https://ccrma.stanford.edu/mediawiki/api.php?action=feedcontributions&user=Mpberger&feedformat=atomCCRMA Wiki - User contributions [en]2024-03-29T01:15:55ZUser contributionsMediaWiki 1.24.1https://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9999220c-spring-20102010-05-21T01:00:32Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* [https://ccrma.stanford.edu/wiki/berlach/ <b>Bjoern Erlach</b>] - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* [https://ccrma.stanford.edu/~cforkish/220c/<b>Charlie Forkish</b>] - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' OVERHEAD PROJECTOR(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Automatic Video Editor<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* [https://ccrma.stanford.edu/~craffel/sound/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* [https://ccrma.stanford.edu/~jwitt90/220c/bass/bassweb.htm <b>Jacob Wittenberg</b>] - The Faceless Bass Player. A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs. The first step in a to-be-extended-and-improved model for jazz bass players.<br />
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>] - w/ J. Abel. 3d modeling, acoustic modeling <br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 6-7:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 7:30-9, W 2:30-4, R 12-1<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
<br />
<b> UP-TO-DATE VERSION ON GOOGLE CALENDARS [http://www.google.com/calendar/embed?src=ep3pf4t74b4pph5vu931somp10%40group.calendar.google.com&ctz=America/Los_Angeles HERE!]</b><br />
<br />
[[Image:Rehearse220c_03.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9998220c-spring-20102010-05-21T01:00:00Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* [https://ccrma.stanford.edu/wiki/berlach/ <b>Bjoern Erlach</b>] - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* [https://ccrma.stanford.edu/~cforkish/220c/<b>Charlie Forkish</b>] - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' OVERHEAD PROJECTOR(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Automatic Video Editor<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* [https://ccrma.stanford.edu/~craffel/sound/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* [https://ccrma.stanford.edu/~jwitt90/220c/bass/bassweb.htm <b>Jacob Wittenberg</b>] - The Faceless Bass Player. A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs. The first step in a to-be-extended-and-improved model for jazz bass players.<br />
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>] - w/ J. Abel. 3d modeling, acoustic modeling <br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 6-7:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 7:30-9, W 2:30-4, R 12-1<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
<br />
<b> UP-TO-DATE VERSION ON GOOGLE CALENDARS [http://www.google.com/calendar/embed?src=ep3pf4t74b4pph5vu931somp10%40group.calendar.google.com&ctz=America/Los_Angeles HERE!]</b><br />
[[Image:Rehearse220c_03.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9969220c-spring-20102010-05-18T17:52:30Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>] - w/ J. Abel. 3d modeling, acoustic modeling <br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 6-7:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 7:30-9, W 2:30-4, R 12-1<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
[[Image:Rehearse220c_03.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Rehearse220c_03.jpg&diff=9968File:Rehearse220c 03.jpg2010-05-18T17:50:09Z<p>Mpberger: </p>
<hr />
<div></div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9967220c-spring-20102010-05-18T17:03:16Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>] - w/ J. Abel. 3d modeling, acoustic modeling <br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
[[Image:Rehearse220c_02.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=LaurieAndersonComps&diff=9903LaurieAndersonComps2010-05-04T05:50:55Z<p>Mpberger: </p>
<hr />
<div>Sasha Leitman<br />
<br />
