Difference between revisions of "Project-jos-220c-2021"

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I love doing "classical covers", and this is my typical workflow:
 
I love doing "classical covers", and this is my typical workflow:
  
1.  See if a printed score and/or MIDI file are available:
+
# See if a printed score and/or MIDI file are available:
 
* Web Search (without quotes): "Oh sleep, why dost thou leave me? handel midi"
 
* Web Search (without quotes): "Oh sleep, why dost thou leave me? handel midi"
 
* First [https://www.midiworld.com/handel.htm search result] is fine
 
* First [https://www.midiworld.com/handel.htm search result] is fine
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* Edit as desired to make it look and sound better (set the key, choose instruments, add effects, etc.)
 
* Edit as desired to make it look and sound better (set the key, choose instruments, add effects, etc.)
  
2. Learn the music like a guitar player :-)
+
# Learn the music like a guitar player :-)
 
* Switch the bass to treble clef and transpose it up two octaves to make it look like a guitar part
 
* Switch the bass to treble clef and transpose it up two octaves to make it look like a guitar part
* Play the bass along with the playback until I more or less have the structure in my head (use Cycles to scrub tricky parts)
+
* Play the bass along with the playback until I more or less have the structure in my head (use "cycles" to scrub tricky parts)
 
* Write out the chord chart (by hand)
 
* Write out the chord chart (by hand)
 
* Play along in free form on guitar until I feel I "know it"
 
* Play along in free form on guitar until I feel I "know it"
 
* Think about a nice guitar accompaniment for vocalist and bass (for Elena's project)
 
* Think about a nice guitar accompaniment for vocalist and bass (for Elena's project)
  
3. I am normally arranging for my "band" consisting nowadays of an imaginary drummer, bass, guitar (me), one or more synths, and often a featured soloist (voice, flute, violin, etc.):
+
# I am normally arranging for my "band" consisting nowadays of an imaginary drummer, bass, guitar (me), one or more synths, and often a featured soloist (voice, flute, violin, etc.):
 
* Settle on a final tempo, key, and parts (MIDI editing)
 
* Settle on a final tempo, key, and parts (MIDI editing)
 
* Record each part myself using a synth patch for each voice/part (normally sticking to Logic instruments so everyone will have the instruments and effects used)
 
* Record each part myself using a synth patch for each voice/part (normally sticking to Logic instruments so everyone will have the instruments and effects used)
 
* This is now my "demo" for the band (the original MIDI can be muted forever)
 
* This is now my "demo" for the band (the original MIDI can be muted forever)
* In reality, the "band" may be just me and a flute player, or the like, and we play live to a Logic playback (or bounds) with our respective tracks muted
+
* In reality, the "band" may be just me and a flute player, or the like, and we play live to a Logic playback (or "bounce") with our respective tracks muted
 
* In the lucky event of a full band, we all play our parts and Logic can take a rest (and we are more free with tempo and vibe, etc.)
 
* In the lucky event of a full band, we all play our parts and Logic can take a rest (and we are more free with tempo and vibe, etc.)
  
 
My workflow for original music is similar, but without the initial MIDI and/or score.  The parts may accumulate in any order, but I normally work on one musical "stretch" at a time, but don't fail to capture your ideas in some form immediately!
 
My workflow for original music is similar, but without the initial MIDI and/or score.  The parts may accumulate in any order, but I normally work on one musical "stretch" at a time, but don't fail to capture your ideas in some form immediately!

Revision as of 20:04, 15 April 2021

JOS 220C Projects

Classical Guitar Part for Handel's "Oh sleep, why dost thou leave me?" (for Elena's project)

I love doing "classical covers", and this is my typical workflow:

  1. See if a printed score and/or MIDI file are available:
  • Web Search (without quotes): "Oh sleep, why dost thou leave me? handel midi"
  • First search result is fine
  • Also download a score PDF if available, or make one from the MIDI
  • Open osleep.mid in Logic Pro X
  • Play it and watch the score to see that it's ok, which it is in this case
  • Edit as desired to make it look and sound better (set the key, choose instruments, add effects, etc.)
  1. Learn the music like a guitar player :-)
  • Switch the bass to treble clef and transpose it up two octaves to make it look like a guitar part
  • Play the bass along with the playback until I more or less have the structure in my head (use "cycles" to scrub tricky parts)
  • Write out the chord chart (by hand)
  • Play along in free form on guitar until I feel I "know it"
  • Think about a nice guitar accompaniment for vocalist and bass (for Elena's project)
  1. I am normally arranging for my "band" consisting nowadays of an imaginary drummer, bass, guitar (me), one or more synths, and often a featured soloist (voice, flute, violin, etc.):
  • Settle on a final tempo, key, and parts (MIDI editing)
  • Record each part myself using a synth patch for each voice/part (normally sticking to Logic instruments so everyone will have the instruments and effects used)
  • This is now my "demo" for the band (the original MIDI can be muted forever)
  • In reality, the "band" may be just me and a flute player, or the like, and we play live to a Logic playback (or "bounce") with our respective tracks muted
  • In the lucky event of a full band, we all play our parts and Logic can take a rest (and we are more free with tempo and vibe, etc.)

My workflow for original music is similar, but without the initial MIDI and/or score. The parts may accumulate in any order, but I normally work on one musical "stretch" at a time, but don't fail to capture your ideas in some form immediately!