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The Catgut Acoustical Society Library |
File #: | M6130 |
Name: | Meyer, Jurgen |
Dates: | b. 1933 |
See also: | L8840 - Lottermoser, Werner |
General Information: |
Jurgen Meyer collaborated with Werner Lottermoser and continued the work after Lottermoser's |
retirement from the Physikalisch-Technische Bundesanstalt (PTB). The space serving as their anechoic |
chamber had been used during the war by the Luftwafe. Subsequently assigned by the Allies for musical |
acoustics research, it posed some hardships requiring frequent `raking' of the floor to enhance the sound |
aborption properties. Meyer, a good violinist, was involved in the testing of a German violin carried out |
by CMH and Lottermoser. This resulted in an interesting example of regional or cultural peferences in |
intruments, with Meyer prefering the German violin to that of CMH, whereas Sterling Gorill, a US |
violinst, strongly disliked the German one. The file shows an active correspondence between JM and |
CMH, with his sendng many reprints from his very prolific publishing. His main area of research has |
dealt with the directional characteristics of instruments and their effects in the sympnony orchestra. He |
had hoped to host the ISMA '95 meeting in Braunschweig to coincide with his retirement, but the |
committment had been made prior to hold the meeting in Paris. There was a suggestion that he do it in |
1999, but to date there is no such plan. |
File Contents: |
M6130 | -- | 101 |
Correspondence: (1969-1979) between J Meyer, CMH and Michael McIntyre. |
Key Words: |
M6130 | -- | 102 |
Miscellaneous: Biographical info; ads for his books; tourist book |
Key Words: |
M6130 | -- | 103 |
Technical: 45 papers from 1964-1980, including a bibliography prepared by Meyer and a partial list of |
abstracts. See Tech Summary. |
Key Words: | Directional characteristics of instruments; orchestral seating; orchestral sound |
M6130 | -- | 104 |
Technical: Book - 'Acoustics and the Performance of Music', Verlag das Musikinstrument, |
Frankfurt/Main, 1978. |
Key Words: | Acoustics; musical performace |
Last modified: 27 June 1998