Carr Wilkerson<br />
<br />
Elaine Buckholtz<br />
<br />
Floor Vahn<br />
<br />
Malcolm Slaney (two if possible)<br />
<br />
Dave Kerr<br />
<br />
Adam Sheppard<br />
<br />
Bjoern Erlach<br />
<br />
Dohi Moon<br />
<br />
Juan Cristóbal Cerrillo<br />
<br />
Javier Sanchez (two if possible)<br />
<br />
Michael Berger & Megan Miller</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9863220c-spring-20102010-04-27T19:08:12Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
[[Image:Rehearse220c_02.jpg]]<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Rehearse220c_02.jpg&diff=9862File:Rehearse220c 02.jpg2010-04-27T19:06:05Z<p>Mpberger: </p>
<hr />
<div></div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9861220c-spring-20102010-04-27T19:03:00Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 6:30-8, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
*Adam - W 4-5<br />
*Bjoern - T 9-10<br />
*Isaac - T 8-9, W 5-6,<br />
*Grahame - T 11-12, W 11-12<br />
<br />
[[Image:Rehearse220c_01.jpg]]<br />
[[Image:Rehearse220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9860220c-spring-20102010-04-27T18:54:05Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Bjoern<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
[[Image:Rehearse220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9859220c-spring-20102010-04-27T17:24:01Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
*Graham 5:30pm<br />
<br />
<i>outside</i><br />
<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Graham<br />
<br />
<i>outside</i><br />
<br />
*Adam<br />
*Colin<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
[[Image:Rehearse220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9858220c-spring-20102010-04-22T18:28:53Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
[[Image:Rehearse220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9857220c-spring-20102010-04-22T18:26:27Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
[[Image:rehearsals220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9856220c-spring-20102010-04-22T18:26:14Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
[[Image:rehearsal220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9855220c-spring-20102010-04-22T18:25:58Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
[[Image:Rehearsals220c_01.jpg]]<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=File:Rehearse220c_01.jpg&diff=9854File:Rehearse220c 01.jpg2010-04-22T18:24:02Z<p>Mpberger: </p>
<hr />
<div></div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9853220c-spring-20102010-04-22T18:20:03Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1:30<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 6-7, W 2:30-4, R 2-3<br />
*Colin - M 3-4, T 5-6:30, W 1:30-2:30<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9851220c-spring-20102010-04-22T18:03:16Z<p>Mpberger: /* Rehearsal Times: */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 2:30-4, W 2:30-4, R 2-3<br />
*Colin - M 1-2:30, T 11:30-1, W<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9850220c-spring-20102010-04-22T18:01:23Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
<br />
<b>Thurs. May 27, 2010</b><br />
<br />
Sound-check SAME DAY.<br />
<b>sound-check order:</b><br />
*Charlie 3pm<br />
*Isaac 3:30pm<br />
*Tyler 4pm<br />
*Jacob 4:30pm<br />
*Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
*Graham 5:30pm<br />
*Adam 6pm<br />
*Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
Backyard reqs.<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
===Rehearsal Times:===<br />
*Linden - M 7-8:30, T 7-8:30, W 12-1<br />
*Jacob - M 4:15-6, T 10-11:30<br />
*Tyler - M 2:30-4, W 2:30-4, R 2-3<br />
*<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9849220c-spring-20102010-04-22T17:55:26Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
Sound-check starts at 3pm.<br />
<br />
<b>sound-check order:</b><br />
1) Charlie 3pm<br />
2) Isaac 3:30pm<br />
3) Tyler 4pm<br />
4) Jacob 4:30pm<br />
