Center for Computer Research in Music and Acoustics
Summer Workshops 2018 Announced!
Summer 2018 just got a whole lot cooler: our amazing lineup of computer music workshops has been announced! Check out the schedule here
There will be opportunities for financial assistance for some workshops - more to come on that.
Upcoming Events
There are no events currently scheduled. Please check again soon.
CCRMA's Online Classes
CCRMA currently offers several online courses:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Tender Buttons - Helen Newby and Daniel King
Date:
Thu, 05/31/2018 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
FREE
Open to the Public
Karen Bentley Pollick
Date:
Sat, 05/26/2018 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
Program -
Mark Kopytman: Cantus IV: Dedication for violin solo (1986)
Jonathan Berger: Sink or Swim for solo violin (2006)
FREE
Open to the Public
Ekmeles
Date:
Sat, 05/19/2018 - 7:30pm - 9:00pm
Location:
CCRMA Stage
Event Type:
Concert 
Ekmeles is a vocal ensemble dedicated to the performance of new and rarely-heard works, and gems of the historical avant garde. New York is home to a vibrant instrumental New Music scene, with a relative paucity of vocal music. Ekmeles was founded to fill the gap by presenting new a cappella repertoire for solo voices, and by collaborating with these instrumental ensembles. For more information see - ekmeles.com
FREE
Open to the Public
Stanford Music and the Brain Symposium 2018: Performance
Date:
Fri, 05/11/2018 - 4:00pm - Sat, 05/12/2018 - 6:00pm
Location:
CCRMA, 660 Lomita Drive, Stanford
Event Type:
Other 
Register here (free event, space is limited): https://bit.ly/2Hojf1v
FREE (registration required)
Open to the Public
Recent News
Mystery of 101-year-old master pianist who has dementia
Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
Jonathan Berger's "My Lai" In the News
All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
