Quarantine Sessions #52 | Guests: Marc Ainger & Ann Stimson
LIVESTREAM
The Coronavirus Crisis has changed our lives and we are in the midst of a long period without concerts as we knew them. In addition to the problem of large audiences, the regulations also make it 'virtually' impossible for musicians to get together, to rehearse, or perform. However, many technologies and solutions are already available, helping us to find new ways of collaborating and transporting our work to audiences. We have been programming, testing, and rehearsing in an online environment between California (US), Berlin (DE) and Ghent (BE). We present concerts that connect musicians from these locations and guests from other places to each other. The sessions are broadcast live with audio and video feeds from each site.
Marc Ainger (Columbus, OH)
Ann Stimson (Columbus, OH)
Chris Chafe (Woodside, CA)
Henrik von Coler (Berlin, DE)
Fernando Lopez-Lezcano (San Carlos, CA)
Juan Parra (Ghent, BE)
Klaus Scheuermann (Berlin, DE)
The 'Quarantine Sessions' are realized using free and open source technologies, which can be adopted by anyone:
JackTrip (audio)
Jitsi (video)
Composer and sound artist Marc Ainger works with concert music, computer and electronic sound, film, dance, AR/XR, and theater. He is interested in the relationships between the real and the imagined - the ways in which the visceral world of sound and sound production inform our imagined worlds of sound, and the ways our imagined worlds, in turn, inform our concrete experiences. Performances of Ainger's works have included the New York Philharmonic Biennial; the INA/GRM; the Royal Danish Ballet; CBGB; Late Night with David Letterman; the Goethe Institute; the American Film Institute; SIGGRAPH; Guangdong Modern Dance; and the Palais de Tokyo (Paris). Awards include the Boulez/LA Philharmonic Composition Fellowship, the Irino International Chamber Music Competition, Musica Nova, Meet the Composer, the Esperia Foundation, and the Ohio Arts Council. As a sound designer he has worked with the Los Angeles Philharmonic and the Waveframe Corporation, among others.
sonicarts.squarespace.com
Ann Stimson made her professional debut at the age of eighteen as a member of the Debut Orchestra in Los Angeles, and has gone on to perform with various ensembles and as a soloist throughout the US and Europe. Although she performs both traditional and contemporary repertoire, she has long been an advocate for the music of our time. Her work explores the extension of traditional instruments and modes of performance into new, imaginative realms of action and interaction. Most recently, she has performed concerts for the New York Philharmonic Biennial, the Anton Bruckner Conservatory (Austria), the Birmingham Royal Conservatoire (England), the MTI institute for Sonic Creativity (England), the Abrons Art Center (New York), and the National Sawdust (Brooklyn). She has received performance/research grants from the Esperia Foundation and the Interdisciplinary Humanities Center for research at the Getty Center, and in Florence and Paris.
sonicarts.squarespace.com
Henrik von Coler is a musician and researcher in the field of electronic and electroacoustic music. He is currently working at Audio Communication Group, TU Berlin, where he is director of the Electronic Music Studio. In his compositions and performances he is focusing on the us of low-tech elements in state-of-the-art technical systems, combining vintage sound generation and erroneous systems with sound field synthesis systems. He is founder of the Electronic Orchestra Charlottenburg, a group of 10 musicians performing live electronic music with modular synthesizers and other instruments on large loudspeaker setups.
Juan Parra Cancino studied Composition at the Catholic University of Chile and Sonology at The Royal Conservatoire The Hague (NL), where he obtained his Masters degree with focus on composition and performance of electronic music. In 2014, Juan obtained his PhD degree from Leiden University with his thesis “Multiple Paths: Towards a Performance practice in Computer Music”. His compositions have been performed in Europe, Japan, North and South America in festivals such as ICMC, “Sonorities”, “Synthese”, and “November Music”, among many others. His acousmatic piece Serenata a Bruno obtained a special mention at the Bourges electroacoustic music competition of 2003 and in 2004, his piece Tellura was awarded with the residence prize of the same competition. Founder of The Electronic Hammer, a Computer and Percussion trio and Wiregriot, (voice & electronics), he collaborates regularly with Ensemble KLANG (NL) and Hermes (BE), among many others. His work in the field of live electronic music has made him recipient of numerous grants such as NFPK, Prins Bernhard Cultuurfonds and the International Music Council. Since 2009 Parra is a fellow researcher at the Orpheus Institute (Ghent, BE), focused on performance practice in Computer Music.
Trummerschlunk (audiolith, lemme records, hold your ground)
Trummerschlunk performs slow techno that immerses into a modular synthesizer-driven soundscape and invites to a sci-fi inspired journey toward big questions and amorphous feelings. In real life, Klaus Scheuermann is a Berlin based mix- and mastering engineer with allmost 20 years of experience in jazz and electronic music.