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Center for Computer Research in Music and Acoustics

Summer Workshops 2018 Announced!

Summer 2018 just got a whole lot cooler: our amazing lineup of computer music workshops has been announced! Check out the schedule here

Register for workshops here

There will be opportunities for financial assistance for some workshops - more to come on that.

Upcoming Events

Pump up the Bings - CCRMA in The Bing Studio

Date: 
Thu, 04/19/2018 - 7:30pm - 9:00pm
Date: 
Fri, 04/20/2018 - 7:30pm - 9:00pm
Location: 
Bing Concert Hall Studio Space
Event Type: 
Concert
Please join us for two concerts of 3D audio multichannel immersive music and soundscapes at the Bing Concert Hall Studio Space. We will deploy our the full CCRMA Grail sound system for a selection of pieces from CCRMA and around the world -

Thursday April 19th:

Ake Parmerud
Mark Applebaum
Fernando Lopez-Lezcano
Scott Wilson
Yukiko Yoden
Eoin Callery
Dan Peterson



Friday April 20th:

Jonty Harrison
Rodrigo Cadiz
Julie Herndon
Larry Smith
Anna Tskhovrebov
... and maybe something special







FREE
Open to the Public

Akiko Hatakeyama

Date: 
Sat, 05/05/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Akiko Hatakeyama is a composer/performer of electroacoustic music and intermedia. For this CCRMA performance she explores the boundaries between written music, improvisation, electronics, real-time computer-based interactivity, and visual media. In all of her works, storytelling, memories, and nature play an important role and she most often finds beauty in simplicity.
FREE
Open to the Public

Wilfrido Terrazas – Alta – Flute Music from Mexican Composers in California

Date: 
Thu, 05/10/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
This concert presents recent works by Carmina Escobar, Guillermo Galindo, Ivan Naranjo, Mauricio Rodriguez, Pablo Rubio and Wilfrido Terrazas offer a vivid picture of contemporary Mexican composers based in the California. Beyond allegorical references of a New Mexican Music, pure and fresh forms of musical expression come together to broad the musical map of the most uncompromising acoustic art. This event is kindly supported by the Cultural Affairs section of the General Mexican Consulate in San Jose, California.
FREE
Open to the Public
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CCRMA's Online Classes

CCRMA currently offers several online courses:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"

Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"

Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"

Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"

Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"


Recent Events

Sonic Exploration with Dream Theater's Jordan Rudess

Date: 
Thu, 02/22/2018 - 7:30pm - 9:00pm
Location: 
Memorial Church
Event Type: 
Concert

Please join us at Stanford Memorial Church as CCRMA presents an evening of Sonic Exploration with Dream Theater's Jordan Rudess. Voted "Best Keyboardist of All Time" by Music Radar Magazine, Jordan is best known as the keyboardist/multi-instrumentalist extraordinaire for platinum-selling Grammy- nominated prog rock band, Dream Theater. A classical prodigy who began his studies at the Juilliard School of Music at the age of 10, Jordan's music is a unique blend of classical and rock influence.

FREE
Open to the Public

Natasha Barrett on the New Stage

Date: 
Sat, 02/17/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Natasha Barrett presents an evening of 3D surround works using the full capabilities of our newly remodeled audio diffusion system in the CCRMA Stage. 56 speakers and 8 subwoofers in full 3D glory!

http://www.natashabarrett.org
FREE
Open to the Public

Yaqing Su on Neural Coding of Pitch Cues in the Auditory Midbrain

Date: 
Fri, 02/16/2018 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Neural Coding of Pitch Cues in the Auditory MidbrainNeural Coding of Pitch Cues in the Auditory Midbrain music perception that pitch??!!?!? And just how do we perceive pitch? After many decades it’s still a source of many disagreements, and much research.

Pitch is critical to auditory perception. It’s an important cue for separating sounds in a cocktail party. It binds a speech signal together so you hear speech instead of a bunch of chirps. Yet, the exact mechanism that our brain uses to hear the pitch of a signal is not known. Yaqing Su will be talking about evidence she has found that suggests that pitch is perceived with a combination of measures, effectively sidestepping the argument about place vs. time. This will be fun.
FREE
Open to the Public

Romain Michon's Dissertation Defense: The Hybrid Mobile Instrument — Recoupling the Haptic, the Physical, and the Virtual

Date: 
Wed, 02/07/2018 - 5:30pm - 7:00pm
Location: 
CCRMA Stage
Event Type: 
Other
Romain Michon will present a defense of his doctoral dissertation on "The Hybrid Mobile Instrument — Recoupling the Haptic, the Physical, and the Virtual." 

For those who are not able to attend in person, a live stream link will be available soon. 

Abstract:

The decoupling of the "controller" from the "synthesizer" is one of the defining characteristic of digital musical instruments (DMIs). While this allows for much flexibility, this "demutualization" (as Perry Cook termed) sometimes results in a loss of intimacy between the performer and the instrument.
FREE
Open to the Public
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Recent News

The Father of the Digital Synthesizer


Interesting article about our own John Chowining on pricenomics.com. Enjoy!

Holly Herndon - Wire Cover

'

Congratulations to Holly on her cover of this month's Wire! "Holly Herndon - the US sound artist and laptop auteur spreads the faith of the liberating potential of technology."

If you're a subscriber, read more here: http://www.thewire.co.uk/issues/374

CCRMA is Hiring: Temporary Position Available

CCRMA is the midst of some staffing changes, and we are looking for someone to fill a critical poisition while we conduct searches for permanent hires.

Job Title: Audio Visual Engineer

Responsibilities:

Fernando Lopez-Lezcano to receive 2014 Marsh O'Neill Award



Music at the Speed of Light



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2018 Spring Quarter Courses

Music 1A Music, Mind, and Human Behavior
Music 101
Introduction to Creating Electronic Sounds
Music 128
Composing, Coding, and Performance with SLOrk
Music 150P The Changing World of Popular Music
Music 153 Online Jamming & Concert Technology
Music 154F Eletroacoustic Music Analysis
Music 192C Session Recording
Music 220C Research Seminar in Computer-Generated Music
Music 220D Research in Computer-Generated Music
Music 251 Psychophysics and Music Cognition
Music 254 Music Query, Analysis, and Style Simulation (CS275B)
Music 257 Neuroplasticity and Musical Gaming
Music 318 Advanced Acoustics
Music 319 Research Seminar on Computational Models of Sound Perception
Music 421A Audio Applications of the Fast Fourier Transform
Music 424 Signal Processing Techniques for Digital Audio Effects

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
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