5) Linden 5pm<br />
<br />
<i>outside</i><br />
<br />
6) Graham 5:30pm<br />
7) Adam 6pm<br />
8) Colin 6:30pm<br />
<br />
<br />
<b>CONCERT order:</b><br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
<br />
<i>outside</i><br />
<br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9848220c-spring-20102010-04-22T17:51:11Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
<br />
Sound-check starts at 3pm.<br />
order?<br />
<br />
*Melvin<br />
*Wittenberg<br />
*Maue<br />
*Wang<br />
*Forkish<br />
------<i>outside</i><br />
*Lesh<br />
*Shepperd<br />
*Raffel<br />
<br />
<br />
<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=Modulations-v2.2&diff=9790Modulations-v2.22010-04-16T06:58:10Z<p>Mpberger: /* Volunteer Schedule */</p>
<hr />
<div>= Modulations Installation Artist Page =<br />
<br />
[https://ccrma.stanford.edu/wiki/ModulationsInstallations Modulations Installation Page]<br />
<br />
= Important Times =<br />
<br />
== General Schedule ==<br />
<br />
10a Arrive - building check in<br />
<br />
10a-12p Audio system setup - begin installation setup Bay Gallery<br />
<br />
12p-5p Music soundchecks/rehearsals - installation setup<br />
<br />
5p-7p Installation opening - crew eats in music space (catered)<br />
<br />
7p~2p Music performances - pretty big set change at about 8pm<br />
<br />
3:30a Building check out (shooting for this time)<br />
<br />
5a Rental ends<br />
<br />
== Performance Schedule and Rehearsal Times ==<br />
<br />
<table border=1><br />
<tr><td>who</td><td>alias</td><td>set time</td><td>set length</td><td>location</td><td>soundcheck</td><td>projection</td><td>channels</td></tr><br />
<br />
<tr><td>Max Mathews with Dan Harder and Ann-Marie Stoehr</td><td></td><td>7:00</td><td>10</td><td>floor</td><td>4:30</td><td>yes - provides</td><td>1</td></tr><br />
<br />
<tr><td>Ge Wang</td><td></td><td>7:10</td><td>10</td><td>floor</td><td>4:10</td><td>yes - provides</td><td>?</td></tr><br />
<br />
<tr><td>Chris Chafe and Fred Malouf</td><td></td><td>7:20</td><td>20</td><td>floor</td><td>3:20</td><td>no</td><td>3</td></tr><br />
<br />
<tr><td>Fernando Lopez-Lezcano</td><td></td><td>7:40</td><td>20</td><td>floor</td><td>3:00</td><td>no</td><td>8</td></tr><br />
<br />
<tr><td><b>setchange</b></td><td></td><td><b>8:00</b></td><td><b>15</b></td><td></td><td></td><td></td><td></td></tr><br />
<br />
<tr><td>Fell: Katharine Hawthorne with Alisha Mitchell and Emily Hite</td><td></td><td>8:15</td><td>15</td><td>stage</td><td>3:40</td><td>no</td><td>2</td></tr><br />
<br />
<tr><td>Bruno Ruviaro - Tania Lanfer</td><td>Bruno&Tania</td><td>8:30</td><td>10</td><td>floor</td><td>noon</td><td>no</td><td>4</td></tr><br />
<br />
<tr><td>Adam Sheppard and Uri Nieto</td><td>MadLab</td><td>8:45</td><td>15</td><td>floor</td><td>12:20</td><td>no</td><td>2</td></tr><br />
<br />
<tr><td>Jakes Bejoy</td><td></td><td>9:00</td><td>20</td><td>floor</td><td>12:40</td><td>yes</td><td>2</td></tr><br />
<br />
<tr><td>Baeksan Chang</td><td>baeksanchang</td><td>9:20</td><td>30</td><td>floor</td><td>12:50</td><td>yes</td><td>2</td></tr><br />
<br />
<tr><td>Mike Gao</td><td></td><td>9:50</td><td>30</td><td>stage</td><td>2:45</td><td>yes</td><td>2</td></tr><br />
<br />
<tr><td>Bjoern Erlach</td><td></td><td>10:20</td><td>15</td><td>stage</td><td>2:30</td><td>no</td><td>2</td></tr><br />
<br />
<tr><td>Adam Somers and Sean Price</td><td>Sweat Shop Boys/Knob Goblin</td><td>10:30</td><td>30+</td><td>stage</td><td>2:15</td><td>yes</td><td>4</td></tr><br />
<br />
<tr><td>Luke Dahl</td><td></td><td>11:00</td><td>30</td><td>stage</td><td>2:00</td><td>yes</td><td>2</td></tr><br />
<br />
<tr><td>Steinunn and Leo</td><td></td><td>11:30</td><td>30+</td><td>stage</td><td>1:15</td><td>yes</td><td>2</td></tr><br />
<br />
<tr><td>David Birnbaum</td><td>Donald Krump (aka "The Fox")</td><td>12:45</td><td>45</td><td>stage</td><td>1:30</td><td>yes</td><td>2</td></tr><br />
<br />
