From CCRMA Wiki
Revision as of 16:03, 18 March 2009 by Schless1 (Talk | contribs) (Improvements Made This Quarter:)

Jump to: navigation, search

The Kalichord: An Electro-Acoustic Plucked String Model Controller

Daniel Schlessinger Music 250B Project Wiki

Overall Description:

For my 250B project, I extended upon my 250A mini-instrument which I call the Kalichord.

The right hand plucks piezo tines that are fed directly, at audio rates, into a physical model. The left hand plays basslines, using an array of momentary switches (aka buttons, for those who prefer clarity over tech-speak). There is a third degree of freedom that comes from either sliding the hands horizontally (first prototype) or rotating the two halves (second prototype). These motions are mapped to various things such as pitchbend, register changes (ie moving up or down an octave), distortion, virtual pluck position, or perhaps even more physical parameters or note variations!

Here is an diagram of the flow of sound/control:



Here is the original prototype, from 250A:


Here is the current prototype:

--PICTURES HERE-- Different, no? Much more pod-like, now. I kind of think it looks like a bird of prey, although that was not the original intent.


The novel aspect of the Kalichord is that the audio from the piezo tines is fed directly into a physical model of a string, for a tight coupling between the physical control and the modeled sound:


Improvements Made This Quarter:


The first, most obvious improvement is the construction - the frame is now made of wood, with cutouts for where the buttons and piezos live. In order to allow for various design changes without killing the overall construction, the sensors themselves are attached to foam board, which is in turn attatched to the wood.

Inter-Hand Motion

New and improved is the inter-hand motion, which went from sliding side-to-side to rotating. The rotational motion comes from a rotary pod, which has a rotational range of 270 degrees.

Extra Buttons

There are now 21 buttons by the left hand, which is way too many. There are 12 by the thumb, corresponding to all 12 tones of the chromatic scale. The re are 2 buttons each for the first three fingers, corresponding to various common bass notes. There are 3 pinky buttons, which are for changing modes. There is also a large button by the thumb piezo in the right hand, for engaging things like pitch-bend or tone damping. You also may have noticed that while most of the buttons are flat and black, there are a couple that are tall and also white. Since the buttons are at different heights, this enables the player to feel for the tall buttons so that they know which buttons are which without looking. Smart, no?

Future Work: