M:C:D | Publications
2007-present



2014
Wang, G. 2014. "Ocarina: Designing the iPhone's Magic Flute." Computer Music Journal. 38(2):(forthcoming).

Wang, G., G. Essl, and H. Pentinnen. 2014. “The Mobile Phone Orchestra”. Oxford Handbook of Mobile Music Studies. S. Gopinath and J. Stanyek Eds. Oxford University Press.

Wang, G. 2014. “The World Is Your Stage: Making Music on the iPhone". Oxford Handbook of Mobile Music Studies. S. Gopinath and J. Stanyek Eds. Oxford University Press.

Wang, G. 2014. “Improvisation of the Masses: Anytime, Anywhere Music.” Oxford Handbook of Improvisation Studies. G. Lewis and B. Piekut Eds. Oxford University Press.

2013
Kapur, A., P. R. Cook, S. Salazar, G. Wang. 2013. A Book on ChucK: Programming for Musician and Digital Artists. Manning Press.

Bryan, N., G. Mysore, G. Wang. 2013. “Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display.” In International Society for Music Information Retrieval Conference. Brazil.
(download paper)

Oh., J. and G. Wang. 2013. “LOLOL: Laugh Out Loud On Laptop.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Seoul.

Oh, J. and G. Wang. 2013. “Laughter Modulation: from Speech to Speech-Laugh” (Show & Tell) In Proceedings of Interspeech, ISCA. Lyon, France.

Oh, J., Cho, E., Slaney, M. 2013. “Characteristic Contours of Syllabic-Level Units in Laughter” In Proceedings of Interspeech, ISCA. Lyon, France.

N. J. Bryan, G. J. Mysore, “An Efficient Posterior Regularized Latent Variable Model for Interactive Sound Source Separation.” In International Conference on Machine Learning, Atlanta, GA, May 2013.
(download paper | web | sisec | app/code)

N. J. Bryan, G. J. Mysore, “Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates.” In IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, May 2013.
(download paper | web | sisec | app/code)

N. J. Bryan, G. J. Mysore, “Interactive User-Feedback for Sound Source Separation.” International Conference on Intelligent User-Interfaces (IUI) Workshop on Interactive Machine Learning (Extended Abstract/Workshop Paper), Santa Monica, CA. March, 2013.
(download paper | web)

Choi, H., J. Berger. 2013. "WAAX: Web Audio API eXtension." International Conference on New Interfaces for Musical Expression (NIME). Seoul.

Berdahl, E., S. Salazar, and M. Borins. 2013. "Embedded Networking and Hardware-Accelerated Graphics with Satellite CCRMA." In Proceedings of the New Interfaces for Musical Expression Conference. Daejeon, Korea. (pdf)

Cerqueira, M., S. Salazar, and G. Wang. 2013. “SoundCraft: Transducing Starcraft 2.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Seoul.

Hamilton, R. 2013. "Sonifying Game-Space Choreographies with UDKOSC" In Proceedings of the New Interfaces for Musical Expression Conference, Daejeon, Korea.

Parson, J., Braga, D., Tjalve, M., Oh, J. 2013. “Evaluating Voice Quality and Speech Synthesis Using Crowdsourcing” In Proceedings of the 16th International Conference on Text, Speech and Dialogue (TSD). Pilsen, Czech Republic.

Kaneshiro, B., Kim, H., Herrera, J., Oh, J., Berger, J., Slaney, M. 2013. “QBT-Extended: An Annotated Dataset of Melodically Contoured Tapped Queries” In Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR). Curitiba, Brazil.

2012
Wang, G. 2012. “10 Past and Future Lessons of Laptop Orchestra.” (Keynote) 1st International Symposium on Laptop Ensembles and Orchestras (SLEO). Baton Rouge.

Carlson, C. and G. Wang. 2012. “Borderlands: An Audiovisual Interface for Granular Synthesis.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Pittsburgh.

Oh., J. and G. Wang. 2012. “Evaluating Crowd-sourcing through Amazon Mechanical Turk as a Technique for Conducting Music Perception Experiments.” In Proceedings of the International Conference of Music Perception and Cognition. Thessaloniki.

