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Center for Computer Research in Music and Acoustics

COVID Policies

See CCRMA's COVID policies for 2023.

CCRMA WAVE (Wall for AudioVisual Expression) presents

Victoria Shen: Latent Memories

January 9 - April 2

Upcoming Events

Les Atlas (UW) - Better clipping for audio spectrogram DNNs

Date: 
Fri, 03/03/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Complex Clipping for Improved Generalization in Machine Learning
Prof. Les Atlas, Electrical and Computer Engineering, University of Washington
FREE
Open to the Public

Rajna Swaminathan, Ganavya Doraiswamy, Myra Melford

Date: 
Fri, 03/03/2023 - 7:30pm - 8:30pm
Location: 
CCRMA Stage
Event Type: 
Concert
The Composition Forum presents the residency concert of Rajna Swaminathan, Ganavya Doraiswamy, and Myra Melford.
 
FREE and Open to the Public 

Antje Ihlefeld - Audio Augmented Reality

Date: 
Fri, 03/10/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Antje Ihlefeld applies principles of auditory neuroscience towards immersive AR/VR technology. Prior to joining Reality Labs at Meta, she was the principal investigator in a federally funded lab and a university professor for biomedical engineering.
FREE
Open to the Public

Jay Afrisando

Date: 
Thu, 03/16/2023 - 7:30pm - 8:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
CCRMA presents a concert of spatial audio and audiovisual works by Jay Afrisando.
 
FREE and Open to the Public  |  In Person + Livestream 
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CCRMA's Online Classes

CCRMA currently offers several online courses to the general public:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"

Recent Events

Meta-AF: Meta-Learning for Adaptive Filters

Date: 
Fri, 11/18/2022 - 3:30pm - 4:20pm
Location: 
CCRMA Classroom [Knoll 217]
Event Type: 
DSP Seminar
Abstract: Adaptive filtering algorithms are pervasive throughout modern society and have had a significant impact on a wide variety of domains including audio processing, telecommunications, biomedical sensing, astrophysics and cosmology, seismology, and many more. Adaptive filters typically operate via specialized online, iterative optimization methods such as least-mean squares or recursive least squares and aim to process signals in unknown or nonstationary environments. Such algorithms, however, can be slow and laborious to develop, require domain expertise to create, and necessitate mathematical insight for improvement.
FREE
Open to the Public

Gopal Anumanchipalli (UCB) - Neural computations in Humans for Speech

Date: 
Fri, 11/18/2022 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Perhaps the holy grail of auditory neuroscience is understanding how our brains process speech. I’m happy that Prof. Gopala Anumanchipalli (UC Berkeley) is coming to the Hearing Seminar this week to talk about his latest decoding work.  Gopala and his colleagues at UCSF have done some of the most amazing brain decoding work using ECoG (Electrocorticography) to measure brain activity using electrode arrays on the surface of human brains. Gopala’s earlier work looked at directly decoding speech from these recordings placed directly on the surface of the cortex.
FREE
Open to the Public

Only Now

Date: 
Thu, 11/17/2022 - 7:30pm - 8:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
CCRMA presents a live performance by Only Now.
 
FREE and Open to the Public  |  In Person + Livestream 

Earplay at Stanford – Concert III

Date: 
Wed, 11/16/2022 - 7:30pm - 8:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
In the third installment of their Stanford concert series, the Earplayers will perform works from five Stanford composers: Mark Applebaum, Giancarlo Aquilanti, Jonathan Berger, Jarosław Kapuściński, and François Rose.
 
FREE and Open to the Public  |  Registration for in person attendance | Livestream 
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Recent News

LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound



Science podcast featuring work by our fearless leader, Chris Chafe:

"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student

Oakum - Eoin Callery

Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.





File Attachment: 
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Jonathan Berger Première

Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!

"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.

The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.

CCRMA Adjunct Professor Pierre Divenyi - Spatial modulation: Hearing the environment - ICA 2016 Buenos Aires

File Attachment: 
application/pdf iconica-2016-paper.pdf

Mystery of 101-year-old master pianist who has dementia

Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.

From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations

 

 

 

   

CCRMA
Department of Music
Stanford University
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