SGSI07 Music and Human Behavior
- SGSI Summer course in Musical Behavior
Vinod Menon email@example.com
Jonathan Berger firstname.lastname@example.org
Assistants: Hiroko Terasawa email@example.com, Song-Hui Chon firstname.lastname@example.org
Place: Wallenberg Hall (tentative)
- Course outline:
Sunday 9/16 – dinner and concert
Monday 9/17 – The Anatomy of Musical Hearing
Tuesday 9/18 – Learning and Memory
Wednesday 9/19 – Expectations
Thursday 9/20 – Timing and temporal structures
Friday 9/21 – Affect and emotion
9/16 – Haydn, String Quartet op. 54, no. 2
Beethoven, string Quartet, op. 132
9/18 – Wagner, Tannhauser (tentative)
9/19 - Schubert, String Quintet, C major (tentative)
Krumhansl, C. L. 1990. Cognitive Foundations of Musical Pitch. New York: Oxford University Press, pp.16-31.
Krumhansl. C.L. 2002. Music: A Link Between Cognition and Emotion
Current Directions in Psychological Science. Vol. 11 Issue 2 Page 45 April 2002
Krumhansl, C.L. 1996. A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas. Music Perception 13 (3):401-432.
Please answer the following and e-mail your responses to: email@example.com
1. Succinctly describe what you hope to get out of this course and what you feel you can contribute.
2. List five questions regarding music and human musical behavior that you would like to pursue in depth during the week of the summer course.