https://ccrma.stanford.edu/mediawiki/api.php?action=feedcontributions&user=Berlach&feedformat=atomCCRMA Wiki - User contributions [en]2024-03-29T06:44:18ZUser contributionsMediaWiki 1.24.1https://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2011&diff=11391220c-spring-20112011-03-28T22:34:42Z<p>Berlach: </p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2011/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
*Broer,Benjamin Bright<br />
*Carlson,Chris John<br />
*Choi,Hongchan<br />
*Dade,Kevin Michael<br />
*Ercetin,Turgut<br />
*Granzow,John Edward<br />
*Kondapalli,Ravi Sankar<br />
*Rotondo,Mike<br />
*Salazar,Spencer<br />
*Sung,Ben-Zhen<br />
*Wilson,Michael James<br />
*Wong,Remington<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:berlach@ccrma.stanford.edu Bjoern]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2011&diff=11390220c-spring-20112011-03-28T22:33:43Z<p>Berlach: </p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2011/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
<p>Broer,Benjamin Bright<br />
<p>Carlson,Chris John<br />
<p>Choi,Hongchan<br />
<p>Dade,Kevin Michael<br />
<p>Ercetin,Turgut<br />
<p>Granzow,John Edward<br />
<p>Kondapalli,Ravi Sankar<br />
<p>Rotondo,Mike<br />
<p>Salazar,Spencer<br />
<p>Sung,Ben-Zhen<br />
<p>Wilson,Michael James<br />
<p>Wong,Remington<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:berlach@ccrma.stanford.edu Bjoern]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2011&diff=11389220c-spring-20112011-03-28T22:32:54Z<p>Berlach: Created page with 'Category:Courses = [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music = == [http://ccrma.stanford.edu/wiki/220c-spri…'</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2011/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
Broer,Benjamin Bright<br />
Carlson,Chris John<br />
Choi,Hongchan<br />
Dade,Kevin Michael<br />
Ercetin,Turgut<br />
Granzow,John Edward<br />
Kondapalli,Ravi Sankar<br />
Rotondo,Mike<br />
Salazar,Spencer<br />
Sung,Ben-Zhen<br />
Wilson,Michael James<br />
Wong,Remington<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:berlach@ccrma.stanford.edu Bjoern]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=10057220c-spring-20102010-06-25T03:13:54Z<p>Berlach: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* [https://ccrma.stanford.edu/~berlach/220c/granular.html <b>Bjoern Erlach</b>] - w/ J. Abel. Subsample precise granular synthesis.<br />
* [https://ccrma.stanford.edu/~cforkish/220c/<b>Charlie Forkish</b>] - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' OVERHEAD PROJECTOR(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Automatic Video Editor<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* [https://ccrma.stanford.edu/~craffel/sound/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* [https://ccrma.stanford.edu/~jwitt90/220c/bass/bassweb.htm <b>Jacob Wittenberg</b>] - The Faceless Bass Player. A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs. The first step in a to-be-extended-and-improved model for jazz bass players.<br />
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>] - w/ J. Abel. 3d modeling, acoustic modeling <br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 6-7:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 7:30-9, W 2:30-4, R 12-1<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
<br />
<b> UP-TO-DATE VERSION ON GOOGLE CALENDARS [http://www.google.com/calendar/embed?src=ep3pf4t74b4pph5vu931somp10%40group.calendar.google.com&ctz=America/Los_Angeles HERE!]</b><br />
<br />
[[Image:Rehearse220c_03.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9997Berlach/2010-05-21T00:08:16Z<p>Berlach: </p>
<hr />
<div>[[File:under_construction.jpg]]<br />
<br />
'''Subsample Precise Granular Synthesis'''<br />
<br />
Short grains of sound stored in a buffer can be played back with subsample precise onset points. Audible aliasing that occurs if grains are played back with regular spacing can be suppressed by this method. An implementation of a SuperCollider UGen was developed for this project.<br />
<br />
'''Improvisation for the 2010 Modulations concert'''<br />
<br />
Subsample precise granular synthesis streams are used to achieve a morphology between rhythmical snare drum patterns and voice like synthesis.<br />
<br />
'''Bran, Germ, Endosperm''' <br />
<br />
A tape piece exploring structures on time scales where rhythm perception and pitch perception overlap.<br />
<br />
<br />
[[File:Grain.gif]]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9996Berlach/2010-05-21T00:07:52Z<p>Berlach: </p>
<hr />
<div>[[File:under_construction.jpg]]<br />
<br />
'''Subsample Precise Granular Synthesis'''<br />
<br />
Short grains of sound stored in a buffer can be played back with subsample precise onset points. Audible aliasing that occurs if grains are played back with regular spacing can be suppressed by this method. An implementation of a SuperCollider UGen was developed for this project.<br />
<br />
<br />
<br />
'''Improvisation for the 2010 Modulations concert'''<br />
<br />
<br />
<br />
Subsample precise granular synthesis streams are used to achieve a morphology between rhythmical snare drum patterns and voice like synthesis.<br />
<br />
<br />
<br />
'''Bran, Germ, Endosperm''' <br />
<br />
<br />
<br />
A tape piece exploring structures on time scales where rhythm perception and pitch perception overlap.<br />
<br />
<p><br />
<br />
[[File:Grain.gif]]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9995Berlach/2010-05-21T00:03:24Z<p>Berlach: </p>
<hr />
<div>[[File:under_construction.jpg]]<br />
<br />
'''Subsample Precise Granular Synthesis'''<br />
<br />
