Saturday 5/21
Paper Session 1 (CCRMA Stage) (Paper abstracts)
10:00-10:15 Music, Welcome and introduction ( Julia Zielke, flute)
10:15 Contextualizing in Worship Space Acoustics Braxton Boren
11:00 On the Interrelation of Sacred Architecture and Music in Pre-Modern Italy, Tobias Weissmann
11:45 Virtual Acoustics - Thoughts on Late 20th and Early 21st Century Ears, Eoin Callery
12:30 - 2:00 Break - CAVIAR demonstrations (Listening Room and Studio), Discussions with poster presenters (on-line)
Paper Session 2 (CCRMA Stage)
2:00 Neurophenomenology & Sacred Architecture. First Steps, Julio Bermudez
2:45 Acoustic Atlas – Cultivating the Capacity to Listen. Cobi Van Tonder
3:30 Sounding the Scale of Humans: Proxemics and Acoustical Space in Archaeological Research,
Miriam Kolar
4:15 On synthesizing room impulse response copies at and away from measurement locations,
Jonathan S. Abel and Wieslaw Woszczyk
5:00 Brief remarks
7:30 Concert, Memorial Church
Sunday 5/22
Paper Session 3 (CCRMA Stage)
10:00 Music and introduction
10:15 The dome effect and the acoustics of historical masterpieces, Zuhre Sü Gül
11:00 Room impulse response estimation from recordings: Recovering the impulse response of Columbia
Records' 30th Street Studio from a documentary recording of Glenn Gould in the studio,
Wieslaw Woszczyk and Jonathan Abel
11:45 Music and ceremonies in the sacred space of the palatine basilica of S. Barbara in Mantua,
Licia Mari
12:30 - 2:00 CAVIAR demonstrations (Listening Room and Studio), Discussions with poster presenters (on-line)
2:00 Voicing Inca History: Gender, Space. and Music Education in Imperial Schools, Stella Nair and
Jonathan Ritter
2:45 Ecoacoustics of Gathering, Timothy Weaver
3:30 Reconstructing the acoustics of Notre Dame, Elliot Kermit Canfield-Dafilou
4:15 Panel discussion and closing remarks