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Center for Computer Research in Music and Acoustics

CCRMA WAVE (Wall for AudioVisual Expression) presents

Mocrep + Natacha Diels: A Square is Not a Bee

January 15 – February 15

Upcoming Online Events

Quarantine Sessions #36

Date: 
Sun, 01/24/2021 - 1:00pm - 2:00pm
Location: 
CCRMA Live
Event Type: 
Concert
Quarantine Sessions #36
A Distributed Electroacoustic Network Improvisation
Sun Jan 24 @1pm PST

Livestream: 
ccrma.stanford.edu/live

FREE
Open to the Public
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CCRMA's Online Classes

CCRMA currently offers several online courses to the general public:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"

Recent Events

Music 203 | Audiovisual Performance | Final Projects

Date: 
Thu, 11/19/2020 - 6:00pm - 7:00pm
Location: 
CCRMA Live
Event Type: 
Concert
Please join us for a live streaming showcase of the final projects in the Audiovisual Performance class.


Livestream: ccrma.stanford.edu/live/avp
FREE
Open to the Public

Stanford New Ensemble: hors les murs

Date: 
Wed, 11/18/2020 - 12:00pm - 1:00pm
Location: 
CCRMA Live
Event Type: 
Concert
Live-Streamed Performance, featuring works by Mark Applebaum and Pauline Oliveros, and a world première by Hassan Estakhrian.

Link to livestream: https://ccrma.stanford.edu/live/sne

FREE
Open to the Public

Quarantine Sessions #28

Date: 
Sun, 11/15/2020 - 1:00pm - 2:00pm
Location: 
CCRMA Live
Event Type: 
Concert
Quarantine Sessions #28
A Distributed Electroacoustic Network Improvisation

Sun Nov 15 @1pm PST

Livestream: 
ccrma.stanford.edu/live
Recording: https://vimeo.com/479602616

FREE
Open to the Public

Mivos Quartet | Virtual Salon

Date: 
Sat, 11/14/2020 - 5:00pm - 6:30pm
Location: 
Zoom / CCRMA Live
Event Type: 
Concert
CCRMA Live presents a virtual salon with Mivos Quartet performing a string trio with electronics by Rocco di Pietro and string quartets by Stanford composers Mark Applebaum, Utku Asuroglu, Jarosław Kapuściński, and Julie Zhu. The event will include readings of the works—including two premieres—and a discussion between the Mivos musicians and the composers. 
 
Please join us in Zoom by registering here. The event will also be live streamed on our CCRMA Live page.
FREE
Open to the Public
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Recent News

Jonathan Berger Première

Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!

"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.

The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.

CCRMA Adjunct Professor Pierre Divenyi - Spatial modulation: Hearing the environment - ICA 2016 Buenos Aires

File Attachment: 
application/pdf iconica-2016-paper.pdf

Mystery of 101-year-old master pianist who has dementia

Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.

From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...

Congratulations Guggenheim Fellows Jonathan Berger and Ge Wang!

 

Jonathan Berger's "My Lai" In the News

All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!

"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."

 

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Winter Quarter 2021

1A Music, Mind, & Human Behavior
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Introduction to Creating Electronic Sound
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