CCRMA Knoll Building Classroom, Tuesdays and Thursdays, 10am - noon
September 2005 |
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Sunday |
Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
Saturday |
25 |
26 |
28(optional) Science of Musical Sound, J.R. Pierce reprinted as reader |
29 |
30 |
October 2005 |
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Sunday |
Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
Saturday |
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7 |
8 hw1 clips due online |
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9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 hw2 clips due online |
18 Isak H. music
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19 |
20 |
21 Scodanibbio concert 8pm CCRMA Stage |
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24
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25 |
26 hw3 clips due online |
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28 |
29 midterm answers in email |
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31 |
November 2005 |
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Sunday |
Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
Saturday |
1 Taube |
2 Taube Colloq 5:15 |
3 |
4 |
5 |
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6 Subotnick concert 8pm CCRMA Stage |
7 hw4 clips due online |
8 Subotnick |
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11 |
12 |
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13 |
14 hw5 clips due online |
15 |
16 |
17 |
18 |
19 |
20 |
21 hw6 clips due online |
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23 |
24 |
25 |
26 |
27 |
28 |
29 Reich Come Out |
30 |
December 2005 |
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Sunday |
Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
Saturday |
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How much sound is 100 ms? Needledrop demo, peridodicity, bottom end of hearing (sound systems).
Music clips contain 1000 years? Context and implicit timescales, perceptual windows, spectral windows, bandwidth/time tradeoff.
Cello lesson of the future #1. What are the timescales and elements of expression? Physical and acoustical descriptions.
Theremin to note lists to physical models. Architectures for expression. How to measure the speed of sound in the backyard, FIR, IIR echoes.
Echoes inside air columns and across stretched strings. 2D wave motions.
Building electret condenser mics.
Sight-reading sonograms. Noise, overtones, additive synth, Grey thesis, discovering FM. Nyquist limit.
Everything is a filter!(?). Components in Schroeder-style reverb.
Convolution reverb. Complexes of resonators.
Midterm exam handed out.
Stk, Common Music evolves, Rick Taube
Cello lesson of the future #2, subharmonics. Non-linearity, dynamical wave motions in performance. Grace Leslie, spatial work.
Subotnick
Dynamical system instrument (clarinet-like), CM objects, 220a software structure, Stk assignment.
Short history of synthesis -- & -- Physical models in the hands of composers.
Network collaboration through audio streaming. Delay issues.
CCARH resources.
Ornamentation and new works of Jose's.
To do: David Huron's work, Humdrum
Notation hooks, Lilypond, Motion capture, gesture analysis,
fMRI, Ambisonics