A presentation and update of the new work of Rocco Di Pietro since his last
SICA artist in residency 2009 and the performance of his "Finale" 2012 by The
Stanford Symphony Orchestra.
Di Pietro will give a short power point overview of his five movement
Symphony "The Art of Imaginal Listening" of which the first movement
was "Finale" written for Chris Chafe and Jin Dong Cai. Three movements are
currently finished with a projected time frame of 2016.
he will move on and discuss through another power point the state of his
newest project "Taubes I" visual music that makes use of: 1) low tech
techniques,(colored inks, quality paper, colored crayons, frames on the
walls, easels set up with live models sitting in gallery eventually nude,
surrounded by a live little orchestra. 2) high-tech techniques, power points
projected on walls and blown up,photo shop, social media pics, Facebook etc.
In this project Di Pietro finds himself in this 'after post-modern what?'
environment, not wanting to simply reinvent the avant-garde for himself.
In the second half he will present two live performances of recent work since
his residency assisted by pianist Chryssie Nanou,the piano four hands
work "The Serrata",(Farewell)a precursor of Taubes cameo portraits. He will
finish with his text work of his recited writings "Rajas for John Cage"for
recited stories, and small ensemble of pseudo-Asian communal improvisors
CCRMA friends and former students.
Rocco Di Pietro, was born in 1949 at Buffalo, NY. As a composer, he is mostly self taught. Although he studied piano, harmony and counterpoint with Hans Hagen, it was Lukas Foss and Bruno Maderna who guided him during the Buffalo years during the ‘heyday of the New Music Scene’ 1967-1975.There he met many of the leading lights of modernism and post-modernism through his teachers, including: Duchamp, Cage, Johns, Rauschenberg, Feldman, Boulez, Xenakis , Eastman, Stockhausen, etc.
He was Berkshire Music Center-at Tanglewood - ASCAP- Fellow 1971-72, and studied at the Darmstadt Ferienkurse fur Neue Musik, 1978, lecturing there again in 1990. He also attended The Stockhausen Courses in Kurten, 2001 and presented his book “Dialogues with Boulez to Mills College, Stanford University and IRCAM in Paris, 2001-2003.
He teaches at Columbus State Community College in Music and The Humanities, and was SICA Artist in Residence in 2009 at Stanford University . He was a prison educator and Habilitationist at Attica, San Quentin and London Correctional facilities from 1990-2000,resulting in the cycle” Prison Dirges” for various musical ensembles and prisoners life stories and a Social Worker for Franklin County Children services from 1997-2008,resulting in the cycle “The Lost Project” for Christian Boltanski. His works have been performed by Chris Chafe, Jin Dong Cai, Rob Hamilton, Chryssie Nanou, Ge Wang, Cristina Valdes, Christopher DeLaurenti, Jennifer Logan, Amy Denio, Bruce Hamilton, Pauline Oliveros, Julius Eastman, Ivar Mikahasoff, Frances Marie Uitti, Anthony Miranda, Jan Williams, Petr Kotik, Robert Dick, Kathy Supove, Larry Marotta, Ryan Jewell, Olev Viro, Luis Biava, among many others.
His works have been performed at many venues including: The Flea Theatre, Music with a View, NY, Issue Project Room, NY, Roulette Experimental Inter-medium, NY, SEM Ensemble, NY, Fordham University, NY, Third Street Music School, NY, Brooklyn Academy of Music, NY, The Kitchen, NY, La Mama, NY, Thing-NY, Bang On A Can, All Stars, NY, Society for Ethical Culture, NY. Proctor Institute Utica, NY, American Academy in Rome, Italy, Naples Conservatory, Italy, De Ijsbreker, Amsterdam, National theatre, Seoul, South Korea, Berkshire Music Center, Lenox MA. Darmstadt Summer Course, Darmstadt, Germany, and at the Herkulessaal der Residenz, Bayerischer Rundfunk, Munich, Germany, among others.
Music 32N Sculpting with Sounds, Images, and Words
Music 123/223 Undergraduate Seminar in Composition/Composition for Electronic Musicians Music 128 Composing, Coding, and Performance with SLOrk ArtsInst 150 The Changing World of Popular Music Music 192C Session Recording Music 220C Research Seminar in Computer-Generated Music Music 220D Research in Computer-Generated Music Music 222 Sound in Space Music 251 Psychophysics and Music Cognition Music 254 Music Query, Analysis, and Style Simulation (CS275B) Music 257 Neuroplasticity and Musical Gaming Music 264 Musical Engagement Music 318 Advanced Acoustics Music 319 Research Seminar on Computational Models of Sound Perception Music 421AAudio Applications of the Fast Fourier Transform Music 424 Signal Processing Techniques for Digital Audio Effects
Department of Music
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tel: (650) 723-4971
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