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Center for Computer Research in Music and Acoustics

CCRMA Seeks Facilities Specialist

Happy late summer to all! The staff at CCRMA are *elated* to announce that we are searching for a new person to join our team. Please feel free to ask questions of any of us about the position.

Detailed job posting and application can be found here: https://careersearch.stanford.edu/jobs/facilities-specialist-1-on-site-2...

COVID Policies

See CCRMA's COVID policies for 2023.

CCRMA WAVE (Wall for AudioVisual Expression) presents

Victoria Shen: Latent Memories

Upcoming Events

Schallfeld

Date: 
Thu, 09/28/2023 - 7:30pm - 9:00pm
Location: 
Dinkelspiel Auditorium
Event Type: 
Concert
Schallfeld performs new works by Stanford graduate composers Tatiana Catanzaro, Kimia Koochakzadeh-Yazdi, Mike Mulshine, Seán Ó Dálaigh, and Julie Zhu.
 
FREE and Open to the Public 

Laura Gwilliams on Decoding the Semantics of Audio in the Brain

Date: 
Fri, 10/06/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Prof. Laura Gwilliams has just arrived at Stanford and is doing some wonderful work on decoding the brain's response to semantic stimuli.  More details to follow.
FREE
Open to the Public

Josh McDermott (MIT) on Auditory Brain Models

Date: 
Thu, 10/12/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
 Special seminar on a Thursday morning.

Details to follow.
FREE
Open to the Public

New music exchange with Japan: A creative Residency and Concerts by the Ensemble Kujoyama

Date: 
Thu, 10/12/2023 - 7:30pm - 9:00pm
Date: 
Sat, 10/14/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert

CCRMA presents two concerts by the Japanese Ensemble Kujoyama, who is performing in the US for the very first time. The first concert on Thursday, October 12 at 7:30pm will feature the works of ten undergraduate students. The second one, on Saturday, October 14 at 7:30pm, will feature the works of two graduate students, one faculty members, and five Japanese composers. 

FREE and Open to the Public  |  In Person + Livestream


Face coverings are strongly recommended. We encourage you to continue wearing masks for the comfort of our audience members, artists, and staff. For more information please visit CCRMA's COVID-19 Policies and the COVID-19 safety protocols for Department of Music events.


Featured composers on 10/12/23:
Analiese Bancroft 
Zac Dulkin 
Lydia Goedert 
Andrew Tin-Lok Lee 
Ben Limric  
Howard Qin
Renee Qin 
Na Young Son 
Jenny Xiong 
Ryan Yu 
 
Featured composers on 10/14/23:
Noriko Baba 
Tatiana Catanzaro 
Hajime Komai 
Mike Mulshine 
François Rose 
Kenji Sakai 
Toru Takemitsu 
Chiharu Wakabayashi 

Ensemble Kujoyama
Maki Ota, soprano
Kaori Wakabayashi, flute
Nozomi Ueda clarinet
Mayuko Ishigami, violin
Shoko Fukutomi, cello
Yuri Morimoto, piano
Asuka Hatanaka, percussion
Yoshiaki Onishi, conductor
 
The members of the Ensemble Kujoyama were first brought together in 2010 for a residency at the Villa Kujoyama, in Kyoto. They regrouped in 2015 and founded the ensemble, which has since then received praises for its high standard and brilliant interpretations (see Samples of three reviewed programs). Devoted to the interpretation of new music, the members of the ensemble are active in Japan and abroad performing not only with the ensemble but also as soloists.

The two concerts are made possible thanks to the support from the Freeman Spogli Institute for International Studies, the Stanford Shenson Fund, Friends of Chamber Music, American Asian Cultural Exchange, the Department of Music, and CCRMA. Also, the ensemble Kujoyama received a traveling grant from the Nomura Foundation and from the Japan Foundation.
 
      

Karlheinz Brandenberg - Spatial Sound - HRTFs vs. Room Reverb

Date: 
Fri, 10/20/2023 - 1:30pm - 3:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Are HTRFs or matching the room reverb more important for hearing spatial sound? Karlheinz Brandenburg and his colleagues will lead the discussion, illustrated with new data.

Note special time.
FREE
Open to the Public
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Recent Events

Joudi Nox: Wine & Cry

Date: 
Thu, 06/08/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Join us in an evening where Joudi Nox performs a selections of her saddest original songs Opening acts: Elena Sword and Sami Wurm
 
FREE and Open to the Public  |  In Person + Livestream  

Quarantine Sessions #117 | Guests: Henrik Frisk, Fred Malouf, Chryssie Nanou

Date: 
Sun, 06/04/2023 - 1:00pm - 2:00pm
Location: 
JackTrip Radio
Event Type: 
Concert
A Distributed Electroacoustic Network Improvisation | Livestream
FREE
Open to the Public

Alicia Zuckerman on emotion without audio

Date: 
Fri, 06/02/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
An unusual angle this time: How do we convey emotion **without** audio? We're so used to the full range of words and emotion in our audio life. Yet there is a big difference between wow and WOW! Music is primarily conveying an audio message. We love audio.

But not everybody hears audio the same way. We at CCRMA have an amazing collection of experience about how to convey audio emotion. What can you do without the audio? What are you trying to convey and what would you like to convey to people who are hard of hearing? How might you do that?
FREE
Open to the Public

Fernando Lopez-Lezcano: Of Dinosaurs and Other Creatures

Date: 
Thu, 06/01/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
CCRMA composer, performer, lecturer, and computer systems administrator Fernando Lopez-Lezcano returns with more sounds Of Dinosaurs and Other Creatures (from the Dinosaur Songbook).
 
FREE and Open to the Public  |  In Person + Livestream  
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Recent News

Congratulations Guggenheim Fellows Jonathan Berger and Ge Wang!

 

Jonathan Berger's "My Lai" In the News

All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!

"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."

 

Issue 21 of the Csound Journal Released

Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:

http://csoundjournal.com/issue21/index.html

This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:

http://csoundjournal.com/issue21/chuck_sound.html

John Chowning Interview on RWM

#212 John Chowning 25.08.2015 (35' 26'')

Sonifying the world: How life's data becomes music

When Chris Chafe translates data into music, listeners sway to the beat of seizing brains, economic swings and smog.

"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
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Fall Courses at CCRMA

Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 223A Composing Electronic Sound Poetry
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 423 Graduate Research in Music Technology
Music 451A Auditory EEG Research I

 

 

 

   

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Department of Music
Stanford University
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