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Center for Computer Research in Music and Acoustics

COVID Policies

See CCRMA's COVID policies for 2023.

CCRMA WAVE (Wall for AudioVisual Expression) presents

Victoria Shen: Latent Memories

January 9 - April 2

Upcoming Events

Audio Quality - How Much is Necessary?

Date: 
Fri, 02/03/2023 - 10:30am - 12:00pm
Location: 
CCRMA Stage (Top floor)
Event Type: 
Hearing Seminar
How much do you worry about audio quality?  Do you ever have high-enough quality?  Does anybody care about audio quality? What is audio quality?

I'm very happy to announce a special Hearing Seminar on audio quality. Join us for a panel of distinguished audio experts who will talk about how they perceive audio, when is the quality high enough, and how do we define quality. Come be part of the discussion.
FREE
Open to the Public

Immersive Audio - How much quality is necessary?

Date: 
Fri, 02/10/2023 - 10:30am - 12:00pm
Location: 
CCRMA Ballroom
Event Type: 
Hearing Seminar
How do we create an immersive audio environment?  What is immersive audio? How do we judge its quality?
FREE
Open to the Public

Adaptive and interactive machine listening with minimal supervision

Date: 
Fri, 02/10/2023 - 4:30pm - 5:20pm
Location: 
CCRMA Classroom [Knoll 217]
Event Type: 
DSP Seminar
Abstract: Nowadays deep learning-based approaches have become popular tools and achieved promising results in machine listening. However, a deep model that generalizes well needs to be trained on a large amount of labeled data. Rare, fine-grained, or newly emerged classes (e.g. a rare musical instrument or a new sound effect) where large-scale data collection is hard or simply impossible are often considered out-of-vocabulary and unsupported by machine listening systems. In this thesis work, we aim to provide new perspectives and approaches to machine listening tasks with limited labeled data. Specifically, we focus on algorithms that are designed to work with few labeled data (e.g. few-shot learning) and incorporate human input to guide the machine.
FREE
Open to the Public

Distractfold

Date: 
Sun, 02/12/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Distractfold performs new works by Stanford graduate composers Celeste Betancur, Seán Ó Dálaigh, Lemon Guo, Kimia Koochakzadeh-Yazdi, Mike Mulshine.
 
FREE and Open to the Public

Gabby Wen

Date: 
Thu, 02/16/2023 - 7:30pm - 8:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
CCRMA presents a live performance by Gabby Wen.
 
FREE and Open to the Public  |  In Person + Livestream 
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CCRMA's Online Classes

CCRMA currently offers several online courses to the general public:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"

Recent Events

Alexander Lecture, Dr. Janie Cole: Music, African Agency, and Foreign Entanglements in the Christian Kingdom of 16th‐Century Ethiopia

Date: 
Mon, 11/07/2022 - 4:30pm - 6:45pm
Location: 
Braun 103
Event Type: 
Guest Lecture
 Join us to hear a fascinating lecture from Professor Janie Cole from the University of Cape Town College of Music!
FREE
Open to the Public

Gordan Tudor & Mislav Režić

Date: 
Sat, 11/05/2022 - 7:30pm - 8:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Gordan Tudor (soprano saxophone) and Mislav Režić (classical & electric guitar) present a concert marking the 30th Anniversary of International Recognition of the Republic of Croatia.
 
FREE and Open to the Public  |  In Person + Livestream

DeepAFx-ST: Style Transfer of Audio Effects with Differentiable Signal Processing

Date: 
Fri, 11/04/2022 - 3:30pm - 4:20pm
Location: 
CCRMA Classroom [Knoll 217]
Event Type: 
DSP Seminar
Abstract: We present a framework that can impose the audio effects and production style from one recording to another by example with the goal of simplifying the audio production process. We train a deep neural network to analyze an input recording and a style reference recording and predict the control parameters of audio effects used to render the output. In contrast to past work, we integrate audio effects as differentiable operators in our framework, perform backpropagation through audio effects, and optimize end-to-end using an audio-domain loss. We use a self-supervised training strategy enabling automatic control of audio effects without the use of any labeled or paired training data.
FREE
Open to the Public

Vikash Glija (UCSD) - Connecting auditory and motor systems

Date: 
Fri, 11/04/2022 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
At this week’s CCRMA Hearing Seminar Prof. Vikash Gilja (UCSD) will be talking about neural prothesis, building a brain-computer interface to control a bird’s voice. I met Vikash earlier this year and was impressed with his energy, knowledge and scientific curiosity.  His work with the motor system and with neural BCI are both amazing. Groups such as Neuralink have suggested that we can use electrodes implanted in the brain to directly control the outside world.
FREE
Open to the Public
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Recent News

Twist the Gears of a Massive VR Music Engine with Carillon





Really nice article about a new VR instrument created by Rob Hamilton and Chris Platz. Enjoy!

Behind the Scenes at the Stanford Laptop Orchestra

Really nice article about our very own SLOrk!



THX and Dr. James A. Moorer in the NYTimes

Dr. James A. Moorer updates the THX sound from 30-70 voices, to futher adapt to the advancing spatialization capabilites of theaters.
Read the full article here!
http://artsbeat.blogs.nytimes.com/2015/04/17/as-thx-gets-a-new-trailer-an-interview-with-its-composer/?hpw&rref=movies&action=click&pgtype=Homepage&module=well-region&region=bottom-well&WT.nav=bottom-well

How a University Launched the Electronic Music Revolution

Article about CCRMA and Andrew Nelson's book featured recently on MetroNews:

Stanford and the Computer Music Revolution

The Father of the Digital Synthesizer


Interesting article about our own John Chowining on pricenomics.com. Enjoy!
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
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