Reading Materials for Final Essentially preparation for the final boils down to reading Chapters 2, 4, 5, 8, 11, and 12 in Brian Moore's book Hearing. It is on reserve in the Music Library and copies of most of the articles can be found in the CCRMA library. Christopher Plack and Robert Carlyon (1995) "Loudness Perception and Intensity Coding" In B.C.J. Moore, Hearing, New York: Academic Press. 85-102 C.J. Darwin and R.P. Carlyon (1995) "Auditory Grouping" In B.C.J. Moore, Hearing, New York: Academic Press. 123-156 Graeme Yates (1995) "Cochlear Structure and Fucntion" In B.C.J. Moore, Hearing, New York: Academic Press. 41-71 Brian C.J. Moore (1995) "Frequency Analysis and Masking" In B.C.J. Moore, Hearing, New York: Academic Press. 161-200 Adrianus J.M. Houtsma (1995) "Pitch Perception" In B.C.J. Moore, Hearing, New York: Academic Press. 267-291 Stephen Handel (1995) "Timbre Perception and Auditory Object Identification" In B.C.J. Moore, Hearing, New York: Academic Press. 425-463 Jonathan Berger and Dan Gang (1999) "A real time model for the formulation and realization of musical expectations" Daniel Levitin (1997) "Experimental Design in Pyschoacoustic Research" John Pierce (1999) "The Nature of Musicl Sound" In Diana Deutsch, The Psychology of Music, London: Academic Press. 1-20 Parag Chordia pchordia@ccrma.stanford.edu