Physical Interfaces for Music

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by Michael Gurevich and Edgar Berdahl
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by Michael Gurevich
==Dichotomies==
==Dichotomies==
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** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Kitchen2.mov Sound Kitchen] (42M)
** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Kitchen2.mov Sound Kitchen] (42M)
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* No haptic feedback vs. haptic feedback
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** Gypsy Motion capture MIDI controller -- [http://www.sonalog.com/videos/resize/Gypsy%20Traktor%20DJ.mov DJ] and [http://www.sonalog.com/videos/resize/Drums%20full.mov Drums]
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** Collin Oldham - [http://homepage.mac.com/coldham/klang/iMovieTheater34.html Cellomobo]
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** Edgar Berdahl - [http://ccrma.stanford.edu/~eberdahl/Projects/HapticDrum/HapticDrumMakeTV.mov Haptic drum]
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Commercial cotrollers:
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Haken Audio's [http://www.hakenaudio.com/Continuum/html/examples/ex214.html Continuum Fingerboard]
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[http://www.youtube.com/watch?v=-2juR1usQUQ Lightning]
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[http://www.youtube.com/watch?v=GYBEoZXxym4 Thunder]
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Trueman and Cook [http://music.princeton.edu/~dan/BoSSA/quadrille_new.mov Bowed-Sensor-Speaker-Array]
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Lemur [http://www.youtube.com/watch?v=iFJAhvplGf8 robot] playing music
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Jazzmutant [http://www.youtube.com/watch?v=X_BMnwIbWJw Lemur]
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Yamaha [http://www.youtube.com/watch?v=4y9V5ORFnzs Miburi]
==Blaine & Fels' Contexts of Collaborative Musical Experiences==
==Blaine & Fels' Contexts of Collaborative Musical Experiences==

Current revision as of 18:24, 11 October 2009

by Michael Gurevich

Dichotomies

  • Sonification vs. Deliberate Control
  • Individual vs. Group
    • Sid Fels -- Tooka
    • Jorda -- Reactable
    • David Merrill, Tim Hankins, Jocelyn Robert -- COOL (120M)
    • Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- Sound Kitchen (42M)
  • No haptic feedback vs. haptic feedback

Commercial cotrollers: Haken Audio's Continuum Fingerboard

Lightning Thunder

Trueman and Cook Bowed-Sensor-Speaker-Array

Lemur robot playing music Jazzmutant Lemur

Yamaha Miburi

Blaine & Fels' Contexts of Collaborative Musical Experiences

  • Balancing complexity and expressivity
    • But can't something be complex and expressive, if the performer is skilled??
  • Focus
    • Player to Player
    • Players to Audience
  • Location
    • Local vs. Remote
  • Media
    • Audio/Visual/Mixed
    • A/V causality
  • Scalability
  • Player Interaction
    • Specific roles
    • N copies
    • Jamming
    • Interdependency
  • Musical Range
    • Constraint
  • Physical Interface
  • Directed Interaction
    • Leader-follower
    • Turn-taking
    • Call-and-response
    • Expert leader
  • Pathway to Expert Performance
    • Compromised when ease of learning is achieved by constraining musical material
  • Level of Physicality


Reference Papers

1. M. Gurevich and J. Treviño (2007). Expression and Its Discontents: Toward an Ecology of Musical Creation. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME-07), New York, USA.

2. M. Gurevich, B. Verplank and S. Wilson (2003). Physical Interaction Design for Music. Proceedings of the 2003 International Computer Music Conference, Singapore.

3. T. Blaine and S. Fels (2003). Contexts of Collaborative Musical Experiences. Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03), Montreal, Canada.

4. J. Malloch, D. Birnbaum, E. Sinyor and M. Wanderley (2006). Examining Design Goals of Digital Musical Instruments. Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada.

5. D. Birnbaum, R. Fiebrink, J. Malloch and M. M. Wanderley (2005). Towards a Dimension Space for Musical Devices. Proceedings of the 2005 Conference on New Interfaces for Musical Expression (NIME-05), Vancouver, BC, Canada.

6. P. Cook (2001). Principles for Designing Computer Music Controllers. CHI '01 Workshop on New Interfaces for Musical Expression (NIME-01). Seattle, USA.

7. C. Poepel (2005). On Interface Expressivity. Proceedings of the 2005 Conference on New Interfaces for Musical Expression (NIME-05), Vancouver, BC, Canada.

8. D. Wessel and M. Wright (2001). Problems and Prospects for Intimate Musical Control of Computers. CHI '01 Workshop on New Interfaces for Musical Expression (NIME-01). Seattle, USA.

9. S. Jorda (2001). New Musical Interfaces and New Music-making Paradigms.CHI '01 Workshop on New Interfaces for Musical Expression (NIME-01). Seattle, USA.

10. M. Resnick and B. Silverman (2005). Some Reflections on Designing Construction Kits for Kids. Proceedings of Interaction Design and Children conference, Boulder, CO.


PID 2009
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