Center for Computer Research in Music and Acoustics
Summer Workshops 2018 Announced!
Summer 2018 just got a whole lot cooler: our amazing lineup of computer music workshops has been announced! Check out the schedule here
There will be opportunities for financial assistance for some workshops - more to come on that.
Upcoming Events
Pump up the Bings - CCRMA in The Bing Studio

Thursday April 19th:
Ake Parmerud
Mark Applebaum
Fernando Lopez-Lezcano
Scott Wilson
Yukiko Yoden
Eoin Callery
Dan Peterson
Friday April 20th:
Jonty Harrison
Rodrigo Cadiz
Julie Herndon
Larry Smith
Anna Tskhovrebov
... and maybe something special
Akiko Hatakeyama

Wilfrido Terrazas – Alta – Flute Music from Mexican Composers in California

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CCRMA's Online Classes
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Sonic Exploration with Dream Theater's Jordan Rudess

Please join us at Stanford Memorial Church as CCRMA presents an evening of Sonic Exploration with Dream Theater's Jordan Rudess. Voted "Best Keyboardist of All Time" by Music Radar Magazine, Jordan is best known as the keyboardist/multi-instrumentalist extraordinaire for platinum-selling Grammy- nominated prog rock band, Dream Theater. A classical prodigy who began his studies at the Juilliard School of Music at the age of 10, Jordan's music is a unique blend of classical and rock influence.
Natasha Barrett on the New Stage

http://www.natashabarrett.org
Yaqing Su on Neural Coding of Pitch Cues in the Auditory Midbrain

Pitch is critical to auditory perception. It’s an important cue for separating sounds in a cocktail party. It binds a speech signal together so you hear speech instead of a bunch of chirps. Yet, the exact mechanism that our brain uses to hear the pitch of a signal is not known. Yaqing Su will be talking about evidence she has found that suggests that pitch is perceived with a combination of measures, effectively sidestepping the argument about place vs. time. This will be fun.
Romain Michon's Dissertation Defense: The Hybrid Mobile Instrument — Recoupling the Haptic, the Physical, and the Virtual

For those who are not able to attend in person, a live stream link will be available soon.
Abstract:
The decoupling of the "controller" from the "synthesizer" is one of the defining characteristic of digital musical instruments (DMIs). While this allows for much flexibility, this "demutualization" (as Perry Cook termed) sometimes results in a loss of intimacy between the performer and the instrument.
Recent News
The Father of the Digital Synthesizer

Interesting article about our own John Chowining on pricenomics.com. Enjoy!
Holly Herndon - Wire Cover

Congratulations to Holly on her cover of this month's Wire! "Holly Herndon - the US sound artist and laptop auteur spreads the faith of the liberating potential of technology."
If you're a subscriber, read more here: http://www.thewire.co.uk/issues/374
CCRMA is Hiring: Temporary Position Available
Job Title: Audio Visual Engineer
Responsibilities: