Difference between revisions of "MA MST Courses 2009"
From CCRMA Wiki
Line 4: | Line 4: | ||
{| border="1" | {| border="1" | ||
− | | | + | |[[http://ccrma.stanford.edu/courses/154/ MUSIC 154]] |
|align="right" |3 units | |align="right" |3 units | ||
|Composition and Performance of Instrumental Music with Electronics | |Composition and Performance of Instrumental Music with Electronics | ||
|- | |- | ||
− | |[[http://ccrma.stanford.edu/courses/192a/ | + | |[[http://ccrma.stanford.edu/courses/192a/ MUSIC 192A]] |
|align="right" |3 units | |align="right" |3 units | ||
|Foundations of Sound-Recording Technology | |Foundations of Sound-Recording Technology | ||
|- | |- | ||
− | |MUSIC 192B | + | |[[http://ccrma.stanford.edu/courses/192B/ MUSIC 192B]] |
|align="right" |3 units | |align="right" |3 units | ||
|Advanced Sound-Recording Technology | |Advanced Sound-Recording Technology | ||
|- | |- | ||
− | |MUSIC 220A | + | |[[http://ccrma.stanford.edu/courses/220A/ MUSIC 220A]] |
|align="right" |4 units | |align="right" |4 units | ||
|Fundamentals of Computer-Generated Sound | |Fundamentals of Computer-Generated Sound | ||
|- | |- | ||
− | |MUSIC 220B | + | |[[http://ccrma.stanford.edu/courses/220B/ MUSIC 220B]] |
|align="right" |4 units | |align="right" |4 units | ||
|Compositional Algorithms, Psychoacoustics, and Spatial Processing | |Compositional Algorithms, Psychoacoustics, and Spatial Processing | ||
|- | |- | ||
− | |MUSIC 220C | + | |[[http://ccrma.stanford.edu/courses/220C/ MUSIC 220C]] |
|align="right" |4 units | |align="right" |4 units | ||
|Research Seminar in Computer-Generated Music | |Research Seminar in Computer-Generated Music | ||
|- | |- | ||
− | |MUSIC 250A | + | |[[http://ccrma.stanford.edu/courses/250A/ MUSIC 250A]] |
|align="right" |4 units | |align="right" |4 units | ||
|Human-Computer Interface Theory and Practice | |Human-Computer Interface Theory and Practice | ||
|- | |- | ||
− | |MUSIC 320 | + | |[[http://ccrma.stanford.edu/courses/320/ MUSIC 320]] |
|align="right" |4 units | |align="right" |4 units | ||
|Introduction to Digital Audio Signal Processing | |Introduction to Digital Audio Signal Processing | ||
|- | |- | ||
− | |MUSIC 420 | + | |[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]] |
|align="right" |3 units | |align="right" |3 units | ||
|Signal Processing Models in Musical Acoustics | |Signal Processing Models in Musical Acoustics | ||
|- | |- | ||
− | |MUSIC 421 | + | |[[http://ccrma.stanford.edu/courses/421/ MUSIC 421]] |
|align="right" |3 units | |align="right" |3 units | ||
|Audio Applications of the Fast Fourier Transform | |Audio Applications of the Fast Fourier Transform | ||
Line 50: | Line 50: | ||
{| border="1" | {| border="1" | ||
− | |MUSIC 192A | + | |[[http://ccrma.stanford.edu/courses/192a/ MUSIC 192A]] |
|align="right" |3 units | |align="right" |3 units | ||
|Foundations of Sound-Recording Technology | |Foundations of Sound-Recording Technology | ||
|- | |- | ||
− | |MUSIC 220A | + | |[[http://ccrma.stanford.edu/courses/220A/ MUSIC 220A]] |
|align="right" |4 units | |align="right" |4 units | ||
|Fundamentals of Computer-Generated Sound | |Fundamentals of Computer-Generated Sound | ||
|- | |- | ||
− | |MUSIC 250A | + | |[[http://ccrma.stanford.edu/courses/250A/ MUSIC 250A]] |
|align="right" |4 units | |align="right" |4 units | ||
