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Center for Computer Research in Music and Acoustics

CCRMA Summer Workshops

Summer 2023 Workshops: we are excited to offer workshops at CCRMA this year! There are a wide variety of offerings, some in person, some on line, and some hybrid. Have a look! More will be announced as they're organized, so check back with us frequently!
[Check out the schedule] [Register for workshops]

There will be opportunities for financial assistance for some workshops - check specific pages for more details.

COVID Policies

See CCRMA's COVID policies for 2023.

CCRMA WAVE (Wall for AudioVisual Expression) presents

Victoria Shen: Latent Memories

January 9 - April 2 [EXTENDED]

Upcoming Events

Joudi Nox: Wine & Cry

Date: 
Thu, 06/08/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Join us in an evening where Joudi Nox performs a selections of her saddest original songs Opening acts: Elena Sword and Sami Wurm
 
FREE and Open to the Public  |  In Person + Livestream  
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CCRMA's Online Classes

CCRMA currently offers several online courses to the general public:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"

Recent Events

Iran Sanadzadeh: Ocean, Again

Date: 
Fri, 05/12/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Performing on the Terpsichora Pressure-Sensitive Floors, an electronic instrument controlled by whole-body movement, Iran Sanadzadeh performs from her upcoming debut album, Ocean, Again. This performance uses the gestural vocabulary learned on the instrument to control a large number of sonic parameters with few controls. The sonic aesthetic, minimal in starting material, weaves dichotomies resulting from unintuitive mappings on the instrument to find new sound associations. This work wonders if between the embodied feeling of movement and sonic stasis, small actions and rapid change, new experiences of musical structure might be formed. 

Pre-show talk with the artist at 6pm
The Terpsichora Floors: Design and Performance from Interface to Instrument
  
FREE and Open to the Public  |  In Person + Livestream  

Antje Ihlefeld - Predicting spatial audio quality for AR/VR

Date: 
Fri, 05/12/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
What determines the quality of the spatial sound field in an augmented or virtual reality system? These issues are more important as AR/VR devices become more common. Part of the answer is modeling physical reality via head-related transfer functions (HRTFs) and room acoustics, and getting that right. But given a complicated spatial field, what shortcuts can we afford given how our brains parse and understand it? What can we perceive, and how might we predict the user’s reaction to a (hyper) realistic audio environment? What do our brains do with all these spatial sounds?
FREE
Open to the Public

Mike Mulshine & Friends

Date: 
Thu, 05/11/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Mike Mulshine will stage and perform several original songs as part of one larger concert-length composition.

JUCE, the Universe and Everything

Date: 
Thu, 05/11/2023 - 4:30pm - 6:00pm
Location: 
CCRMA Classroom [Knoll 217]
Event Type: 
Guest Lecture
Abstract: This talk, delivered by the JUCE software developers, gives an overview of upcoming JUCE features followed by a selection of topics designed to provide information essential for working with professional software that rarely forms part of academic curriculums.

The latter part of this talk will be drawn from the following discussion points selected based on audience input:

FREE
Open to the Public
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Recent News

Congratulations Guggenheim Fellows Jonathan Berger and Ge Wang!

 

Jonathan Berger's "My Lai" In the News

All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!

"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."

 

Issue 21 of the Csound Journal Released

Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:

http://csoundjournal.com/issue21/index.html

This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:

http://csoundjournal.com/issue21/chuck_sound.html

John Chowning Interview on RWM

#212 John Chowning 25.08.2015 (35' 26'')

Sonifying the world: How life's data becomes music

When Chris Chafe translates data into music, listeners sway to the beat of seizing brains, economic swings and smog.

"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
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Spring Quarter 2023

Music 101 Introduction to Creating Electronic Sounds
Music 128 Stanford Laptop Orchestra (SLOrk)
Music 220C Research Seminar in Computer-Generated Music
Music 250A Physical Interaction Design for Music 
Music 254 Computational Music Analysis
Music 257 Neuroplasticity and Musical Gaming
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CCRMA
Department of Music
Stanford University
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