Center for Computer Research in Music and Acoustics
Upcoming Events
CCRMA Transitions 2024
Due to limited seating, in-person access to these events is based on registration. Reserve your seat here. Please arrive no later than 10 minutes before the show, otherwise your seat may be given away.
FREE and Open to the Public | In Person + Livestream
Measuring Acoustic Transfer Functions - Swapan Gandhi and Juan Sierra (Meyer Sound)
Who: Swapan Gandhi and Juan Sierra (Meyer Sound)
What: Transfer Function Measurements When the Reference Signal is Known but not Accessible
When: Friday October 18 at 10:30AM
Faust Day 2024
Distractfold
Program:
'Reliq Ens' (2014) - Lee Fraser
'A Thing Made Whole (Coda)' (2023) - Andrew Greenwald
'Castle Terraces in Barry Lyndon (2023) - Zeynep Toraman
Distractfold x Graduate Composers
Works by: Celeste Betancur, Seán Ó Dálaigh, Mohammad H. Javaheri, Lemon Guo, Kimia Koochakzadeh-Yazdi, Calvin Van Zytveld, Mercedes Montemayor Elosua
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Recent Events
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Past Live Streamed Events
Recent News
LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound
Science podcast featuring work by our fearless leader, Chris Chafe:
"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
Jonathan Berger Première
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...