<tr><td>Colin Raffel</td><td>The Abrahammer</td><td>1:30</td><td>30+</td><td>stage</td><td>1:00</td><td>yes - provides</td><td>2</td></tr><br />
<br />
</table><br />
<br />
= Volunteer Schedule =<br />
<br />
Coord by Linnea<br />
<br />
<table border=1><br />
<tr><td>time</td><td>ticketing/stamping</td><td>ID check/banding</td><td>door 1</td><td>door 2</td></tr><br />
<tr><td>5</td><td>Bruno</td><td>x</td><td>x</td><td>x</td></tr><br />
<tr><td>6</td><td>Tania</td><td>x</td><td>x</td><td>x</td></tr><br />
<tr><td>7</td><td>Bjoern</td><td>x</td><td>Jason</td><td>x</td></tr><br />
<tr><td>8</td><td>Steinunn</td><td>Leo</td><td>Luke</td><td>x</td></tr><br />
<tr><td>9</td><td>Chris</td><td>David</td><td>Colin</td><td>x</td></tr><br />
<tr><td>10</td><td>Jieun</td><td>Katharine</td><td>Jakes</td><td>Joachim</td></tr><br />
<tr><td>11</td><td>Adam Shepard</td><td>Roy</td><td>Nick K</td><td>Uri</td></tr><br />
<tr><td>12</td><td>x</td><td>Baek</td><td>Nick B</td><td>Adam Somers</td></tr><br />
<tr><td>1</td><td>x</td><td>Mike</td><td>Xiang</td><td>Michael B</td></tr><br />
</table><br />
<br />
We'll draw on Installation Artist as backup and possibly other tasks since your schedule is more flexible.<br />
Alternates: Visda, Michael Berger, Micael Zeligs, and Marisol. There will also be lots of other folks around, willing to help.<br />
<br />
= Directions =<br />
<br />
Directions to SOMArts [http://blog.somarts.org/post/69174476/directions-to-somarts]<br />
<br />
= Arriving =<br />
<br />
Best to take this way in on exit 433C off 101 at the I-80 split. Drops you off at 9th and Bryant. Stay right on the off ramp, to be directed onto Bryant rather than taking the left onto 9th. One block, take a right on 8th. There are a few unmetered parking spots on the right. Take a right onto Brannan, and SOMArts is the first drive to the right. You can drive up into the lane up to the main door. There are also a few off street spots in the front, that if open can also be used for unloading. The front loading door (right there on Brannan) to SOMArts may also be open, if so just bring your stuff in through there. Please don't leave your car parked for very long at loading, esp in the lane that leads to the main entrance. It's a first-in last-out kinda thing, and could get messy if we don't keep it going. thanks in advance for that.<br />
<br />
= Parking =<br />
<br />
Unfortunately, we can't really park on the grounds at the venue, but there is lot's of unmetered parking around there. Just so happens that right there in front is metered, and all the streets surrounding Nordstroms (go figure), but the rest is unmetered. See the diagram: red = metered, black = unmetered. The parking lots you see just next to the venue are mainly long term managed parking, with the occasional offering for parking when events are happening at the Civic Center just next door. This is a quote from a SOMArts employee about one lot that might work: "There is one across the street (just North of the Dolby building). Parking is generally $10/day."<br />
<br />
[[File:Area-map.png]]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9765220c-spring-20102010-04-15T19:08:24Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* [http://ccrma.stanford.edu/~tymaue/ <b>Tyler Maue</b>] - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9764220c-spring-20102010-04-15T18:38:24Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9763220c-spring-20102010-04-15T18:34:39Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
~<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9762220c-spring-20102010-04-15T18:32:52Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9761220c-spring-20102010-04-15T18:32:30Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for<br />
Donald Barra's new book, "Shaping Music" <br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9760220c-spring-20102010-04-15T18:30:26Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Short blurbs and links to project pages:<br />
