Special Lecture 9: Elliot Kermit Canfield-Dafilou: The Lost Voices of Hagia Sophia

Resources

Additional resources, thanks to Elliot:

I think the essay in the liner notes is short and sweet and easy to read (as it was written for a lay-audience). You can find the liner notes at either https://ccrma.stanford.edu/~kermit/website/papers/lostvoices_booklet.pdf or https://cdn.naxosmusiclibrary.com/sharedfiles/booklets/CRM/booklet-CR420-CDBR.pdf. The liner notes (pages 24–29) also has a short but pretty-on-topic bibliography.
The stereo version of the album is accessible through Stanford's Naxos subscription: https://stanford-nml3-naxosmusiclibrary-com.stanford.idm.oclc.org/catalogue/item.asp?cid=CR420-CDBR (requires Stanford authentication) as well as most commercial streaming services.

For additional and more technical reading, I suggest:

https://ccrma.stanford.edu/~kermit/website/papers/recordingVirtualAcoustics_AES2017.pdf (Recording in a virtual acoustic environment by Abel and me)
https://ccrma.stanford.edu/~kermit/website/papers/interactionsVirtualAcoustics.pdf (A Method for Studying Interactions between Music Performance and Rooms with Real-Time Virtual Acoustics by me, Callery, Berger, Abel)
https://searchworks.stanford.edu/view/10479624 (Concert Halls and Opera Houses: Music, Acoustics, and Architecture by Leo Beranek)
Byzantium in Bing paper and the chapter by Abel and Werner in Aural architecture in Byzantium : music, acoustics, and ritual "Live Auralization of Cappella Romana at the Bing Concert Hall, Stanford University"

For related projects, I suggest:

Virtual Haydn project (http://www.music.mcgill.ca/thevirtualhaydn/)
Virtual Notre Dame (http://acoustic-task-force-notre-dame.dalembert.upmc.fr/doku.php?id=lavierge2020)
Funded projects aural history projects: http://pasthasears.dalembert.upmc.fr/doku.php/phe and http://auralheritage.org/