Publications
- Study of instrument combination patterns in orchestral scores from 1701 to 2000 (ICMPC 2016, with David Huron and Dana DeVlieger)
- Effect of room acoustics in listeners' preference of string quartet performances recorded in virtual acoustics (ICMPC 2016, with Sungyoung Kim and Doyuen Ko)
- Why are violin concertos more popular than bassoon concertos? (ESCOM 2015, with David Huron)
- Exploratory study of instrument combinations in orchestral music (ESCOM 2015, with David Huron and Dana DeVlieger)
- Do loudness capability and pitch height influence the choice of solo instruments in concertos? (SMPC 2015, with David Huron)
- Is a salient timbre more difficult to mask? (SMPC 2015, with David Huron)
- Perceptual evaluation of virtual acoustics by string quartet groups (SMPC 2015, with Doyuen Ko)
- Using auditory bubbles to separate harmonic- and formant-based cues for timbre identification (SMPC 2015, with Michael Mandel and Thomas A Lyons)
- Listeners' response to string quartet performances recorded in virtual acoustics (AES 2015, with Doyuen Ko and Sungyoung Kim)
- Effects of pitch, intensity and timbre on frequency masking (ASA 2015, with David Huron)
- Does auditory masking explain high voice superiority? (ICMPC 2014, with David Huron)
- Instrument identification in concurrent unison dyads: The effect of timbre saliency (ICMPC 2014, with David Huron)
- Blend and segregation of pairs of concurrent instrument timbres (BKN25: Milestones in Music Cognition (poster here))
- Effect of timbre on melody recognition in three-voice counterpoint music (SMAC-SMC 2013, with Kevin Schwartzbach, Bennett Smith and Stephen McAdams)
- Effect of Timbre on Voice Recognition in Two-Voice Counterpoint Music (SMPC 2013, with Kevin Schwartzbach, Bennett Smith and Stephen McAdams)
- Timbre saliency vs. timbre dissimilarity -- what is the relationship? (ICA 2013, with Stephen McAdams)
- Exploring blending as a function of timbre saliency (ICMPC 2012, with Stephen McAdams) (Short Abstract, Structured Abstract)
- Investigation of timbre saliency, the attention-capturing quality of timbre (Invited presentation atAcoustics 2012 Hong Kong, with Stephen McAdams)
- Evaluation of a new active acoustics system in performances of five string quartets (AES Convention 2012, Budapest, Hungary, with Doyuen Ko and Wieslaw Woszczyk)
- A Statistical Analysis of Timbre Descriptors for Musical Instrument Classification (ICMPC 2010, with Stephen McAdams) (Short Abstract, Structured Abstract)
- An Assessment of Sound Annoyance
as a Function of Consonance (NIPS Music, Brain and Cognition Workshop 2007 (poster here))
- A Perceptual Study of Sound Annoyance (AudioMostly 2007, with Daniel Steele)
- Predicting Success from Music Sales Data
- A Statistical and Adaptive Approach (ACM Multimedia Audio & Music Computing for Multimedia Workshop 2006, with Malcolm Slaney and Jonathan Berger)
- Simulating the Sound of One's Own Singing Voice (ICMPC 2006, with Sook Young Won and Jonathan Berger)
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