Center for Computer Research in Music and Acoustics
COVID Policies
See CCRMA's COVID policies for 2023.
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CCRMA WAVE (Wall for AudioVisual Expression) presents
Upcoming Events
Adam Stanović
Date:
Wed, 04/05/2023 - 5:30pm - 6:30pm
Location:
CCRMA Stage / CCRMA LIVE
Event Type:
Concert 
FREE and Open to the Public | In Person + Livestream
Don Slepian: Orchestral Synthesis
Date:
Thu, 04/06/2023 - 2:00pm - 3:30pm
Location:
CCRMA Stage / CCRMA LIVE
Event Type:
Concert 
FREE and Open to the Public | In Person & Livestream
Prateek Verma - Fourier Transforms and Filter-Banks in the Era of Transformers and GPT
Date:
Fri, 04/07/2023 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
Details to follow.
FREE
Open to the Public
Aaron Master (Dolby) - DeepSpace: Dynamic Spatial and Source Cue Based Source Separation for Dialog Enhancement
Date:
Fri, 04/28/2023 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar
FREE
Open to the Public
Antje Ihlefeld - Brain-related hearing loss
Date:
Fri, 05/05/2023 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
Antje Ihlefeld, now at Meta, will be talking about research she has done to better understand the impact of the cortex on hearing and hearing loss.
Details to follow.
FREE
Open to the Public
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CCRMA's Online Classes
CCRMA currently offers several online courses to the general public:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Les Atlas (UW) - Better clipping for audio spectrogram DNNs
Date:
Fri, 03/03/2023 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
But audio has always been troublesome with these networks. What the heck do you do with that damn phase? Sometimes you can just throw it away, but if you keep it the phase doesn’t work the way that normal numbers do (like image intensity). And complex numbers aren’t any easier. Networks like TasNet avoid the phase problem by learning multiple overlapping “wavelets”.
FREE
Open to the Public
Amma Ateria: CONCUSSSSION
Date:
Thu, 03/02/2023 - 7:30pm - 8:30pm
Location:
CCRMA Stage / CCRMA LIVE
Event Type:
Concert 
FREE and Open to the Public | In Person + Livestream
Quarantine Sessions #114 | Guests: Fred Malouf and Chryssie Nanou
Date:
Sun, 02/26/2023 - 1:00pm - 2:00pm
Location:
CCRMA LIVE
Event Type:
Concert 
A Distributed Electroacoustic Network Improvisation | Livestream
FREE
Open to the Public
Annette Vande Gorne: Haïkus
Date:
Fri, 02/24/2023 - 7:30pm - 8:30pm
Location:
CCRMA Stage / CCRMA LIVE
Event Type:
Concert 
FREE and Open to the Public | In Person + Livestream
Recent News
LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound
Science podcast featuring work by our fearless leader, Chris Chafe:
"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
File Attachment:
Jonathan Berger Première
Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
