Difference between revisions of "220b-winter-2008/FAQ"
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| − | Algorithmic Composition Bibliography | + | '''Algorithmic Composition Bibliography''' |
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''Understanding music with AI: perspectives on music cognition'' | ''Understanding music with AI: perspectives on music cognition'' | ||
Menlo Park [Calif.]: AAAI Press; Cambridge, Mass.:MIT Press, c1992. | Menlo Park [Calif.]: AAAI Press; Cambridge, Mass.:MIT Press, c1992. | ||
| − | < SUL Music ML74.3 .U55 1992 > | + | < Stanford University Libraries (SUL) SUL Music ML74.3 .U55 1992 > |
'''Bresin, Roberto''' | '''Bresin, Roberto''' | ||
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2. ''Virtual music: computer synthesis of musical style'' | 2. ''Virtual music: computer synthesis of musical style'' | ||
| − | + | Cambridge, Mass.: MIT Press, c2001. | |
< SUL Music MT56 .C69 2001 > | < SUL Music MT56 .C69 2001 > | ||
Revision as of 10:10, 8 January 2008
Algorithmic Composition Bibliography
Balaban, Mira., Ebcioğlu, Kemal, and Laske, Otto Understanding music with AI: perspectives on music cognition Menlo Park [Calif.]: AAAI Press; Cambridge, Mass.:MIT Press, c1992. < Stanford University Libraries (SUL) SUL Music ML74.3 .U55 1992 >
Bresin, Roberto Virtual virtuosity: studies in automatic music performance Stockholm, Sweden: KTH, Speech Music and Hearing, 2000. < SUL Music MT723 .B74 2000 >
Cope, David 1. Computer models of musical creativity Cambridge, Mass.: MIT Press, c2005. < SUL Music MT41 .C67 2005 >
2. Virtual music: computer synthesis of musical style Cambridge, Mass.: MIT Press, c2001. < SUL Music MT56 .C69 2001 >
Desain, Peter and Honing Henkjan Music, mind and machine studies in computer music, music cognition and artificial intelligence Amsterdam: Thesis Publishers, 1992. < SUL Music ML1093 .D441 1992 >
Griffith, Niall and Todd, Peter M. Musical networks: parallel distributed perception and performance Cambridge, Mass.: MIT Press, c1999. < SUL Music ML3838 .M955 1999 >
Loy, D. Gareth Musimathics: the mathematical foundations of music London: MIT Press, c2006-2007. < SUL Music ML3805 .L78 2006 V.1 > < SUL Music ML3805 .L78 2006 V.2 >
Rowe, Robert Interactive music systems: machine listening and composing Cambridge, Mass.: MIT Press, c1993. < SUL Music MT723 .R879 1993 >
Taube, Heinrich
1. Common music: a music composition language in Common Lisp and CLOS
Stanford, Calif.: CCRMA, Dept. of Music, Stanford University, 1990.
< SUL Music ML63 .S785 NO.63 >
2. Notes from the metalevel: introduction to algorithmic music composition Introduction to algorithmic music composition London; New York: Taylor & Francis Group, c2004. < SUL Music MT56 .T38 2004 >
Temperley, David Music and probability Cambridge, Mass.: MIT Press, c2007. < SUL Music ML3838 .T46 2007 >
Toiviainen, Petri Modelling musical cognition with artificial neural networks Jyväskylä: University of Jyväskylä, 1996. < SUL Music ML3838 .T65 1996 >
Travis Pope, Stephen The Well-tempered object: musical applications of object-oriented software technology Cambridge, Mass.: MIT Press, c1991. < SUL Music ML1093 .W447 1991 >
Winkler, Todd Composing interactive music: techniques and ideas using Max Cambridge, Mass.: MIT Press, c1998. < SUL Music MT56 .W5 1998 >
