Difference between revisions of "Chavin"
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| − | Chavín de Huántar Archeological Acoustics Project | + | = Chavín de Huántar Archeological Acoustics Project = |
Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation | Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation | ||
| − | + | Co-investigators: | |
| − | + | •John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology | |
| − | + | •Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy) | |
| − | + | •Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA | |
| − | + | •Patty Huang, MA, Graduate Student, Stanford University, CCRMA | |
| − | + | •Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA | |
Coordinator: | Coordinator: | ||
| − | + | •John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music | |
Local collaborators: | Local collaborators: | ||
| − | + | •(Museum director) | |
Team Background: | Team Background: | ||
| − | + | •John Rick has been heading excavations and directing research at the Chavín site since 1995 | |
| + | •Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985 | ||
| + | •Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces | ||
| + | •Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering | ||
| + | •John Chowning is a composer having long standing interest in spatial modeling | ||
| + | •CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation | ||
Revision as of 15:30, 7 January 2008
Chavín de Huántar Archeological Acoustics Project
Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation
Co-investigators:
•John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology
•Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy)
•Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA
•Patty Huang, MA, Graduate Student, Stanford University, CCRMA
•Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA
Coordinator:
•John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music
Local collaborators:
•(Museum director)
Team Background: •John Rick has been heading excavations and directing research at the Chavín site since 1995 •Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985 •Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces •Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering •John Chowning is a composer having long standing interest in spatial modeling •CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation
