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Center for Computer Research in Music and Acoustics

COVID Policies

See CCRMA's COVID policies for 2023.

CCRMA WAVE (Wall for AudioVisual Expression) presents

Victoria Shen: Latent Memories

January 9 - April 2

Upcoming Events

Audio Quality - How Much is Necessary?

Date: 
Fri, 02/03/2023 - 10:30am - 12:00pm
Location: 
CCRMA Ballroom
Event Type: 
Hearing Seminar
How much do you worry about audio quality?  Do you ever have high-enough quality?  Does anybody care about audio quality? What is audio quality?

I'm very happy to announce a special Hearing Seminar on audio quality. Join us for a panel of distinguished audio experts who will talk about how they perceive audio, when is the quality high enough, and how do we define quality. Come be part of the discussion.

I think it would be fun to have a panel about audio quality at the Hearing Seminar. Might you be interested too?
FREE
Open to the Public

Immersive Audio - How much quality is necessary?

Date: 
Fri, 02/10/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
How do we create an immersive audio environment?  What is immersive audio? How do we judge its quality?

I'm every pleased that we'll be joined by three experts on immersive sound, from different directions:
  • JJ Johnston is chief scientist at Immersion Networks, where he is thinkling about how to create immersive audio envirnments, and how should we judge quality.
  • Scot Stafford, CEO of the Pollen Music Group, who are experts on creating immersive audio environments.
  • Fernando Lopez-Lezcano, 3D Audio composer
Biographies:
FREE
Open to the Public

Adaptive and interactive machine listening with minimal supervision

Date: 
Fri, 02/10/2023 - 4:30pm - 5:20pm
Location: 
CCRMA Classroom [Knoll 217]
Event Type: 
DSP Seminar
Abstract: Nowadays deep learning-based approaches have become popular tools and achieved promising results in machine listening. However, a deep model that generalizes well needs to be trained on a large amount of labeled data. Rare, fine-grained, or newly emerged classes (e.g. a rare musical instrument or a new sound effect) where large-scale data collection is hard or simply impossible are often considered out-of-vocabulary and unsupported by machine listening systems. In this thesis work, we aim to provide new perspectives and approaches to machine listening tasks with limited labeled data. Specifically, we focus on algorithms that are designed to work with few labeled data (e.g. few-shot learning) and incorporate human input to guide the machine.
FREE
Open to the Public

Distractfold

Date: 
Sun, 02/12/2023 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Distractfold performs new works by Stanford graduate composers Celeste Betancur, Seán Ó Dálaigh, Lemon Guo, Kimia Koochakzadeh-Yazdi, Mike Mulshine.
 
FREE and Open to the Public

Gabby Wen

Date: 
Thu, 02/16/2023 - 7:30pm - 8:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
CCRMA presents a live performance by Gabby Wen.
 
FREE and Open to the Public  |  In Person + Livestream 
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CCRMA's Online Classes

CCRMA currently offers several online courses to the general public:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"

Recent Events

Malcolm Slaney on Connecting auditory, visual and motor signals

Date: 
Fri, 01/20/2023 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
We start the Winter 2023 quarter with one last talk in the “What I did during my pandemic” series.

Last summer I helped lead the auditory, visual and motor group at the Telluride Neuromorphic Engineering Cognition Workshop. This is a rather intense 3 week long workshop investigating different projects at the intersection of neurophysiology, engineering and biology. It’s a lot of fun. (And the reason for more all-nighters than any other part of my career.)

This year the audio group looked at the connections between the auditory, motor and visual systems, using computer vision and brain decoding. Within this broad effort the work divided into two sub projects: violin and decoding.
FREE
Open to the Public

Quarantine Sessions #109

Date: 
Sun, 01/15/2023 - 1:00pm - 2:00pm
Location: 
CCRMA LIVE
Event Type: 
Concert
A Distributed Electroacoustic Network Improvisation | Livestream
FREE
Open to the Public

Singing Voice Synthesis: towards the State of the Art | Dreamtonics Inc. from Tokyo, Japan

Date: 
Wed, 01/11/2023 - 5:30pm - 7:00pm
Location: 
CCRMA Classroom [Knoll 217]
Event Type: 
Guest Colloquium
Abstract:
Synthesizing realistic singing voice has been the wildest dream for many music producers. Thanks to recent advances in deep learning this is finally becoming a reality, reshaping the way we think of and work with musics. In this presentation Kanru Hua, founder and chief researcher at Dreamtonics introduces to you practical applications of singing voice synthesis, followed by an in-depth exploration through the research that lead to this advancement, and an examination of challenges met in conditional generative modeling for complex distributions.

Bio:
FREE
Open to the Public

Victoria Shen: Latent Memories

Date: 
Mon, 01/09/2023 (All day) - Sun, 04/02/2023 (All day)
Location: 
CCRMA WAVE (Lobby)
Event Type: 
Other
CCRMA WAVE (Wall for AudioVisual Expression) presents Latent Memories by Victoria Shen.

The exhibition will run between January 9 - April 2 in the CCRMA Lobby. Our building is currently open only to CCRMA affiliates and their guests.
FREE
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Recent News

David Braun & Ge Wang discuss Faust and ChucK with TouchDesigner

derivative.ca/event/touchdesigner-insession-180-david-braun-ge-wang/65762

DEG Presents Hedy Lamarr Award to Dolby Laboratories’ Chief Scientist Poppy Crum

 

Poppy Crum Joins Advisory Board for Engineering & Technology Magazine's Innovation Awards

Congratulations to Poppy Crum for joing the Advisory Board for the Engineering & Technology Magazine's Innovation Awards! Check out the interview here, in which she discusses her path from a professional violinist to her position today as a neuroscientist and technologist.

JackTrip: Syncing performances online, Stanford News



"Stanford-developed software enables musicians isolated by the coronavirus pandemic to jam together again in real-time ... A longstanding software program for online music playing has been optimized for slower, home-based internet connections."

https://news.stanford.edu/2020/09/18/jacktrip-software-allows-musicians-sync-performances-online/

By Adam Hadhazy

The Curious Composer: Jonathan Berger

A Q & A with Jonathan Berger is featured in the September/October edition of Psychology Today. Check out the article in the PDF attached. Congratulations, Jonathan!
File Attachment: 
application/pdf iconJBergerInterview
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations

 

 

 

   

CCRMA
Department of Music
Stanford University
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