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Center for Computer Research in Music and Acoustics

CCRMA Seeks Facilities Specialist

Happy late summer to all! The staff at CCRMA are *elated* to announce that we are searching for a new person to join our team. Please feel free to ask questions of any of us about the position.

Detailed job posting and application can be found here: https://careersearch.stanford.edu/jobs/facilities-specialist-1-on-site-2...

COVID Policies

See CCRMA's COVID policies for 2023.

CCRMA WAVE (Wall for AudioVisual Expression) presents

Victoria Shen: Latent Memories

Upcoming Events

Ensemble Adapter

Date: 
Sun, 02/11/2024 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Ensemble Adapter performs new works by Stanford graduate composers Nick Shaheed, Kimia Koochakzadeh-Yazdi, Mike Mulshine, Seán Ó Dálaigh, and Celeste Betancur.
 
FREE
Open to the Public
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Recent Events

L'Itinéraire: Spectral Streams

Date: 
Sat, 10/28/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
Ensemble l’Itinéraire performs works by Kaija Saariaho, Grégoire Lorieux, Tristan Murail, Edmund Campion, and CCRMA Professor Patricia Alessandrini.

FREE and Open to the Public  |  In Person + Livestream

 

Robotic Hearing Systems for Autonomous Vehicles

Date: 
Fri, 10/27/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
How do we teach an autonomous vehicle to hear? This is an interesting problem both because we expect our cars to hear as well as we do and keep us all safe. We must do it in busy city soundscapes and at 60 mph. All the while preserving the privacy of people not connected with the car.

Dr. Xuan Zhong is trained in hearing science and has been working for self-driving car companies for several years.

Who: Dr. Xuan Zhong
What: Building Ears for Robots: Machine Hearing in the Age of Autonomy
When: Friday October 27 at 10:30AM
Where: CCRMA Seminar Room
Why: We will have self-driving cars someday, and we want them to hear us
FREE
Open to the Public

Matthew Goodheart: New Works for Transducer-Actuated Instruments

Date: 
Thu, 10/26/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
With his work described as “An exacting and fascinating meeting of art, music and science” (Jazzwise) and “extraordinary listening experiences” (Westdeutsch Zeitung), composer, performer, and sound installation artist Matthew Goodheart interleaves live performance and immersive sound environments in a hybrid world of composition, improvisation, interactive electronics, and spatial sound installation. Utilizing a technique known as “reembodied sound,” in which instruments are actuated via tactile transducers so that they appear to sound autonomously, he investigates the interrelationship between acoustics, space, sound production, and technology. In this concert, he will present a set of recent solo works combining transducer-actuated metal percussion and piano in an evolving series of eclectic and ethereal soundscapes.

FREE and Open to the Public  |  In Person + Livestream

Workshop: SyFaLa (Faust -> FPGA)

Date: 
Tue, 10/24/2023 - 2:00pm - 6:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Other
Syfala (https://github.com/inria-emeraude/syfala) allows for the programming of FPGAs for real-time audio DSP applications at a high-level using the Faust programming language (https://faust.grame.fr) and/or C/C++. The goal of this free 4 hours workshop is to give an overview of how this tool can be used. Topics will include FPGA-based systems architecture, High-Level Synthesis (HLS), Faust, etc. To participate, you should bring your own computer.

This workshop will be given by members of the Emeraude Team (Inria, France)
FREE
Open to the Public
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Recent News

LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound



Science podcast featuring work by our fearless leader, Chris Chafe:

"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student

Oakum - Eoin Callery

Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.





File Attachment: 
image/jpeg icone95.jpg

Jonathan Berger Première

Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!

"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.

The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.

CCRMA Adjunct Professor Pierre Divenyi - Spatial modulation: Hearing the environment - ICA 2016 Buenos Aires

File Attachment: 
application/pdf iconica-2016-paper.pdf

Mystery of 101-year-old master pianist who has dementia

Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.

From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
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Fall Courses at CCRMA

Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 223A Composing Electronic Sound Poetry
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 423 Graduate Research in Music Technology
Music 451A Auditory EEG Research I

 

 

 

   

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