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Center for Computer Research in Music and Acoustics

Summer Workshops 2018 Announced!

Summer 2018 just got a whole lot cooler: our amazing lineup of computer music workshops has been announced! Check out the schedule here

Register for workshops here

There will be opportunities for financial assistance for some workshops - more to come on that.

Upcoming Events

Karen Bentley Pollick

Date: 
Sat, 05/26/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Celebrating current CCRMA faculty and graduate student composers and their mentors with new compositions for violin, electronics and video by Mark Kopytman, Jonathan Berger, Christopher Jette, Constantin Basica, and Chris Lortie, with Nina C. Young of New York Women Composers, recipient of the 2015 Rome Prize and in residence at Montalvo Arts Center in Saratoga in June 2018. 

Program -

Mark Kopytman: Cantus IV: Dedication for violin solo (1986)

Jonathan Berger: Sink or Swim for solo violin (2006)
FREE
Open to the Public

Tender Buttons - Helen Newby and Daniel King

Date: 
Thu, 05/31/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Tender Buttons is cellist Helen Newby, percussionist Dan King, and various devices/electronics. Come join us for works by - Thomas Meadowcroft, Julie Herndon, Peter Swendsen, Celeste Oram, Malin Bang, and Sam Pluta.
FREE
Open to the Public

John Schott, electric guitar -- Matthew Wright, digital sound

Date: 
Sat, 06/02/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
John Schott and Matt Wright have been musically collaborating for 18 years both as a duo and also with the late David Wessel as That Situated Trio, who performed in the U.S. and Europe. Matt and John have carried on with recent duo performances in the Bay Area and New York. Together they develop a number of musical programs and interfaces for Matt that provide certain limits and affordances for their improvisatory explorations. These include pre-recorded samples of John playing, as well as programs that listen to John's live guitar and respond, and programs that allow Matt to improvise harmonically, melodically, and rhythmically. The music can range from abstract, contemplative, thrashing, grooving, not grooving, bluesy, Viennese, and downright insane.
Free
Open to the Public
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CCRMA's Online Classes

CCRMA currently offers several online courses:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"

Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"

Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"

Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"

Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"


Recent Events

Ekmeles

Date: 
Sat, 05/19/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Ekmeles Vocal Ensemble performs new works for sextet and electronics by Stanford composers: Chris Lortie, Jessie Marino, Charlie Sdraulig, Davor Branimir Vincze, Nick Virzi, and Andrew Watts.

Ekmeles is a vocal ensemble dedicated to the performance of new and rarely-heard works, and gems of the historical avant garde. New York is home to a vibrant instrumental New Music scene, with a relative paucity of vocal music. Ekmeles was founded to fill the gap by presenting new a cappella repertoire for solo voices, and by collaborating with these instrumental ensembles. For more information see - ekmeles.com
FREE
Open to the Public

Stanford Music and the Brain Symposium 2018: Performance

Date: 
Fri, 05/11/2018 - 4:00pm - Sat, 05/12/2018 - 6:00pm
Location: 
CCRMA, 660 Lomita Drive, Stanford
Event Type: 
Other
In its second decade, the annual Music and Brain Symposium brings together scholars, scientists, and artists across multiple disciplines to explore aspects of music as a human behavior. This year's symposium will broadly address aspects of musical performance and expressivity. Speakers include Moshe Bar (Bar-Ilan University), Anthony Brandt (Rice University), Michael Casey (Dartmouth College), Elaine Chew (Queen Mary University of London), David Eagleman (Stanford University), Petr Janata (University of California, Davis), and Caroline Palmer (McGill University).

Register here (free event, space is limited): https://bit.ly/2Hojf1v
FREE (registration required)
Open to the Public

Wilfrido Terrazas – Alta – Flute Music from Mexican Composers in California

Date: 
Thu, 05/10/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
This concert presents recent works by Carmina Escobar, Guillermo Galindo, Ivan Naranjo, Mauricio Rodriguez, Pablo Rubio and Wilfrido Terrazas. It offers a vivid picture of contemporary Mexican composers based in the California. Beyond the allegorical references of a New Mexican Music, pure and fresh forms of musical expression come together to broaden the musical map of the most uncompromising acoustic art. This event is kindly supported by the Cultural Affairs section of the General Mexican Consulate in San Jose, California.
FREE
Open to the Public

Akiko Hatakeyama

Date: 
Sat, 05/05/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Akiko Hatakeyama is a composer/performer of electroacoustic music and intermedia. She explores the boundaries between written music, improvisation, electronics, real-time computer-based interactivity, and visual media. Storytelling, memories, and nature play an important role in Akiko's work, and she most often finds beauty in simplicity.  Akiko's practice focuses on realizing her ideas of relations between the body and mind into intermedia composition, often in conjunction with building customized instruments/interfaces. It is a form of nonverbal communication with her inner self and with the environment, including the audience. By somatically actuating perceptions with sound, light, and haptic objects, her ideas of relations between the body and mind become embraceable.
FREE
Open to the Public
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Recent News

CCRMA: Award-winning Faculty!

Please join us in contratulating Dr. Poppy Crum upon receiving two recent awards! Her work on tech industry standards, particularly focusing on improving hearing aid technology, and her leadership as a women in the tech world have been recognized by the Consumer Technology Association and the Advanced Imaging Society. Links to articles are below.

Way to go, Poppy!

CTA Honors Five for Outstanding Contributions to Tech Industry Initiatives and Standards

LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound



Science podcast featuring work by our fearless leader, Chris Chafe:

"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student

Oakum - Eoin Callery

Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.





File Attachment: 
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Jonathan Berger Première

Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!

"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.

The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.

CCRMA Adjunct Professor Pierre Divenyi - Spatial modulation: Hearing the environment - ICA 2016 Buenos Aires

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application/pdf iconica-2016-paper.pdf
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2018 Spring Quarter Courses

Music 1A Music, Mind, and Human Behavior
Music 101 Introduction to Creating Electronic Sounds
Music 128 Composing, Coding, and Performance with SLOrk
Music 150P The Changing World of Popular Music
Music 153 Online Jamming & Concert Technology
Music 154F Eletroacoustic Music Analysis
Music 192C Session Recording
Music 220C Research Seminar in Computer-Generated Music
Music 220D Research in Computer-Generated Music
Music 251 Psychophysics and Music Cognition
Music 254 Music Query, Analysis, and Style Simulation (CS275B)
Music 257 Neuroplasticity and Musical Gaming
Music 318 Advanced Acoustics
Music 319 Research Seminar on Computational Models of Sound Perception
Music 421A Audio Applications of the Fast Fourier Transform
Music 424 Signal Processing Techniques for Digital Audio Effects

 

 

 

   

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Department of Music
Stanford University
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