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• Recordings from capabilities pd patch
  • Single Sinusoid @ A4
  • Multiple Sinusoid on 8 Strings
  • Single Sawtooth @ A4
  • Sawteeth
  • Unfiltered White Noise @ A4
  • Unfiltered White Noise on 8 Strings
  • Glissando @ A4
  • Glissandos on 8 Strings
  • Transient Response to Turning on the Silent Soundcard
  • Clips from soundfiles (with dampers up and down):
    • Drill Press from Stanford PRL: undamped damped
    • Intro to Gershwin's Rhapsody in Blue undamped damped
    • Intro to Stravinsky's Le Sacre Du Printemps undamped damped
    • Excerpts from Robert Ashley's Perfect Lives
    Clip 1: undamped damped Clip 2: undamped damped
    • Excerpts from John Adams' Harmonium [Negative Love] undamped damped
    • Intro to Terry Riley's In C undamped damped
    • Victor Wooten bass solos from Sex in a Pan (UFO Tofu)
    Clip 1: undamped damped Clip 2: undamped damped
    • Speech Samples: John F. Kennedy, John Cage
• Twinkle Twinkle Little Star (MIDI-to-EM Automation)
• Basic Sounds:
  • Single Tone
  • Sweeping Tone
• Impulse response measurements using Farina's swept sinusoid technique:
  • shortresponse.wav [15s]
  • longresponse.wav [70s]
  • longunraveled.wav - results after deconvolution
    • SONOGRAM
• Digital Waveguide Model Sounds:
  • responsewithreverb - response of digital waveguide model to swept sinusoid input
    • SONOGRAM
• Earliest sounds made with a lab signal generator (improvised):
  • voice003.mp3
  • voice002.mp3
  • voice001.mp3

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	Steven Backer	Stanford University	Center for Computer Research in Music and Acoustics