Bryan, N., J. Herrera, and G. Wang. 2012. “User-guided Variable-rate Time- stretching via Stiffness Control.” In Proceedings of the International Conference on Digital Audio Effects. York, UK.
(download paper)

Bryan, N. J., P. Smaragdis, G. J. Mysore. 2012. “Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation.” In IEEE International Conference on Acoustics, Speech, and Signal Processing, Kyoto, Japan.
(download paper)

Salazar, S. and G. Wang. 2012. “Chugens, Chubgraphcs, and Chugins: 3 Tiers for Extending ChucK.” In Proceedings of the International Computer Music Conference. Slovenia.

Choi, H., J. Granzow, J. Sadler. 2012. “The Deckle Project : A Sketch of Three Sensors,” Proceedings of International Conference on New Interfaces for Musical Expression, Ann Arbor, Michigan, USA.

Choi, H. 2012. “An Alternative Implementation of VBAP with Graphical Interface for Sound Motion Design,” Proceedings of the 18th International Conference on Auditory Display, Atlanta, GA, USA.

Nam, J., J. Herrera, M. Slaney and J. O. Smith. 2012. "Learning Sparse Feature Representations for Music Annotation and Retrieval". In Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR-12), Porto, Portugal.

Bortz, B., S. Salazar, J. Jaivovich, R. B. Knapp, and G. Wang. 2012. “ShEMP: A Mobile Framework for Shared Emotion, Music, and Physiology.” 3rd International Workshop on Social Behaviour in Music (SBM2012), in framework of the 14th International Conference on Multimodal Interaction. Santa Monica.

Rotondo, M., N. Kruge, and G. Wang. 2012. “Many-Person Instruments for Computer Music Performance.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Pittsburgh.

2011
Wang, G. 2011. “Breaking Barriers with Sound.” (Keynote) ACM Symposium on User Interface Software and Technology (UIST). Santa Barbara.

Wang, G., J. Oh, S. Salazar, and R. Hamilton. 2011. "World Stage: A Crowdsourcing Paradigm for Social / Mobile Music." In Proceedings of the International Computer Music Conference.. Huddersfield, UK.
(download paper | homepage)

Oh, J. and Wang, G. 2011 "Audience Participation Techniques Based on Social Mobile Computing." In Proceedings of the International Computer Music Conference. Huddersfield, UK.
(download paper | MoPhO homepage)

Bryan, N. and Wang, G. 2011. “Two Turntables and a Mobile Phone.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Oslo, Norway.
(download paper)

Bryan, N. and Wang, G. 2011. “Musical Influence Network Analysis and Rank of Sample-based Music." In Proceedings of the International Conference on Music Information Retrieval (ISMIR). Miami.
(download paper)

Kruge, N. and Wang, G. 2011. "MadPad: A Crowdsourcing System for Audiovisual Sampling." In Proceedings of the International Conference on New Interfaces for Musical Expresssion Oslo, Norway.
(download paper | homepage)

Wang, G., Oh, J., and Lieber, T. 2011. "Designing for the iPad: Magic Fiddle" In Proceedings of the International Conference on New Interfaces for Musical Expression. Oslo, Norway.
(download paper | homepage)

Oh, J. and Wang, G. 2011. "Converge: An Omni-Biographical Composition." KEAMS / Computer Music Journal Emille (Vol. 9).
(download paper | homepage)

Dahl, L., Herrera, J., and Wilkerson, C. 2011. "TweetDreams: Making Music with the Audience and the World Using Real-time Twitter Data." In Proceedings of the International Conference on New Interfaces for Musical Expression. Oslo, Norway.
(download paper)

Hamilton, R., Smith, J., and Wang, G. 2011. "Social Composition: Musical Data Systems for Expressive Mobile Music." Leonardo Music Journal Vol. 21. pp.57-64.
(download pdf)

Hamilton, R., J. Caceres, C. Nanou, C. Platz. 2011. "Multi-modal musical environments for mixed-reality performance", Journal for Multimodal User Interfaces (JMUI), Vol. 4, pp. 147-156, Springer-Verlang.

