SGSI07 Music and Human Behavior
SGSI Summer course in Musical Behavior
- Vinod Menon firstname.lastname@example.org
- Jonathan Berger email@example.com
- Assistants: Hiroko Terasawa firstname.lastname@example.org, Song-Hui Chon email@example.com
Place: Wallenberg Hall (tentative)
Sunday 9/16 – dinner and concert
Monday 9/17 – The Anatomy of Musical Hearing
Tuesday 9/18 – Learning and Memory
Wednesday 9/19 – Expectations
Thursday 9/20 – Timing and temporal structures
Friday 9/21 – Affect and emotion
- Haydn, String Quartet op. 54, no. 2. Beethoven, string Quartet, op. 132
- Wagner, Tannhauser (tentative)
- Schubert, String Quintet, C major (tentative)
Krumhansl, C. L. 1990. Cognitive Foundations of Musical Pitch. New York: Oxford University Press, pp.16-31.
Krumhansl. C.L. 2002. Music: A Link Between Cognition and Emotion
Current Directions in Psychological Science. Vol. 11 Issue 2 Page 45 April 2002
Krumhansl, C.L. 1996. A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas. Music Perception 13 (3):401-432.
Please answer the following and e-mail your responses to: firstname.lastname@example.org
- Succinctly describe what you hope to get out of this course and what you feel you can contribute.
- List five questions regarding music and human musical behavior that you would like to pursue in depth during the week of the summer course.