Center for Computer Research in Music and Acoustics
CCRMA Summer Workshops
Summer 2022 Workshops: we are excited to offer workshops at CCRMA this year! There are a wide variety of offerings, some in person, some on line, and some hybrid. Have a look!
[Check out the schedule] [Register for workshops]
There will be opportunities for financial assistance for some workshops - check specific pages for more details.
COVID Policies
See CCRMA's COVID policies for 2022.
CCRMA WAVE (Wall for AudioVisual Expression) presents
Upcoming Events
CCRMA's Online Classes
CCRMA currently offers several online courses to the general public:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Vaim Sarv
Free and Open to the Public | Registration
Joel St. Julien
Free and Open to the Public | Registration | Livestream
Quarantine Sessions #94 | Guest: Fred Malouf
Cruel Diagonals
Free and Open to the Public | Registration | Livestream
Recent News
LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound
Science podcast featuring work by our fearless leader, Chris Chafe:
"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
Jonathan Berger Première
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