2010
Oh, J., Herrera, J., Bryan N. J., Dahl, L., and Wang, G. 2010. “Evolving the Mobile Phone Orchestra.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Sydney, 2010.
(download paper | MoPhO)

Bryan, N. J., Herrera, J., Oh, J., and Wang, G. 2010. “MoMu: A Mobile Music Toolkit.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Sydney 2010.
(download paper | toolkit)

Dahl, L. and Wang, G. 2010. “Sound Bounce: Physical Metaphors in Designing Mobile Music Performance.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Sydney 2010.
(download paper)

Choi, H. and Wang, G. 2010. “LUSH: An Organic Eco-Musical System.” In Proceedings of the International Conference on New Interfaces for Musical Expression. Sydney 2010.
(download paper | homepage)

Chang, M. H., Wang, G., Moore, T., and Berger, J. 2010. “Sonification and Visualization of Neural Data.” In Proceedings of the International Conference on Auditory Display. Washington D.C. 2010.

2009
Wang, G., N. Bryan, J. Oh, and R. Hamilton. 2009. “Stanford Laptop Orchestra (SLOrk).” In Proceedings of the International Computer Music Conference. Montreal.
(download paper | homepage)

Oh, J. “Resolving conflicting linguistic and musical cues in the perception of metric accentuation in song.” Society for Music Perception and Cognition (SMPC) Conference. Indianapolis, 2009.

Wang, G. 2009. "Designing Smule’s iPhone Ocarina." In Proceedings of the International Conference on New Interfaces for Musical Expression. Pittsburgh.
(download paper | homepage)

Wang, G., G. Essl, J. Smith, S. Salazar, P. Cook, R. Hamilton, R. Fiebrink, J. Berger, D. Zhu, M. Ljungstrom, A. Berry, J. Wu, T. Kirk, E. Berger, J. Segal. 2009. “Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social”. In Proceedings of the International Computer Music Conference. Montreal.

2008
Wang, G. 2008. The ChucK Audio Programming Language: A Strongly-timed and On-the-fly Environ/mentality. Ph.D. Thesis, Princeton University.
(goto thesis page to view / download)

Wang, G., G. Essl, and H. Pentinnen. 2008. “Do Mobile Phones Dream of Electric Orchestras?” In Proceedings of the International Computer Music Conference. Belfast.
(download paper | MoPhO | MiPhO)

Hamilton, R., "q3osc: or How I Learned to Stop Worrying and Love the Game" In Proceedings of the International Computer Music Association Conference, Belfast, Ireland, 2008.
(download paper | q3osc)

Caceres, J., R. Hamilton, D. Iyer, C. Chafe, and G. Wang. 2008. “China on the Edge: Explorations in Network-based Performance”. In Proceedings of the International Conference on Digital Arts (ARTECH). Porto, Portugal.
(download paper)

Wang, G. 2008. “A History of Programming and Music”. Cambridge Companion to Electronic Music. N. Collins and J. D’Escrivan Eds. Cambridge University Press.

Fiebrink, R., G. Wang, and P. R. Cook. 2008. “Support for MIR Prototyping and Real-time Applications of the ChucK Programming Language". In Proceedings of the International Conference on Music Information Retrieval. Philadelphia.
(download paper | smirk)

Smallwood, S., D. Trueman, P. R. Cook, and G. Wang. 2008. “Composing for Laptop Orchestra". Computer Music Journal. 32(1):9-25.

Wang, G., D. Trueman, S. Smallwood, and P. R. Cook. 2008. “The Laptop Orchestra as Classroom”. Computer Music Journal. 32(1):26-37.

Misra, A., G. Wang, and P. Cook. 2008. “Musical Tapestry: Re-composing Natural Sounds.” Journal of New Music Research. 36(4):241-250.
(Winner: 2006 ICMA Swets & Zietlinger Distinguished Paper Award | homepage)

2007
Fiebrink, R., G. Wang, and P. R. Cook. 2007. “Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control". In Proceedings of the International Conference on New Interfaces for Musical Expression. New York.
(download paper | S.M.E.L.T.)

Wang, G., R., Fiebrink, and P. R. Cook. 2007. “Combining Analysis and Synthesis in the ChucK Programming Language”. In Proceedings of the International Computer Music Conference. Copenhagen.
(download paper | UAna homepage)



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