|Human-Computer Interface Theory and Practice | |Human-Computer Interface Theory and Practice | ||
|- | |- | ||
− | |MUSIC 320 | + | |[[http://ccrma.stanford.edu/courses/320/ MUSIC 320]] |
|align="right" |4 units | |align="right" |4 units | ||
|Introduction to Digital Audio Signal Processing | |Introduction to Digital Audio Signal Processing | ||
Line 73: | Line 73: | ||
{| border="1" | {| border="1" | ||
− | |MUSIC 256A | + | |[[http://ccrma.stanford.edu/courses/256A/ MUSIC 256A]] |
|align="right" |? units | |align="right" |? units | ||
|Mobile computing | |Mobile computing | ||
Line 81: | Line 81: | ||
{| border="1" | {| border="1" | ||
− | |MUSIC 192B | + | |[[http://ccrma.stanford.edu/courses/192B/ MUSIC 192B]] |
|align="right" |3 units | |align="right" |3 units | ||
|Advanced Sound-Recording Technology | |Advanced Sound-Recording Technology | ||
|- | |- | ||
− | |MUSIC 220B | + | |[[http://ccrma.stanford.edu/courses/220B/ MUSIC 220B]] |
|align="right" |4 units | |align="right" |4 units | ||
|Compositional Algorithms, Psychoacoustics, and Spatial Processing | |Compositional Algorithms, Psychoacoustics, and Spatial Processing | ||
|- | |- | ||
− | |MUSIC 420 | + | |[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]] |
|align="right" |3 units | |align="right" |3 units | ||
|Signal Processing Models in Musical Acoustics | |Signal Processing Models in Musical Acoustics | ||
|} | |} | ||
− | ==== Winter Quarter Electives to Consider ==== | + | ==== Winter Quarter Electives to Consider at CCRMA ==== |
There are 5 units available in a standard 15-unit load: | There are 5 units available in a standard 15-unit load: | ||
{| border="1" | {| border="1" | ||
− | |MUSIC 150 | + | |[[http://ccrma.stanford.edu/courses/150/ MUSIC 150]] |
|Musical Acoustics | |Musical Acoustics | ||
|- | |- | ||
− | |MUSIC 256B | + | |[[http://ccrma.stanford.edu/courses/256B/ MUSIC 256B]] |
|SLOrK | |SLOrK | ||
|- | |- | ||
− | |MUSIC | + | |[[http://ccrma.stanford.edu/courses/422/ MUSIC 422]] |
+ | |Perceptual Audio Coding | ||
+ | |- | ||
+ | |[[http://ccrma.stanford.edu/courses/423/ MUSIC 423]] | ||
|Signal Processing Research Seminar 1 or more units | |Signal Processing Research Seminar 1 or more units | ||
|- | |- | ||
− | |MUSIC 420 | + | |[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]] |
|align="right" |1 unit | |align="right" |1 unit | ||
|4th unit for independent project work | |4th unit for independent project work | ||
Line 116: | Line 119: | ||
{| border="1" | {| border="1" | ||
− | |MUSIC 154 | + | |[[http://ccrma.stanford.edu/courses/154/ MUSIC 154]] |
|align="right" |3 units | |align="right" |3 units | ||
|Composition and Performance of Instrumental Music with Electronics | |Composition and Performance of Instrumental Music with Electronics | ||
|- | |- | ||
− | |MUSIC 220C | + | |[[http://ccrma.stanford.edu/courses/220C/ MUSIC 220C]] |
|align="right" |4 units | |align="right" |4 units | ||
|Research Seminar in Computer-Generated Music | |Research Seminar in Computer-Generated Music | ||
|- | |- | ||
− | |MUSIC 421 | + | |[[http://ccrma.stanford.edu/courses/421/ MUSIC 421]] |
|align="right" |3 units | |align="right" |3 units | ||
|Audio Applications of the Fast Fourier Transform | |Audio Applications of the Fast Fourier Transform | ||
Line 134: | Line 137: | ||
{| border="1" | {| border="1" | ||
− | |MUSIC 151 | + | |[[http://ccrma.stanford.edu/courses/151/ MUSIC 151]] |
