The Catgut Acoustical Society Library

Author Index To Newsletters & Journals (1964 - 1999)

Authors: C -- D

AUTHOR INDEX TO CAS NEWSLETTERS & JOURNALS (1964 - 1999)
AUTHOR(S) TITLE ISSUE:PAGE(S) DATE
Calder, J. Graphs and formulae for piano string design 1.8:17 11/91
Caldersmith, G. W. Low range guitar function and design 27:19-25 05/77
A new fiddle family -- The Almas 32:11-14 11/79
Alternative configurations for fiddles 34:11-14 11/80
Physics at the workbench of the luthier 35:15-18 05/81
Plate fundamental coupling and its musical importance 36:21-27 11/81
The guitar family -- Prospectus 38:22-23 11/82
Letter to the editor: Comment on J. Woodhouse's article "On recognizing violins" [see 39:22-24 5/83] 40:19-20 11/83
Alma, an experimental violin constructed on a simple physical model (abstract) 41:9 05/84
Vibration theory and wood properties, I 42:4-11 11/84
The violin quality debate: Subjective and objective parameters 43:6-12 05/85
Vibration theory and wood properties, II 1.2:7-10 11/88
Wood properties from sample plate measurements I 1.5:8-12 05/90
Caldersmith, G. W.
Rossing, T. D.
Ring modes, X-modes and Poisson couplings 39:12-14 05/83
Campbell, D. M. See Sharp, D. B. -- issue 2.8:41 11/95
Camras, M. Letter to the editor: Response to request by N. E. Hannan for information on a rough patch of tone [see 21:10 5/74] 27:31 05/77
Canfield, G. H.
Rossing, T. D.
Modes of vibration in hammered dulcimers (abstract) 2.8:44 11/95
Carruth, A. Loosening white glue joints (Note) 1.7:35 05/91
An inexpensive air resonance mode tester (Note) 2.5:24-25 05/94
Great Guitars by Robert Shaw -- Book review 3.4:60 11/97
An experiment in wood substitution on the classical guitar 3.5:24-28 05/98
Carterette, E. C.
Kendall, R. A.
Convergent methods of psychological and musical acoustics (abstract) 1.8:52 11/91
Psychoaoustics of the stretched octave of Javanese gamelans (abstract) 2.8:45 11/95
Castellengo, M. See Fabre, B. -- issue 1.4:39 11/89
See Vallete, C. -- issue 1.4:45 11/89
Castellengo, M.
Richard, G.
d'Alessandro, C.
Perception du vibrato vocal (abstract) 1.4:46 11/89
Caussé, R. Art Benade at the Institut de Recherche et Coordination Acoustique/Musique in Paris 1.4:26-30 11/89
See Eckel, G. -- issue 2.8:44 11/95
See Marandas, E. -- issue 2.8:41 11/95
See Weinreich, G. -- issue 1.4:36 11/89
Caussé, R.
Bresciani, J. F.
Warusfel, O.
Radiation of musical instruments and control of reproduction with loudspeakers (abstract) 2.3:25 05/93
Caussé, R.
Chaintreuill, S.
Strauch, P.
Study of several multiphonic sounds of the cello (abstract) 41:10-11 05/84
Caussé, R.
Wausfel, O.
On the reproduction of directivity patterns using multi-loudspeaker sources (abstract) 2.8:43 11/95
Caussé, R.
Weinreich, G.
The influence of inharmonicity of a string on its vibrations: simulations and observations with the digital bow (abstract) 1.8:50 11/91
Chafe, C. A comparison of timbres inherent in traditional violoncello playing 29:19-22 05/78
Chaigne, A. See Doutaut, V. -- issue 2.8:44 11/95
See Lambourg, C -- issue 2.8:42 11/95
Chaigne, A.
Rosen, M.
Analysis of guitar tones 3.8:24-31 11/99
Chaigne, A. J. Viscoelastic properties of nylon violin strings [Abstacted 1.4:40 11/89] 1.7:21-27 05/91
Chaintreuill, S. See Caussé, R. -- issue 41:10-11 5/84
Chandler, P. F. See Barnes, P. -- issue 40:21-26 11/83
Chang, Nagyoung See Haines, D. W. -- issue 23:13-15 5/75
Chen, K. C. See Schwab, H. L -- issue 25:13-15 5/76
Chiang, C. J.