<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9758220c-spring-20102010-04-15T18:15:50Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling<br />
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling<br />
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9756220c-spring-20102010-04-15T00:23:00Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9755220c-spring-20102010-04-15T00:20:16Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9752220c-spring-20102010-04-13T17:19:31Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9751220c-spring-20102010-04-13T17:17:48Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenberg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9750220c-spring-20102010-04-13T17:17:34Z<p>Mpberger: /* CONCERT PLANNING */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Wittenburg?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9749220c-spring-20102010-04-13T17:17:14Z<p>Mpberger: </p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
<br />
==CONCERT PLANNING==<br />
Thurs. May 27, 2010:<br />
*Lesh<br />
*Moon/SLSQ<br />
*Georg<br />
*Maue<br />
*Wang<br />
*Forkish (laser apparatus)<br />
*Nieto?<br />
*Raffel<br />
*Melvin<br />
*Sheppard<br />
===Backyard reqs.===<br />
*risers<br />
*screen<br />
*PA<br />
*stage<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9747220c-spring-20102010-04-13T17:13:03Z<p>Mpberger: /* =Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9746220c-spring-20102010-04-13T17:12:45Z<p>Mpberger: /* =Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis=<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
* <b>Xiang Zhang & Bjoern Erlach</b> - w/ J. Abel.<br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
<br />
<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9745220c-spring-20102010-04-13T17:06:34Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis=<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
* <b>Xiang Zhang</b> - w/ J. Abel.<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010/about&diff=9744220c-spring-2010/about2010-04-08T17:48:15Z<p>Mpberger: </p>
<hr />
<div>=Course Information=<br />
*[http://ccrma.stanford.edu/wiki/220c-spring-2010 back to the main class page]<br />
<br />
<br />
==Staff and Meeting==<br />
<br />
Instructor: <b>Chris Chafe</b> (cc [at] ccrma [dot] stanford [dot] edu)<br />
<br />
TA: <b>Michael Berger</b> (mpberger [at] stanford [dot] edu)<br />
<i>Office hours by appointment</i><br />
<br />
<b>Class meetings:</b> Tuesday and Thursday 10:00-11:50am [Listening Room || Classroom @ the Knoll]<br />
<br />
<br />
==Overview==<br />
<br />
This course is an opportunity for students who have completed Music 220a and Music 220b to pursue an independent research project in computer music. Students regularly present their research and project progress in weekly seminar-style class meetings. In addition, projects in progress are documented on the web thoroughly.<br />
<br />
This is a 4-unit course. It can be taken for 2 or 3 units to accomodate grad students, but everyone is expected to work at the 4-unit level.<br />
<br />
<br />
===Requirements===<br />
<br />
Students can choose between a research project, a musical/artistic project or a combination of both. Projects require a substantial amount of documentation in the form of a website. The deliverables are:<br />
<br />
* Weekly progress reports: in-class and website documentation, in a form of progress report logs (blogs)<br />
<br />
* Website with all the detailed descriptions, progress report logs, and all the data so that anyone can be able to reproduce the results<br />
<br />
* A final presentation and a demo or performance of the work (at the final concert preferably).<br />
<br />
<br />
===Calendar===<br />
<i>NOTE: This may be updated during the quarter.</i><br />
<br />
* Tuesday March 30, 10am: First class meeting<br />
* Tuesday April 6, 10am: Report on all projects<br />
* Thursday April 8, 10am: Projects website up, including title and description<br />
* Thursday May 27, 8pm: Spring CCRMA Concert (produced by class)<br />
