Center for Computer Research in Music and Acoustics
More details to follow, stay tunes!
That was clearly salient. But that sound was easy. What, in general, makes a sound salient? How do we model and predict saliency? Saliency is just the first part of auditory scene analysis. A sound must be salient, in some fashion, before we can separate it out into its own sound object.
Music, Sound, and Performances by:
Romain Micron (with special guest Jean L'Argent)
Matt Wright (Tribute to David Wessel)
Slim Essid will be at CCRMA to talk about using NMF to analyze audio signals for auditory scene analysis, and to decompose EEG signals into their independent sources. Both important tasks.
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
Read the full article here!