Center for Computer Research in Music and Acoustics
COVID Policies
See CCRMA's COVID policies for 2023.
CCRMA WAVE (Wall for AudioVisual Expression) presents
Upcoming Events
Audio Quality - How Much is Necessary?

I'm very happy to announce a special Hearing Seminar on audio quality. Join us for a panel of distinguished audio experts who will talk about how they perceive audio, when is the quality high enough, and how do we define quality. Come be part of the discussion.
Immersive Audio - How much quality is necessary?

Adaptive and interactive machine listening with minimal supervision

Distractfold

FREE and Open to the Public
Gabby Wen

FREE and Open to the Public | In Person + Livestream
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CCRMA's Online Classes
CCRMA currently offers several online courses to the general public:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Earplay at Stanford – Concert III

FREE and Open to the Public | Registration for in person attendance | Livestream
The Furies: A Laptopera

FREE and Open to the Public | In-person + Livestream
Feedback Delay Networks for Artificial Reverberation

Presentation Recording
Takako Fujioka - What I did during the pandemic

This is starting to be a theme: How do we take apart and analyze dynamic systems? In Prof. Fujioka's case, two or more players have their own goals and timing, but must cooperate for the greater good.
Recent News
Jonathan Berger's "My Lai" In the News
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
Sonifying the world: How life's data becomes music
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).