* Friday May 28, 12-6pm: CCRMA Open House<br />
* Thursday, June 8, 3:30-6:30pm: [http://studentaffairs.stanford.edu/registrar/spring-exams Scheduled Final Exam Time Slot]<br />
<br />
<br />
===Grading===<br />
<br />
The grading criteria will be based on creativity (is it a novel idea or creative solution to a problem?), execution (how well crafted is the project?), presentation (are your deliverables well presented/explained?), and own-goal achievements (did you achieve your own goals that you set out for the project?).<br />
<br />
<br />
===Some Suggestions===<br />
<br />
* Make sure you document everything you do. It will enable you and others to reproduce it later.<br />
* Come to <b>ALL</b> Classes! Your classmates need your input!</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9743220c-spring-20102010-04-08T17:45:15Z<p>Mpberger: /* Music 220c - Research Seminar in Computer-Generated Music */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ <b>Music 220c</b>] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
* <b>Xiang Zhang</b> - w/ J. Abel.<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9742220c-spring-20102010-04-08T17:44:57Z<p>Mpberger: /* Music 220c - Research Seminar in Computer-Generated Music */</p>
<hr />
<div>[[Category:Courses]]<br />
= [https://ccrma.stanford.edu/courses/220c/ Music 220c] - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
* <b>Xiang Zhang</b> - w/ J. Abel.<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=128-spring-2010&diff=9739128-spring-20102010-04-08T02:18:14Z<p>Mpberger: /* Slork Setup Sign-ins [everyone tears down] */</p>
<hr />
<div>== Concert Schedule ==<br />
<br />
* (4/29) Slorktastic Chamber Music<br />
* (TBD) End of Quarter Final Spring Concert<br />
<br />
== Assignments ==<br />
<br />
All homeworks will be checked in to svn on Tuesday evenings. Details TBD.<br />
<br />
* '''Assignment #1'''<br/> write a piece using ChucK and 6-channel hemi speaker(s)<br />
* '''Assignment #2'''<br/> chamber piece for Slorktastic Concert<br />
* '''Assignment #3'''<br/> ensemble piece for final Spring Concert<br />
<br />
== Slork Setup Sign-ins [everyone tears down] ==<br />
Everyone signs up for at least two setup slots. Setup starts at 6:30 PM<br />
<br />
rob hamilton == weak 1 <br />
<br />
==== Week 2 (4/7) ====<br />
* Jieun<br />
* Easter Bunny<br />
* Max Mathews<br />
* Godzilla<br />
* rob hamilton<br />
==== Week 3 (4/14)====<br />
* Charlie<br />
* Daniel S<br />
* Remington Microscreen<br />
* Stephen hess<br />
* rob hamilton<br />
==== Week 4 (4/21)====<br />
* Akken (l =>k)<br />
* Lukan<br />
* Ben <br />
* Linden<br />
* rob hamilton<br />
==== Week 5 (4/28)====<br />
* Eric<br />
* AAron<br />
* Akken<br />
* Issaaak<br />
* rob hamilton<br />
==== Week 6 (5/5)====<br />
* Jay<br />
* Uri<br />
* Nik<br />
* jianghKarlow<br />
* rob hamilton<br />
==== Week 7 (5/12)====<br />
* Adam0.1<br />
* Ben<br />
* Geortge<br />
* Lukan<br />
* rob hamilton<br />
==== Week 8 (5/19)====<br />
* AAron<br />
* Erik<br />
* Isak<br />
* Linden<br />
* rob hamilton<br />
==== Week 9 (5/26)====<br />
* Uri<br />
* Nick<br />
* Daniel<br />
* Micro<br />
* rob hamilton<br />
==== Week 10 (6/2)====<br />
* Adam0.2<br />
* Michael B = awesome.<br />
*JackKarlos<br />
*Hess (like the truck)<br />
<br />
== GEAR ==<br />
<br />
[[Image:SpeakerSetup.jpg]]<br />
<br />
The (hypothetical) numbering system for the current SLOrk speaker arrays!</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9736220c-spring-20102010-04-06T18:44:39Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - Spectrogram stuff.<br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
* <b>Xiang Zhang</b> - w/ J. Abel.<br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9735220c-spring-20102010-04-06T18:42:03Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance. RANDOM! maybe?<br />
