Center for Computer Research in Music and Acoustics
Upcoming Events
Jill Kries - How the brain encode speech and language with aging and aphasia
Date:
Fri, 01/17/2025 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
Abstract:
FREE
Open to the Public
Recent Events
Distractfold x Graduate Composers
Date:
Fri, 11/01/2024 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
Works by: Celeste Betancur, Seán Ó Dálaigh, Mohammad H. Javaheri, Lemon Guo, Kimia Koochakzadeh-Yazdi, Calvin Van Zytveld, Mercedes Montemayor Elosua
FREE
Open to the Public
Gerald Schuller: Perceptual and higher-level loss and distance functions for machine learning in audio and acoustics
Date:
Thu, 10/31/2024 - 3:30pm - 5:00pm
Location:
CCRMA Classroom / Zoom
Event Type:
Hearing Seminar 
Prof. Gerald Schuller will report on the potential transformative role of perceptual loss functions and distance metrics in enhancing audio and acoustic machine learning models, and their applications. He will cover theoretical foundations of perceptual loss functions, which mimic human auditory perception, and also more abstract, higher-level representations, and explore how these functions, along with novel distance metrics, significantly improve the performance of audio processing tasks. Applications involving loss functions for room impulse responses, audio similarity, and audio representations for cochlear implants will be discussed.
Prof. Marina Bosi will be hosting his visit.
Join us in Zoom if you cannot make it in person!
FREE
Open to the Public
Distractfold
Date:
Sun, 10/27/2024 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
Program:
'Reliq Ens' (2014) - Lee Fraser
'Rage Agains the Reply Guy' (2021) - Bára Gísladóttir
'Castle Terraces in Barry Lyndon (2023) - Zeynep Toraman
FREE
Open to the Public
Faust Day 2024
Date:
Sun, 10/27/2024 - 10:00am - 5:00pm
Location:
CCRMA Classroom
Event Type:
Other 
FREE
Open to the Public
Past Live Streamed Events
Recent News
Jonathan Berger's "My Lai" In the News
All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
#212 John Chowning 25.08.2015 (35' 26'')
Sonifying the world: How life's data becomes music
When Chris Chafe translates data into music, listeners sway to the beat of seizing brains, economic swings and smog.
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
