Difference between revisions of "220a-fall-2015"

From CCRMA Wiki
Jump to: navigation, search
(Final Project Presentation Sign Up)
(Final Project Presentation Sign Up)
Line 5: Line 5:
 
** 11:50 - 12:00 - Sam Thomas - Chuck Dance - Video/Audio
 
** 11:50 - 12:00 - Sam Thomas - Chuck Dance - Video/Audio
 
** 12:00 - 12:10 Megan Faulk - Audio
 
** 12:00 - 12:10 Megan Faulk - Audio
** 12:10 - 12:20
+
** 12:10 - 12:20  
 
** 12:20 - 12:30
 
** 12:20 - 12:30
 
** 12:30 - 12:40
 
** 12:30 - 12:40
Line 36: Line 36:
 
** 3:40 - 3:50 Jamie Tippett
 
** 3:40 - 3:50 Jamie Tippett
 
** 3:50 - 4:00 Luigi Balbo Bertone di Sambuy, Roland TR808 emulation on ChucK, projector + audio (stereo)
 
** 3:50 - 4:00 Luigi Balbo Bertone di Sambuy, Roland TR808 emulation on ChucK, projector + audio (stereo)
** 4:00 - 4:10
+
** 4:00 - 4:10 Nolan Lem, Kuramoto Oscillators Sonification: projector + audio (stereo, maybe multichannel)
 
** 4:10 - 4:20
 
** 4:10 - 4:20
  

Revision as of 14:53, 30 November 2015

Final Project Presentation Sign Up

  • 12/03 (THU) Name, Project Name, Tech Requirements (Instrument? Multi-channel? etc.)
    • 11:30 - 11:40 Joseph Manuel, Renditions in ChucK, Audio
    • 11:40 - 11:50 Paul Batchelor, Chorth: Sporth for ChucK. Projector with HDMI input, Audio (Stereo).
    • 11:50 - 12:00 - Sam Thomas - Chuck Dance - Video/Audio
    • 12:00 - 12:10 Megan Faulk - Audio
    • 12:10 - 12:20
    • 12:20 - 12:30
    • 12:30 - 12:40
    • 12:40 - 12:50
    • 12:50 - 1:00 Mingyu Kang, Human perception on Rhythm. Audio (Stereo), CCRMA computer, (maybe) projector
    • 1:00 - 1:10
    • 1:10 - 1:20 Krishan Kumar
  • 12/09 (WED) Name, Project Name, Tech Requirements (Instrument? Multi-channel? etc.)
    • 12:30 - 12:40 Hannah Pho
    • 12:40 - 12:50: Jack Atherton, The Precipice of the Uncanny Valley: Applying Genetic Algorithms to Timbre Mimicking; Requires projector and stereo audio
    • 12:50 - 1:00: Ben Williams, need projector + audio
    • 1:00 - 1:10: Brandon Evans, Synesthetic Singing, projector + audio
    • 1:10 - 1:20: Nathan Tindall
    • 1:20 - 1:30: Aidan Meacham, Building & Testing a Ribbon Microphone (almost) from Scratch, projector + audio
    • 1:30 - 1:40: Lewin Cary
    • 1:40 - 1:50: Ziheng Chen
    • 1:50 - 2:00: Olivia Lin
    • 2:00 - 2:10: Michael Olsen - Formant Wave Function synthesis, projector + audio
    • 2:10 - 2:20: Doron Roberts-Kedes: The Fastest Fourier Transform - projector + audio
    • 2:20 - 2:30 Wisam Reid: Space Bells - Multi-Channel (Listening Room) + projector
    • 2:30 - 2:40 Sam Alexander: Weird Fishes, audio
    • 2:40 - 2:50 John Reyna: Generative Jazz - audio
    • 2:50 - 3:00 Rey Barceló
    • 3:00 - 3:10 Tyler Sadlier, Live Granular Synthesis, projector + stereo audio
    • 3:10 - 3:20 Katherine Ewell, 4-channel audio
    • 3:20 - 3:30 Yuan Li
    • 3:30 - 3:40 Chryssie, Disklavier + projector
    • 3:40 - 3:50 Jamie Tippett
    • 3:50 - 4:00 Luigi Balbo Bertone di Sambuy, Roland TR808 emulation on ChucK, projector + audio (stereo)
    • 4:00 - 4:10 Nolan Lem, Kuramoto Oscillators Sonification: projector + audio (stereo, maybe multichannel)
    • 4:10 - 4:20

Music Presentation Sign Up and Reference

https://www.youtube.com/watch?v=4JjXAZlaelA https://www.youtube.com/watch?v=AdidovCPhVM

  • 11/17 (TUE)
    • Alex Mack
    • John Reyna
  • 12/1 (TUE)
    • Nolan Lem
    • Wisam

Whale Watching Sign Up

Let us know if you're coming! (room for 48 on the boat)

  • Chris
  • Kitty
  • Michael Olsen
  • Doron Roberts-Kedes
  • Alex Aguilar
  • Liam Kinney +1
  • Brendan Larkin + 1
  • Sam Alexander
  • Hanze Tu
  • Ziheng Chen
  • Tyler Sadlier
  • Max Farr
  • Jamie Tippett
  • Benjamin Williams
  • Joseph Manuel
  • Nick Gang + 1
  • Rey Barceló
  • Blue Sheffer +1
  • Yuan Li
  • Aidan
  • Alejandra
  • Katherine Ewell +1
  • Jessica
  • Danielle Lucas
  • Mingyu
  • Sina
  • Paul Batchelor
  • Sasha + 8
  • Nolan + 1
  • Kellen
  • Jia Li

After this point, 3 more spots available

  • Lauri Savioja (las@ccrma.stanford.edu)
  • Jens Ahrens (xxx@gmail.com)
  • Andreas Kornstaedt (ak@ccrma.stanford.edu)