Difference between revisions of "220b-winter-2010/hw2"

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#REDIRECT [[220b-winter-2010/3]]
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= Homework #2: "Homebrew" =
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In this assignment, you are to record some "everyday" sounds, process/transform/arrange them, creating a composition that, in Paul Lansky's words, "views the mundane, everyday noise of daily life through a personal musical filter."
 +
 
 +
<div style="text-align: left;">[[Image:MacGyverBrew.jpg]]</div>
 +
 
 +
=== Tools at your disposal ===
 +
(note: these are the only tools you are to use (but you '''don't''' have to use all of them) - you'll need to obtain permission to use other software or sound samples you didn't record)
 +
 
 +
* (if you still have it) your homebrew microphone
 +
* something to record into (e.g., laptop/desktop)
 +
* ChucK
 +
* TAPESTREA (optional)
 +
* Audacity/Ardour (for intermediate + final recording/assembly)
 +
 
 +
 
 +
=== SoX ===
 +
Example of how to change snd file sample rate:
 +
 
 +
[cmn## lala] sox <inputfilename> -r 48000 <outputfilename>
 +
 
 +
=== Specification ===
 +
 
 +
What to do:
 +
* 0) spend some time planning things out in terms of the sounds you want to record, the transformations to perform, and how to put it all together.
 +
** As with everyday life, some things might not initially work out as planned/hoped: be resourceful (think MacGyver), and be willing to adapt.
 +
* 1) record a number of sounds around you
 +
** can be many different types of sounds, or many instances of a single type of sound (e.g., traffic)
 +
** at least one sound must be recorded using your "homebrew" microphone (the rest can with any mic, included your laptop mic)
 +
** note the origin of the sounds in your README
 +
* 2) process/transform/arrange/compose.
 +
** figure out what you want to do, experiment, try a lot of stuff, have fun
 +
** use ChucK to process/transform the sounds
 +
** the bulk of the arranging should be done in ChucK, with intermediate editing and late-stage assembly in Audacity
 +
** if helpful, record and edit intermediate sound clips from ChucK/TAPESTREA in Audacity (via Jack)
 +
 
 +
=== Deliverables ===
 +
 
 +
'''As usual, turn in all files by putting them in your Library/Web/220b/hw2/ directory.'''
 +
 
 +
* 1) create a hw4/ directory, and put all the stuff below in there:
 +
* 2) all related source/sound files (.wav/.ck/.tap)
 +
* 3) a short README text ('''readme.txt''') file that:
 +
** specifies instructions on running your programs
 +
** describes your process/adventure, and perhaps the ideas (technical/aesthetic) behind the composition
 +
** gives credit, if needed, for the sounds you are using
 +
** describe any difficulties you encountered in the process
 +
 
 +
 
 +
Thanks!!!

Revision as of 13:02, 26 January 2010

Homework #2: "Homebrew"

In this assignment, you are to record some "everyday" sounds, process/transform/arrange them, creating a composition that, in Paul Lansky's words, "views the mundane, everyday noise of daily life through a personal musical filter."

MacGyverBrew.jpg

Tools at your disposal

(note: these are the only tools you are to use (but you don't have to use all of them) - you'll need to obtain permission to use other software or sound samples you didn't record)

  • (if you still have it) your homebrew microphone
  • something to record into (e.g., laptop/desktop)
  • ChucK
  • TAPESTREA (optional)
  • Audacity/Ardour (for intermediate + final recording/assembly)


SoX

Example of how to change snd file sample rate:

[cmn## lala] sox <inputfilename> -r 48000 <outputfilename>

Specification

What to do:

  • 0) spend some time planning things out in terms of the sounds you want to record, the transformations to perform, and how to put it all together.
    • As with everyday life, some things might not initially work out as planned/hoped: be resourceful (think MacGyver), and be willing to adapt.
  • 1) record a number of sounds around you
    • can be many different types of sounds, or many instances of a single type of sound (e.g., traffic)
    • at least one sound must be recorded using your "homebrew" microphone (the rest can with any mic, included your laptop mic)
    • note the origin of the sounds in your README
  • 2) process/transform/arrange/compose.
    • figure out what you want to do, experiment, try a lot of stuff, have fun
    • use ChucK to process/transform the sounds
    • the bulk of the arranging should be done in ChucK, with intermediate editing and late-stage assembly in Audacity
    • if helpful, record and edit intermediate sound clips from ChucK/TAPESTREA in Audacity (via Jack)

Deliverables

As usual, turn in all files by putting them in your Library/Web/220b/hw2/ directory.

  • 1) create a hw4/ directory, and put all the stuff below in there:
  • 2) all related source/sound files (.wav/.ck/.tap)
  • 3) a short README text (readme.txt) file that:
    • specifies instructions on running your programs
    • describes your process/adventure, and perhaps the ideas (technical/aesthetic) behind the composition
    • gives credit, if needed, for the sounds you are using
    • describe any difficulties you encountered in the process


Thanks!!!