Wave Field Synthesis vs. Higher Order Ambisonics; Audio Codec Improvement
Fri, 11/05/2010 - 10:30am - 12:00pm
CCRMA Seminar Room
Speaker: Jens Ahrens from Deutsche Telekom at the TU Berlin
Time: Friday Nov. 5, 10:30AM-11:30AM
Title: Analytical Methods of Sound Field Synthesis
Wave Field Synthesis (WFS) and Near-field Compensated Higher Order Ambisonics (NFC-HOA) constitute the two best known methods for sound field synthesis. Due to the different formulations, a comparison of the two approaches has only been possible with certain limitations. This talk presents a unified analytical framework based on fundamental integral equations covering both WFS and NFC-HOA. The relationships of the two approaches are pointed out and emphasis is put on the properties of the synthesized sound fields with respect to spatial aliasing. The latter constitutes an unavoidable artefact in practical implementations.
Speaker: Colin Raffel
Time: Friday Nov. 5, 11:30AM-noon
Title: Using Noise Substitution for Backwards-Compatible Audio Codec Improvement
A method for representing error in perceptual audio coding as filtered noise is presented. Various techniques are compared for analyzing and re-synthesizing the noise representation. A focus is placed on improving the perceived audio quality with minimal data overhead. In particular, it is demonstrated that per-critical-band energy levels are sufficient to provide an increase in quality. Methods for including the coded error data in an audio file in a backwards-compatible manner are also discussed. The MP3 codec is treated as a case study, and an implementation of this method is presented.
Music 152A Careers in Media Technology Music 192A Foundations of Sound Recording Technology Music 192CSession Recording Music 201 CCRMA Colloquium Music 220AFoundations of Computer-Generated Sound Music 220DResearch Topics in Computer Music: Digitally Mapping Culture Music 250APhysical Interaction Design For Music Music 256AMusic, Computing, and Design I: Software Paradigms for Computer Music Music 319 Research Seminar on Computational Models of Sound Perception Music 320AIntroduction to Digital Audio Signal Processing Music 351A Research Seminar in Music Perception and Cognition II: Musical Gesture Music 451A Auditory EEG Research I
Department of Music
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468 firstname.lastname@example.org