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino. SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.<br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - <br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9734220c-spring-20102010-04-06T18:33:02Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <i>Continuous</i> live sampling (of vocal dialog) for interactive (composed/improvised?) music performance.<br />
* <b>Adam Shepperd</b> - <br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - <br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9733220c-spring-20102010-04-06T18:23:37Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." group performance.<br />
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.<br />
* <b>Linden Melvin</b> - <br />
* <b>Adam Shepperd</b> - <br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - <br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9732220c-spring-20102010-04-06T18:11:46Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." group performance.<br />
* <b>Colin Raffel</b> - <br />
* <b>Linden Melvin</b> - <br />
* <b>Adam Shepperd</b> - <br />
<br />
missing:<br />
* <b>Bjoern Erlach</b> - <br />
* <b>Michael Repper</b> - <br />
* <b>Roy Fejgin</b> - <br />
* <b>Lauchlan Casey</b> - <br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9731220c-spring-20102010-04-06T17:58:27Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - <br />
* <b>Colin Raffel</b> - <br />
* <b>Linden Melvin</b> - <br />
* <b>Adam Shepperd</b> - <br />
<br />
missing:<br />
* <b>Bjoern Erlach</b><br />
* <b>Michael Repper</b><br />
* <b>Roy Feign</b> <br />
* <b>Lauchlan Casey</b><br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9730220c-spring-20102010-04-06T17:58:05Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
<br />
<br />
~<br />
Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself. The computer "knows" one's style. <br />
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' LASER BEAM(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...<br />
* <b>Uri Nieto</b> - <br />
* <b>Colin Raffel</b> - <br />
* <b>Linden Melvin</b> - <br />
* <b>Adam Shepperd</b> - <br />
<br />
missing:<br />
* <b>Bjoern Erlach</b><br />
* <b>Michael Repper</b><br />
* <b>Roy Feign</b> <br />
* <b>Lauchlan Casey</b><br />
<br />
<br />
----<br />
Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpbergerhttps://ccrma.stanford.edu/mediawiki/index.php?title=220c-spring-2010&diff=9729220c-spring-20102010-04-06T17:41:17Z<p>Mpberger: /* Use the Space Below to Link to Your Project Pages/Wikis */</p>
<hr />
<div>[[Category:Courses]]<br />
= Music 220c - Research Seminar in Computer-Generated Music =<br />
<br />
== [http://ccrma.stanford.edu/wiki/220c-spring-2010/about <b>About the Class</b>] ==<br />
<br />
<br />
==Use the Space Below to Link to Your Project Pages/Wikis==<br />
<br />
*[http://www.google.com/ like this link to www.google.com]<br />
*or this one: [http://ccrma.stanford.edu/wiki/ to the wiki categories.]<br />
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Michael's Synopses of the 5-min presentations:<br />
* <b>Stephen Henderson</b> - Alzheimer's helped by medial prefrontal cortex? helped by music?<br />
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.<br />
* <b>Dohi Moon</b> - Electronic Music + Animation<br />
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music<br />
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.<br />
* <b>Isaac Wang</b> - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.<br />
* <b>Jacob Wittenberg</b> - <br />
* <b>Charlie Forkish</b> - <br />
* <b>Uri Nieto</b> - <br />
* <b>Colin Raffel</b> - <br />
* <b>Linden Melvin</b> - <br />
* <b>Adam Shepperd</b> - <br />
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missing:<br />
* <b>Bjoern Erlach</b><br />
* <b>Michael Repper</b><br />
* <b>Roy Feign</b> <br />
* <b>Lauchlan Casey</b><br />
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Email [mailto:cc@ccrma.stanford.edu Chris] ~ <br />
Email [mailto:mpberger@ccrma.stanford.edu Michael]</div>Mpberger