Difference between revisions of "220c-spring-2010"

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* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape
 
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape
 
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)
 
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)
* [https://ccrma.stanford.edu/~craffel/music/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.
+
* [https://ccrma.stanford.edu/~craffel/sound/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.
 
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"  
 
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"  
 
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.
 
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.

Revision as of 11:14, 18 May 2010

Music 220c - Research Seminar in Computer-Generated Music

About the Class

Use the Space Below to Link to Your Project Pages/Wikis

Short blurbs and links to project pages:

  • Bjoern Erlach - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling
  • Charlie Forkish - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' LASER BEAM(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...
  • Stephen Henderson - Alzheimer's helped by medial prefrontal cortex? helped by music?
  • Grahame Lesh - Live Video Recording/Editing of a band based on their output.
  • Tyler Maue - Lüp-It: One-man band loop generator.
  • Linden Melvin - Live Sound Synthesis to make a Soundscape
  • Dohi Moon - Electronic Music + Animation (String Quartet)
  • Colin Raffel - Getting Rain Barrels - Live sampling, wireless miking — group music making.
  • Michael Repper - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"
  • Adam Shepperd - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.
  • Isaac Wang - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.
  • Jacob Wittenberg - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style.
  • Xiang Zhang - w/ J. Abel. 3d modeling, acoustic modeling

~

CONCERT PLANNING

Thurs. May 27, 2010

Sound-check SAME DAY. sound-check order:

  • Isaac 3:30pm
  • Tyler 4pm
  • Jacob 4:30pm
  • Linden 5pm
  • Graham 5:30pm

outside

  • Adam 6pm
  • Colin 6:30pm


CONCERT order:

  • Melvin
  • Wittenberg
  • Maue
  • Bjoern
  • Wang
  • Graham

outside

  • Adam
  • Colin


Backyard reqs.

  • risers
  • screen
  • PA
  • stage

Rehearsal Times:

  • Linden - M 6-7:30, T 6:30-8, W 12-1:30
  • Jacob - M 4:15-6, T 10-11
  • Tyler - M 7:30-9, W 2:30-4, R 12-1
  • Colin - M 3-4, T 5-6:30, W 1:30-2:30
  • Adam - W 4-5
  • Bjoern - T 9-10
  • Isaac - T 8-9, W 5-6,
  • Grahame - T 11-12, W 11-12

Rehearse220c 03.jpg



Email Chris ~ Email Michael