Center for Computer Research in Music and Acoustics
Summer Workshops 2016 Announced!
Workshops offered this year include: Perceptual Audio Coding, SuperCollider, New Music Controllers, Audio Plug-Ins Designed with Faust, Abjad Workshop, The Composed Instrument, Stompbox Design, Mobile EEG for Auditory Research, Designing Musical Games, and Music Information Retrieval More info
For more information see www.facebook.com/liminarmx
Chris Chafe - Tsar Bell model and concert
Paul Batchelor - faust2sporth
Aidan Meacham - Rectangular DWN Decomposition of Non-Convex Spaces
Iran Roman & Wisam Reid
Jack Atherton - Improving ChucK: Call for Comments and Requested Features
Madeline Huberth - Performers’ motions reflect their intention to express local or global structure in melody
The Saturday concert features new multichannel electronic music by Mexican composers Germán Romero, Hiram Navarrese, Ivan Naranjo, and Carlos Iturralde. This concert is made possible with additional support from the Stanford Center for Latin-American Studies.
This concert will take place in 2 halves:
1st half from 7.30 - 8.30PM
2nd half from 9.00 - 10.00PM
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
Read the full article here!
Article about CCRMA and Andrew Nelson's book featured recently on MetroNews:
Stanford and the Computer Music Revolution