Houtsma, A. J. M.
A comparison between expensive and inexpensive violin strings 38:8-10 11/82
Chiesa, V. See Bonamini, G. -- issue 1.8:12-16 11/91
Childers, R. L. An analytical expression for the shape of a guitar 41:28-29 05/84
Chowning, J. M. See Field, C. W. -- issue 35:3-4 5/81
Chrapkiewicz, D. L. Silicates "in violino": Stiffiening American topwoods 2.8:31-33 11/95
Chrien, R. E. Reflections on the development of a physicist 1.3:8-13 05/89
Christensen, F. Some reflections regarding short-neck violin and viola 21:16 05/74
Talking violin problems 23:8 05/75
Christensen, O. Quantitative evaluation of guitar response (abstract) 41:8 05/84
Chu, W. K. See Tove, P. A. -- issue 22:5-8 11/74
Cingolani, S. The Complete Luthier's Library by Roberto Regazzi -- Book review 1.7:40 05/91
Claassen, C. See Hanson, R. J. -- issue 1.4:41 11/89
Coates, S. R.
Higgs, S. J. R.
Parsons, L. J.
Townsend, P. D.
Analysis of tones from automatically bowed violins 24:16-17 11/75
Coltman, J. W. Just noticeable difference in timbre of the flute 3.1:26-33 05/96
Compton, Jr. S. R. The Art of Drawing a Violin by Åke Ekwall -- Book review 2.6:34 11/94
Further commentary and related thoughts on review of Ekwall's book [2.6:34 11/94] (Note) 2.6:35-36 11/94
Condax, L. The soundpost of the violin 2:6-7 11/64
Violin varnishes created by two prominent authors, George Fry and Joseph Michelman: Their comparison to the Old Masters 6:7-11 11/66
Report on my European trip 10:11-12 11/68
Examination of the ground layer of the Italian violin varnish 10:12-13 11/68
Italian violin varnish and dichroism 12:10-12 11/69
Final summary report of violin varnish research project 37:31-36 05/82
The soundpost of the violin [reprinted from 2:6-7 11/64] 1.2:28 11/88
Condax, L.
Kimball, M.
The Condax-Kimball cello podium (including drawing) 16:7 11/71
Cook, P. R.
Trueman, D.
Spherical radiation from stringed instruments 3.8:8-14 11/99
Cooke, L. See Barnes, P. -- issue 40:21-26 11/83
Copley, D. C.
Strong, W. J.
Stroboscopic sequences of lip vibrations in a trombone (abstract) 2.8:41 11/95
Corliss, E. L. R. Review of concert by the Violin Octet at ASA meeting, San Diego, 9 November 1983 41:2 05/84
Efforts to study near field patterns of directivity in musical instruments (abstract) 1.8:51 11/91
See Schelleng, J. C. -- issue 28:31 11/77
Cowell, E. The importance of violin design 39:15-18 05/83
See Hancock, M. -- issue 1.3:62 5/89
Cox, S. An equivalent-circuit approach to the coupling between the Helmholtz and top-plate modes in a stringed instrument 33:30-35 05/80
Cox, T. M. A note on tonewood selection 3.2:45-46 11/96
Creel, W. Sounds of Music by Charles A. Taylor -- Book review 26:3 11/76
Musical intonation for fiddlers 26:7-10 11/76
See Boomsliter, P. C. -- issue 11:5 5/69
See Boomsliter, P. C. -- issue 32:3-7 11/79
Creel, W.
Rogers, C. P.
Hutchins, C. M.
