Difference between revisions of "MultiGrain"

From CCRMA Wiki
Jump to: navigation, search
Line 12: Line 12:
 
[http://ccrma.stanford.edu/~baeksan/220a/final_project/rand_position.wav Varying randomness of position] - Changing the parameter which controls how far from the starting position the patch should play grains.  This essentially chops up the sound file into desired grain lengths and orders them randomly one after another.  A grain length of 80 ms was used.
 
[http://ccrma.stanford.edu/~baeksan/220a/final_project/rand_position.wav Varying randomness of position] - Changing the parameter which controls how far from the starting position the patch should play grains.  This essentially chops up the sound file into desired grain lengths and orders them randomly one after another.  A grain length of 80 ms was used.
  
[http://ccrma.stanford.edu/~baeksan/220a/final_project/pitch_shifting.wav Transposing pitch] - Pitch transposition of the grains
+
[http://ccrma.stanford.edu/~baeksan/220a/final_project/pitch_shifting.wav Transposing pitch] - The pitch of the grains is transposed.  The randomness of the pitch of each grain can be controlled as well.
  
[http://ccrma.stanford.edu/~baeksan/220a/final_project/time_stretching.wav Time stretching]
+
[http://ccrma.stanford.edu/~baeksan/220a/final_project/time_stretching.wav Time stretching] - Time stretching of the sound file can be achieved by changing the grain position in the buffer.  Granular synthesis allows to time stretch the sound file, without altering the pitch.  In this example, the grain length is 80 ms and the position randomness is set to 0.  This was done in real time with a knob on a midi controller.
  
 
[http://ccrma.stanford.edu/~baeksan/220a/final_project/time_stretching_pitch.wav Time stretching with transposition]
 
[http://ccrma.stanford.edu/~baeksan/220a/final_project/time_stretching_pitch.wav Time stretching with transposition]
 +
 
[http://ccrma.stanford.edu/~baeksan/220a/final_project/Time_Stretching-1.wav Time stretching another example]
 
[http://ccrma.stanford.edu/~baeksan/220a/final_project/Time_Stretching-1.wav Time stretching another example]
  

Revision as of 17:59, 10 December 2007

IDEA

Implementation of real time, time granulation synthesis in Chuck, with the ability to be used in live performance. The synthesis parameters (grain length, position, position randomness, pitch, and pitch randomness) can be tweaked in real time.

DESIGN

SndBuf stores a sound file into a buffer, which is then chucked to a linear envelope for the grains. The envelope used in the sound files below has a rise time that is randomly chosen from 0.45 to 0.5 ms. This can be altered to change achieve a more varying asynchronous envelope for each grain. For granular synthesis, grain length is usually from 1 - 100 ms. The grain length, position in the sound file, the randomness of the position, pitch transposition, and randomness of pitch are the parameters that can be controlled in this patch. All the parameters were mapped to a midi controller, allowing for real time control of each parameter simultaneously.


EXAMPLE SOUND CLIPS

Original sound file

Varying randomness of position - Changing the parameter which controls how far from the starting position the patch should play grains. This essentially chops up the sound file into desired grain lengths and orders them randomly one after another. A grain length of 80 ms was used.

Transposing pitch - The pitch of the grains is transposed. The randomness of the pitch of each grain can be controlled as well.

Time stretching - Time stretching of the sound file can be achieved by changing the grain position in the buffer. Granular synthesis allows to time stretch the sound file, without altering the pitch. In this example, the grain length is 80 ms and the position randomness is set to 0. This was done in real time with a knob on a midi controller.

Time stretching with transposition

Time stretching another example

Everything all together with reverb control on top

Granular Chuck code

Multiple Grain Instances