| CCRMA Modulations |
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| performers |
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| Ge Wang | Live Coding with the ChucK programming language. (8 channels) |
| Michael Gurevich | Dolphin Synthesis |
| Luke Dahl | Live beat-based electronic music. |
| Juan-Pablo Caceres | "Give a man an orchestra and he doesn't become us" : Laptop : A real-time improvisational distillation of a previous project, 'orquesta', where I "pieced together zillion little orchestral instrument samples." This time I am using the same idea, but real-time and sound processing (forbidden ingredients of the previous project) are permitted and most welcome. |
| Fernando Lopez-Lezcano | "El Dinosaurio Speaks" : Looped and layered live analog electronics. (8 channels) |
| Bruno Ruviaro | "Malleable" : "Able to be hammered or pressed permanently out of shape without breaking or cracking". Malleare means "to hammer", and that
may remind of the word "mallet"; the composer, this charlatan percussionist, works in a forge, hammering old sounds at high temperatures, beating them
gently into new shapes, and sweating. Music, in the end, is all forgery. (8 channels) |
| Maladies Sexualment Transmissible | Ensemble |
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| installations | |
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| Sasha Leitman | bicycle music |
| Michael Gurevich and Stephan von Muehlen | "Interactive Installation" |
| Hiroko Terasawa | Video works |
| Reed Anderson | an artist from Brooklyn, NY. He is part of the Stanford MFA program
and is currently a student at CCRMA. While taking class at CCRMA he began thinking about the relationship of his cut paper drawings and sound-loops. This is the first "drawing"
in a seres of experiments from his studio. Reed's work can be seen at Gregory Lind Gallery in San Francisco, and Pierogi in Brooklyn. |