Focus on stringed instrument research and development 14:9-12 11/70
Creitz, L. How to play the tenor violin now: A brief compendium of resources 28:17 11/77
The new and the old violin families -- An organological comparison 30:18-22 11/78
Cremer, L. The influence of "bow pressure" on the movement of a bowed string, part I 18:13-19 11/72
The influence of "bow pressure" on the movement of a bowed string, part II 19:21-25 05/73
Hermann Meinel 28:11-12 11/77
The absorption of "secondary correction waves" in the excitation of a string by bowing (I) 31:12-16 05/79
The absorption of "secondary correction waves" in the excitation of a string by bowing (II) 32:27-32 11/79
Consideration of the duration of transients in bowed instruments 38:13-18 11/82
Remarks on the prediction of the eigen-vibrations of the body of a violin (abstract) 1.4:36-37 11/89
Remarks on the prediction of eigenmodes of violins 1.6:1-5 11/90
See Tubis, A. -- issue 44:2 11/85
See Weinreich, G. -- issue 37:4 5/82
Cuesta, C. See Vallete, C. -- issue 1.4:45 11/89
Curtin, J. The reciprocal bow as a workshop tool 3.3:15-18 05/97
Innovation in violin making 3.7:18-22 05/99
d'Alessandro, C. See Castellengo, M. -- issue 1.4:46 11/89
Dalmont, J. -P. See Nederveen, C. J -- issue 2.8:41 11/95
Dane, H. See Hirschberg, A. -- issue 1.4:40 11/89
Dane, H. J. See Nederveen, C. J -- issue 2.8:41 11/95
David, B.
Boutillon, X.
Using vacuum to measure the acoustical efficiency (abstract) 2.8:42 11/95
Davis, E. B. A design guide for steel core, bronze-wound musical instrument strings 38:40 11/82
Guitar acoustics 3.8:39-43 11/99
Day, R. K.
Jansson, E. V.
Vibration modes of neck, scroll and fingerboard 2.4:10-14 11/93
de Jong, W. C. See van Zoest, W. H. -- issue 23:9-10 5/75
Decker, J. A. A composite materials classical guitar (abstract) 1.5:42 05/90
Commercial graphic acoustic guitars (abstract) 1.8:48 11/91
Dettloff, J. A. Statistical relationships between acoustic parameters of violin tonewoods 43:13-15 05/85
DeVilbiss, E. L. Earplugs for classical musicians (Note) 1.7:33 05/91
Dickens, E. D. See Hutchins, M. A. -- issue 41:9 5/84
Dickens, F. T. Tuning of guitar plates 26:19-20 11/76
Inertance of the guitar soundhole 29:27-28 05/78
Analysis of the first and second vibration modes in a guitar using an equivalent electrical circuit 35:18-21 05/81
See Haines, D. W. -- issue 25:4 5/76
Dickreiter, M. See Wall, E. -- issue 1.1:32 5/88
Dickstein, B. The 1974 University of New Hampshire course in elementary principles of stringed instrument repair 23:16 05/75
Dipper, A. Mineral grounds for violin varnish (abstract) 2.4:49 11/93
Dodd, H. Letter to the editor: Violin acoustics 22:16 11/74
Doerr, K. H. Violin plate selection and tuning [see erratum 1.2:35 11/88] 1.1:29 05/88
Violin plate tuning by the numbers 1.2:16-18 11/88
Fingerboard thinning fixture (Note) 1.5:32-33 05/90
Doerr, R. S. Ray Doerr's violin varnish -- A different concept 1.3:32 05/89
Dols, K. See Rossing, T. D. -- issue 25:17-18 5/76
Domenicali, P. Universal grinding jig for violinmakers 3.1:34-37 05/96
Doschek, A. Some physical aspects of the vibrato 9:12-15 05/68
Dostrovsky, S. Musical overtones and the origins of vibration theory 26:17-18 11/76
Doutaut, V.
Chaigne, A.
Bedrane, G.
Time-domain simulations of the sound pressure radiated by mallet percussion instruments (abstract) 2.8:44 11/95
Doyle, E. See Abbott, J. A. -- issue 1.5:30-31 5/90
Dudley, D. J.
Strong, W. J.
Computed impedance and impulse response curves for brasswind instrument configurations (abstract) 1.4:44 11/89
Dunlop, J.
Shaw, M.
Acoustical properties of some Australian woods 1.7:17-20 05/91
Dunlop, J. I. See Harjono, R. D. -- issue 3.5:10-14 5/98
Dünnwald, H. Deduction of objective quality parameters on old and new violins [abstracted in 1.4:37] 1.7:1-5 05/91
Discussion of "The effect of the musical key on perceived violin tone quality" by O. E. Rodgers [2.5:19 5/94] (Note) 2.6:33 11/94

Last modified: 17 March 2000