|align="right" |4 units | |align="right" |4 units | ||
|Psychophysics and cognitive psychology of music | |Psychophysics and cognitive psychology of music | ||
|- | |- | ||
− | |MUSIC | + | |[[http://ccrma.stanford.edu/courses/421/ MUSIC 421]] |
+ | |align="right" |1 unit | ||
+ | |4th unit for independent project work | ||
+ | |- | ||
+ | |[[http://ccrma.stanford.edu/courses/423/ MUSIC 423]] | ||
|align="right" |1 or more units | |align="right" |1 or more units | ||
|Signal Processing Research Seminar | |Signal Processing Research Seminar | ||
|- | |- | ||
− | |MUSIC | + | |[[http://ccrma.stanford.edu/courses/422/ MUSIC 424]] |
− | + | |Digital Audio Effects | |
− | | | + | |
|} | |} |
Revision as of 23:13, 17 September 2009
Contents
MA/MST Course Requirements
The following was copied from the Bulletin, Fall 2009:
[MUSIC 154] | 3 units | Composition and Performance of Instrumental Music with Electronics |
[MUSIC 192A] | 3 units | Foundations of Sound-Recording Technology |
[MUSIC 192B] | 3 units | Advanced Sound-Recording Technology |
[MUSIC 220A] | 4 units | Fundamentals of Computer-Generated Sound |
[MUSIC 220B] | 4 units | Compositional Algorithms, Psychoacoustics, and Spatial Processing |
[MUSIC 220C] | 4 units | Research Seminar in Computer-Generated Music |
[MUSIC 250A] | 4 units | Human-Computer Interface Theory and Practice |
[MUSIC 320] | 4 units | Introduction to Digital Audio Signal Processing |
[MUSIC 420] | 3 units | Signal Processing Models in Musical Acoustics |
[MUSIC 421] | 3 units | Audio Applications of the Fast Fourier Transform |
Example Course Plan
Fall Quarter
[MUSIC 192A] | 3 units | Foundations of Sound-Recording Technology |
[MUSIC 220A] | 4 units | Fundamentals of Computer-Generated Sound |
[MUSIC 250A] | 4 units | Human-Computer Interface Theory and Practice |
[MUSIC 320] | 4 units | Introduction to Digital Audio Signal Processing |
Fall Quarter Electives to Consider
There is no room for electives in a standard 15-unit quarter, but here are some courses to consider proposing a substitution for with your advisor (e.g., if you have already had the material covered in one of the required courses):
[MUSIC 256A] | ? units | Mobile computing |
Winter Quarter
[MUSIC 192B] | 3 units | Advanced Sound-Recording Technology |
[MUSIC 220B] | 4 units | Compositional Algorithms, Psychoacoustics, and Spatial Processing |
[MUSIC 420] | 3 units | Signal Processing Models in Musical Acoustics |
Winter Quarter Electives to Consider at CCRMA
There are 5 units available in a standard 15-unit load:
[MUSIC 150] | Musical Acoustics | |
[MUSIC 256B] | SLOrK | |
[MUSIC 422] | Perceptual Audio Coding | |
[MUSIC 423] | Signal Processing Research Seminar 1 or more units | |
[MUSIC 420] | 1 unit | 4th unit for independent project work |
Spring Quarter
[MUSIC 154] | 3 units | Composition and Performance of Instrumental Music with Electronics |
[MUSIC 220C] | 4 units | Research Seminar in Computer-Generated Music |
[MUSIC 421] | 3 units | Audio Applications of the Fast Fourier Transform |
Spring Quarter Electives to Consider
There are 5 units available in a standard 15-unit load:
[MUSIC 151] | 4 units | Psychophysics and cognitive psychology of music |
[MUSIC 421] | 1 unit | 4th unit for independent project work |
[MUSIC 423] | 1 or more units | Signal Processing Research Seminar |
[MUSIC 424] | Digital Audio Effects |