Short grains of sound stored in a buffer can be played back with subsample precise onset points. Audible aliasing that occurs if grains are played back with regular spacing can be suppressed by this method. An implementation of a SuperCollider UGen was developed for this project.<br />
<br />
<p><br />
<br />
'''Improvisation for the 2010 Modulations concert'''<br />
<br />
<p><br />
<br />
Subsample precise granular synthesis streams are used to achieve a morphology between rhythmical snare drum patterns and voice like synthesis.<br />
<br />
<p><br />
<br />
'''Bran, Germ, Endosperm''' <br />
<br />
<p><br />
<br />
A tape piece exploring structures on time scales where rhythm perception and pitch perception overlap.<br />
<br />
<p><br />
<br />
[[File:Grain.gif]]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9994Berlach/2010-05-21T00:02:55Z<p>Berlach: </p>
<hr />
<div>[[File:under_construction.jpg]]<br />
<br />
'''Subsample Precise Granular Synthesis'''<br />
<br />
Short grains of sound stored in a buffer can be played back with subsample precise onset points. Audible aliasing that occurs if grains are played back with regular spacing can be suppressed by this method. An implementation of a SuperCollider UGen was developed for this project.<br />
<br />
<p><br />
<br />
'''Improvisation for the 2010 Modulations concert'''<br />
<p><br />
<br />
Subsample precise granular synthesis streams are used to achieve a morphology between rhythmical snare drum patterns and voice like synthesis.<br />
<br />
<p><br />
<br />
'''Bran, Germ, Endosperm''' A tape piece exploring structures on time scales where rhythm perception and pitch perception overlap.<br />
<p><br />
[[File:Grain.gif]]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9993Berlach/2010-05-21T00:02:30Z<p>Berlach: </p>
<hr />
<div>[[File:under_construction.jpg]]<br />
<br />
'''Subsample Precise Granular Synthesis'''<br />
<br />
Short grains of sound stored in a buffer can be played back with subsample precise onset points. Audible aliasing that occurs if grains are played back with regular spacing can be suppressed by this method. An implementation of a SuperCollider UGen was developed for this project.<br />
<br />
<p><br />
<br />
'''Improvisation for the 2010 Modulations concert'''<br />
<br />
Subsample precise granular synthesis streams are used to achieve a morphology between rhythmical snare drum patterns and voice like synthesis.<br />
<br />
<p><br />
<br />
'''Bran, Germ, Endosperm''' A tape piece exploring structures on time scales where rhythm perception and pitch perception overlap.<br />
<br />
[[File:Grain.gif]]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Grain.gif&diff=9992File:Grain.gif2010-05-20T23:57:03Z<p>Berlach: uploaded a new version of "File:Grain.gif"</p>
<hr />
<div></div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Grain.gif&diff=9991File:Grain.gif2010-05-20T23:56:44Z<p>Berlach: </p>
<hr />
<div></div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9990Berlach/2010-05-20T23:56:29Z<p>Berlach: </p>
<hr />
<div>[[File:under_construction.jpg]]<br />
<br />
'''Subsample Precise Granular Synthesis'''<br />
<br />
Short grains of sound stored in a buffer can be played back with subsample precise onset points. Audible aliasing that occurs if grains are played back with regular spacing can be suppressed by this method. An implementation of a SuperCollider UGen was developed for this project.<br />
<br />
<p><br />
<br />
'''Improvisation for the 2010 Modulations concert'''<br />
<br />
Subsample precise granular synthesis streams are used to achieve a morphology between rhythmical snare drum patterns and voice like synthesis.<br />
<br />
<p><br />
<br />
'''Bran, Germ, Endosperm'''<br />
<br />
[[File:Grain.gif]]</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Under_construction.jpg&diff=9989File:Under construction.jpg2010-05-20T23:46:31Z<p>Berlach: uploaded a new version of "File:Under construction.jpg"</p>
<hr />
<div></div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Under_construction.jpg&diff=9988File:Under construction.jpg2010-05-20T23:45:36Z<p>Berlach: </p>
<hr />
<div></div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=Berlach/&diff=9987Berlach/2010-05-20T23:45:16Z<p>Berlach: Created page with 'File:under_construction.jpg '''Subsample Precise Granular Synthesis''''</p>
<hr />
<div>[[File:under_construction.jpg]]<br />
'''Subsample Precise Granular Synthesis'''</div>Berlachhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9986220c-spring-20102010-05-20T23:41:55Z<p>Berlach: </p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* [https://ccrma.stanford.edu/wiki/berlach/ <b>Bjoern Erlach</b>] - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* [https://ccrma.stanford.edu/~cforkish/220c/<b>Charlie Forkish</b>] - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' OVERHEAD PROJECTOR(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Automatic Video Editor<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* [https://ccrma.stanford.edu/~craffel/sound/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* [https://ccrma.stanford.edu/~jwitt90/220c/bass/bassweb.htm <b>Jacob Wittenberg</b>] - The Faceless Bass Player. A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs. The first step in a to-be-extended-and-improved model for jazz bass players.<br />
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>] - w/ J. Abel. 3d modeling, acoustic modeling <br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 6-7:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 7:30-9, W 2:30-4, R 12-1<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
[[Image:Rehearse220c_03.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Berlach