**10:00 ~ Uri Nieto<br />
**10:10 ~ Sarah Masimore<br />
**10:20 ~ Ben Roth<br />
**10:30 ~ Jacob Wittenberg<br />
**10:40 ~ Tyler Maue<br />
**10:50 ~ Jonathan Potter<br />
**11:00 ~ Linden Melvin<br />
**11:10 ~ Adam Sheppard<br />
**11:20 ~<br />
**11:30 ~<br />
**11:40 ~<br />
**11:50 ~<br />
<br />
<br />
*Thursday, December 10, 2009:<br />
**3:30pm ~ Jacqueline Gordon<br />
**3:40pm ~ <br />
**3:50pm ~<br />
**4:00pm ~ Christopher Fajardo<br />
**4:10pm ~ <br />
**4:20pm ~ Brian Yoo<br />
**4:30pm ~ Daniel Hollingshead<br />
**4:40pm ~ Brian Lewis<br />
**4:50pm ~ Michael Repper<br />
**5:00pm ~<br />
**5:10pm ~<br />
**5:20pm ~<br />
**DO NOT BOOK AFTER 5:20pm unless ALL OTHER SLOTS ARE FILLED IN<br />
***5:30pm ~<br />
***5:40pm ~<br />
***5:50pm ~<br />
<br />
<br />
...<br />
<br />
----<br />
<br />
<br />
[http://ccrma.stanford.edu/wiki/220a-fall-2009 <b>BACK TO WIKI MAIN PAGE</b>]</div>Lmelvin